Results for 'Martina Marchevská'

81 found
Order:
  1. Current Shopping Trends In Slovakia.Jana Mitríková, Martina Marchevská, Irina Kozárová, Maksym Bezpartochnyi, Igor Britchenko & Radostin Vazov - 2021 - Young Science 9 (3):1-18.
    Understanding the buying and shopping behaviour of current and potential consumers is essential in formulating a successful marketing strategy. It is no longer sufficient for companies to merely produce goods or provide services; companies must know who their consumers are, why they buy, when, where and at what price they buy, and what benefits they expect to gain from the purchase. Companies also need to identify how far consumers are willing to travel to make their purchases and whether the size (...)
    Download  
     
    Export citation  
     
    Bookmark  
  2. Strategies for sustainable socio-economic development and mechanisms their implementation in the global dimension.Maksym Bezpartochnyi, Igor Britchenko, Viera Bartosova, Jaroslav Mazanec, Darina Chlebikova, Olesia Bezpartochna, Robert Dmuchowski, Eva Kicova, Olga Ponisciakova, Rima Žitkienė, Svetlana Kunskaja, Arunas Burinskas, Viktoriia Riashchenko, Jekaterina Korjuhina, Teimuraz Beridze, Jasmina Gržinić, Kolozsi Pál Péter, Lentner Csaba, Veslav Kuranovic, Ramutė Narkūnienė, Erika Onuferova, Veronika Cabinova, Maria Matijova, Renata Fedorcikova, Szmitka Stanisław, Stanisław Szmitka, Andrius Tamošiūnas, Katarina Belanova, Ľubomír Čunderlík, Christian Becker, Erika Kovalova, Katarina Kramarova, Martina Marchevská, Jana Mitríková, Tatiana Racovchena, Nadejda Ianioglo, Aurelija Burinskiene & Lela Jamagidze (eds.) - 2019 - VUZF Publishing House “St. Grigorii Bogoslov”.
    The authors of the book have come to the conclusion that it is necessary to effectively use modern approaches to developing and implementation strategies of sustainable socio-economic development in order to increase efficiency and competitiveness of economic entities. Basic research focuses on economic diagnostics of socio-economic potential and financial results of economic entities, transition period in the economy of individual countries and ensuring their competitiveness, assessment of educational processes and knowledge management. The research results have been implemented in the different (...)
    Download  
     
    Export citation  
     
    Bookmark  
  3. Closing the Conceptual Gap in Epistemic Injustice.Martina Fürst - 2023 - Philosophical Quarterly 74 (1): 1-22..
    Miranda Fricker’s insightful work on epistemic injustice discusses two forms of epistemic injustice—testimonial injustice and hermeneutical injustice. Hermeneutical injustice occurs when the victim lacks the interpretative resources to make sense of her experience, and this lacuna can be traced down to a structural injustice. In this paper, I provide one model of how to fill the conceptual gap in hermeneutical injustice. First, I argue that the victims possess conceptual resources to make sense of their experiences, namely phenomenal concepts. Second, I (...)
    Download  
     
    Export citation  
     
    Bookmark   5 citations  
  4. Ikonische Grenzverläufe.Martina Sauer (ed.) - 2018 - Tuebingen, Germany: IMAGE, Zeitschrift für interdisziplinäre Bildwissenschaft, Themenheft, 28.
    The task of the congress of the German Society for Semiotics in Passau / Germany in September 2017 was to explore and describe "boundaries". A total of 12 sections of the society wrote a call for paper for this purpose. With the present anthology it has to be made evident, how concretely also the boundaries of the own, the other and the foreign can be negotiated via pictures. -/- Papers: -/- - Martina Sauer: Ikonische Grenzverläufe. Szenarien des Eigenen, Anderen (...)
    Download  
     
    Export citation  
     
    Bookmark  
  5. Phenomenal Holism and Cognitive Phenomenology.Martina Fürst - 2023 - Erkenntnis 88 (8): 3259–3289..
    The cognitive phenomenology debate centers on two questions. (1) What is an apt characterization of the phenomenology of conscious thought? And (2), what role does this phenomenology play? I argue that the answers to the former question bear significantly on the answers to the latter question. In particular, I show that conservatism about cognitive phenomenology is not compatible with the view that phenomenology explains the constitution of conscious thought. I proceed as follows: To begin with, I analyze the phenomenology of (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  6. (2015). Bildkraft und Tatkraft: Zum Verhältnis von ästhetischer Erfahrung und Technik im Anschluss an Cassirer, Langer und Krois.Martina Sauer - 2015 - Kongress-Akten, Deutsche Gesellschaft Für Ästhetik, Bd. 3.
    The ability to form „images“ of our experiences with the world (imaging effect) and to adjust our drive and determination in accordance with those images (action effect) is what characterises men, as stipulated by Cassirer and subsequently confirmed by Langer and Krois. Special techniques are required to communicate to others the images of life and how we interpret them. The art as a technique does this masterly by presenting us the views of others on their experiences and wishes through aesthetic (...)
    Download  
     
    Export citation  
     
    Bookmark  
  7. Visualität und Geschichte. Bilder als historische Akteure im Anschluss an Verkörperungstheorien.Martina Sauer - 2015 - In Grüne Niels & Oberhauser Claus (eds.), Jenseits des Illustrativen. Visuelle Medien und Strategien politischer Kommunikation, Göttingen 2015. V&R unipress. pp. 39-60.
    Do have pictures an impact on future? Yes, say theories of embodiment by making perceptual foundations in place of representational arrangements responsible for it. -/- Wirken sich Bildern auf die Zukunft aus? Ja sagen Verkörperungstheorien und machen dafür weniger Repräsentationsmodelle als Wahrnehmungsweisen verantwortlich.
    Download  
     
    Export citation  
     
    Bookmark  
  8. A Dualist Account of Phenomenal Concepts.Martina Fürst - 2013 - In Andrea Lavazza & Howard Robinson (eds.), Contemporary Dualism: A Defense. New York: Routledge. pp. 112-135.
    The phenomenal concept strategy is considered a powerful response to anti-physicalist arguments. This physicalist strategy aims to provide a satisfactory account of dualist intuitions without being committed to ontological dualist conclusions. In this paper I first argue that physicalist accounts of phenomenal concepts fail to explain their cognitive role. Second, I develop an encapsulation account of phenomenal concepts that best explains their particularities. Finally, I argue that the encapsulation account, which features self-representing experiences, implies non-physical referents. Therefore, the account of (...)
    Download  
     
    Export citation  
     
    Bookmark   13 citations  
  9. Implicit Bias and Qualiefs.Martina Fürst - forthcoming - Inquiry: An Interdisciplinary Journal of Philosophy:1-34.
    In analyzing implicit bias, one key issue is to clarify its metaphysical nature. In this paper, I develop a novel account of implicit bias by highlighting a particular kind of belief-like state that is partly constituted by phenomenal experiences. I call these states ‘qualiefs’ for three reasons: qualiefs draw upon qualitative experiences of what an object seems like to attribute a property to this very object, they share some of the distinctive features of proper beliefs, and they also share some (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  10. (1 other version)Verantwortung - Vom Aufladen mit Bedeutung in Kunst und Sprache. Zu den Konsequenzen aus den kulturanthropologischen Ansätzen von Cassirer, Warburg und Böhme.Martina Sauer - 2013 - In Oxen, Kathrin und Sagert, Dietrich (Hrsg.): Mitteilungen - zur Erneuerung evangelischer Predigtkultur, Leipzig 2013 (Kirche im Aufbruch ; 5). pp. 15-33.
    So many things have a meaning for us. How is it possible and how can we deal with it? In "gestures of attention" (rituals) we understand it, Hartmut Böhme says, and we produce it ourselves, Aby M. Warburg and Ernst Cassirer are suggesting. That means the producer and the recipient are responsible for their doing. -/- So vieles in unserem Leben hat für uns eine Bedeutung. Wie kommt das und wie können wir damit umgehen? In "Gesten der Zuwendung" (Rituale), so (...)
    Download  
     
    Export citation  
     
    Bookmark  
  11. Lessons from Blur.Giulia Martina - 2024 - Erkenntnis 89 (8):3229-3246.
    This paper is a contribution to the philosophical debate on visual blur from a relationalist perspective. At the same time, it offers a methodological reflection on the adequacy of explanations of phenomenal similarities and differences among perceptual experiences. The debate on seeing blurrily has been shaped by two implicit assumptions concerning our explanations of differences and similarities between experiences of seeing blurrily and other experiences. I call those assumptions into question, and argue that we do not need to provide a (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  12. Contextual variation and objectivity in olfactory perception.Giulia Martina - 2021 - Synthese 199 (5-6):12045-12071.
    According to Smell Objectivism, the smells we perceive in olfactory experience are objective and independent of perceivers, their experiences, and their perceptual systems. Variations in how things smell to different perceivers or in different contexts raise a challenge to this view. In this paper, I offer an objectivist account of non-illusory contextual variation: cases where the same thing smells different in different contexts of perception and there is no good reason to appeal to misperception. My central example is that of (...)
    Download  
     
    Export citation  
     
    Bookmark   3 citations  
  13.  77
    Gender Visibility: Linguistic Strategies to Challenge Stereotypes in Italian.Martina Giovine - 2024 - Rivista Italiana di Filosofia del Linguaggio:161-171.
    In this paper, I present an analysis of gender-unfair usages and gender-fair strategies as they may be observed in the Italian language. First, I contextualize the topic within the contemporary debate and analyze how linguistic uses are unfair and become vehicles of stereotypes. Subsequently, I provide an overview of the strategies that can be adopted in Italian, which may be broadly categorized as giving visibility to or obscuring genders. Next, I present a series of compelling arguments in favour of using (...)
    Download  
     
    Export citation  
     
    Bookmark   3 citations  
  14. How we talk about smells.Giulia Martina - 2022 - Mind and Language 38 (4):1041-1058.
    Smells are often said to be ineffable, and linguistic research shows that languages like English lack a dedicated olfactory lexicon. Starting from this evidence, I propose an account of how we talk about smells in English. Our reports about the way things smell are comparative: When we say that something smells burnt or like roses, we characterise the thing's smell by noting its similarity to the characteristic smells of certain odorous things (burnt things, roses). The account explains both the strengths (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  15. Multimodality. The Sensually Organized Potential of Artistic Works.Sauer Martina & Christiane Wagner (eds.) - 2022 - New York & Sao Paulo: Art Style.
    With a Call for Essays, the special issue Multimodality sought contributions that accept not only the material but also the body-bound dependence of media perception and understanding. To this end, contributions were included that shed light on both the structural and signifying potential of artistic works through multimodal analysis. Particular attention was paid to contributions that clarify how the structural features - the modes - of the arts, their perception, and their signifying potential in terms of content are interrelated and (...)
    Download  
     
    Export citation  
     
    Bookmark  
  16. (1 other version)Phenomenal Concepts Are Consistent With Wittgenstein's Private Language Argument (short version).Martina Prinz & Francois-Igor Pris - 2013 - AL-Mukhatabat (06):98-105.
    Download  
     
    Export citation  
     
    Bookmark  
  17. Objective smells and partial perspectives.Giulia Martina - 2021 - Rivista di Estetica 3 (78):27-46.
    The thesis that smells are objective and independent of perceivers may seem to be in tension with the phenomenon of perceptual variation. In this paper, I argue that there are principled reasons to think that perceptual variation is not a threat to objectivism about smells and is indeed integral to our perceptual relation to the objective world. I first distinguish various kinds of perceptual variation, and argue that the most challenging cases for the objectivist are those where an odourant smells (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  18. On the Conceivability of a Cognitive Phenomenology Zombie.Martina Fürst - 2019 - Dialectica 73 (1-2):105-127.
    The cognitive phenomenology thesis has it that conscious cognitive states essentially exhibit a phenomenal character. Defenders of ‘conservatism’ about cognitive phenomenology think that the phenomenology of thought is reducible to sensory phenomenology. In contrast, proponents of ‘liberalism’ hold that there is a proprietary, sui generis cognitive phenomenology. Horgan develops a morph-sequence argument to argue for liberalism. The argument is based on the conceivability of a cognitive phenomenology zombie, i.e. a man who does not understand Chinese but shares the behavior and (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  19. Smell identification and the role of labels.Giulia Martina - forthcoming - Philosophical Psychology.
    1. Historically, our sense of smell has been deemed informationally impoverished, not very discerning, subjective, ineffable, and generally of little value (for an overview, see e.g., Barwich, 2020...
    Download  
     
    Export citation  
     
    Bookmark  
  20. Phänomenale Begriffe.Martina Fürst - 2019 - In Vera Hoffmann-Kolss & Nicole Rathgeb (eds.), Handbuch Philosophie des Geistes. J.B. Metzler. pp. 1-11..
    Viele unserer Bewusstseinszustände sind dadurch charakterisiert, dass es irgendwie für uns ist (Nagel 1974), in diesen Zuständen zu sein. In der Philosophie des Geistes werden derartige Zustände als ‚phänomenale Zustände‘ bezeichnet. ‚Phänomenale Begriffe‘ sind nun spezielle Begriffe, mittels derer wir uns auf phänomenale Zustände beziehen. Paradigmatische Beispiele für phänomenale Zustände, von denen wir einen phänomenalen Begriff besitzen können, sind das bewusste Erlebnis, die Farbe Blau zu sehen, den Klang einer Violine zu hören oder Schmerz zu fühlen. Zentral ist, dass sich (...)
    Download  
     
    Export citation  
     
    Bookmark  
  21. "Reflection on: Mary in the black-and-white room".Martina Fürst - 2021 - In Helen De Cruz (ed.), Philosophy Illustrated. New York: Oxford University Press.
    Download  
     
    Export citation  
     
    Bookmark  
  22. (1 other version)(2014) Kunst als ästhetische Strategie. Differenz von Hingabe und Distanz als Bruch und Voraussetzung für eine neue Form des Dialogs.Martina Sauer - 2014 - In Stoellger, Philipp; Gutjahr, Marco (Hrsg.), An den Grenzen des Bildes. Zur visuellen Anthropologie, Königshausen & Neumann: Würzburg 2014 (Interpretation Interdisziplinär, 15). pp. 115-130.
    By observing processes of art perception two contradicting phenomena come to the fore: a feeling of closeness and distance at the same time. The phenomenologists Martin Heidegger and Bernhard Waldenfels describe this connection as a matter of being ("Seinsweise") of images, that allows new views of the world whereas the two cultural anthropologists Ernst Cassirer and Hartmut Böhme note that the connection between both can be seen as the basis of experience ("Erlebnisweise") of images and therefore serves for communication. Here (...)
    Download  
     
    Export citation  
     
    Bookmark  
  23.  61
    The Role of Sympathy in Critical Reasoning and the Limitations of Current Medical AI.Martina Favaretto & Kyle Stroh - forthcoming - Journal of Medicine and Philosophy.
    The recent developments of medical AI systems (MAIS) open up questions as to whether and to what extent MAIS can be modeled to include empathetic understanding, as well as what impact MAIS’ lack of empathetic understanding would have on its ability to perform the necessary critical analyses for reaching a diagnosis and recommending medical treatment. In this paper, we argue that current medical AI systems’ ability to empathize with patients is severely limited due to its lack of first-person experiences with (...)
    Download  
     
    Export citation  
     
    Bookmark  
  24. On The Material Image. Affordances as a New Approach to Visual Culture Studies.Martina Sauer & Elisabeth Günther (eds.) - 2021 - New York & São Paulo: Art Style.
    This special issue on affordances bases on the thesis, that all natural and artificial things inhere affordances that appeal to our cognitive system, and thus invite us to look at them, perceive them, think about them, interpret them, and use them. The concept roots in the studies of the American psychologist James J. Gibson from the 1960s. According to him, "things" offer a certain range of possible activities depending on their form, time patterns, and material qualities, thus becoming part of (...)
    Download  
     
    Export citation  
     
    Bookmark  
  25. An Affective Perception: How "Vitality Forms" Influence Our Mood.Martina Sauer, Giada Lombardi & Giuseppe Di Cesare - 2023 - Art Style 11 (1):127—139.
    The form of an action has a strong influence on the interaction between humans. According to their mood, people may perform the same gesture in different ways, such as gently or rudely. These aspects of social communication are named vitality forms by Daniel Stern, represent a mean to establish a direct and immediate connection with others. Indeed, the expression of different vitality forms enables us to communicate our affective states and at the same time the perception of these vitality forms (...)
    Download  
     
    Export citation  
     
    Bookmark  
  26. Affordance as a Method in Visual Cultural Studies. Based on Theory and Tools of Vitality Semiotics.Martina Sauer - 2021 - Art Style International 2 (7):11-37.
    In a historiographical and methodological comparison of Formal Aesthetics and Iconology with the method of Affordance, the latter is to be introduced as a new method in Visual Cultural Studies. In extension ofepistemologically relevant aspects relatedtostyle and history of the artefacts, communicative and furthermoreaction and decisionrelevant aspects of artefacts become important. In this respect, it is the share of artefacts in life that the new method aims to uncover. The basis for this concern is the theory and methodological tools of (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  27. Phenomenal Knowledge, Imagination, and Hermeneutical Injustice.Martina Fürst - 2024 - In Íngrid Vendrell-Ferran & Christiana Werner (eds.), Imagination and Experience: Philosophical Explorations. New York, NY: Routledge.
    In this paper, I analyze the role of phenomenal knowledge in understanding the experiences of the victims of hermeneutical injustice. In particular, I argue that understanding that is enriched by phenomenal knowledge is a powerful tool to mitigate hermeneutical injustice. I proceed as follows: Firstly, I investigate the requirements for a full understanding of the experiences at the center of hermeneutical injustice and I argue that phenomenal knowledge is key to full understanding. Secondly, I distinguish between direct phenomenal knowledge and (...)
    Download  
     
    Export citation  
     
    Bookmark  
  28. Aesthetik und Pragmatismus. Zur funktionalen Relevanz einer nicht-diskursiven Formauffassung bei Cassirer, Langer und Krois.Martina Sauer - 2014 - Image. Zeitschrift für Interdisziplinäre Bildwissenschaft 20 (2):49-69.
    To what extend is there a relevance of aesthetics for life? By postulating a non-discursive and emotional relevance of forms Cassirer, Langer and Krois open the door for this idea. -/- Inwieweit spielt die Ästhetik im Leben eine Rolle? Indem sowohl Cassirer, Langer und Krois eine nicht-diskursive und emotionale Relevanz von Formen unterstellen, öffnen sie die Türen für diese Idee.
    Download  
     
    Export citation  
     
    Bookmark   7 citations  
  29. Interaction of Nature and Man after Ernst Cassirer: Expressive Phenomena as Indicators.Martina Sauer - 2023 - In Jacobus Bracker & Stefanie Johns (eds.), Critical Zone [Visual Past 7]. Universität Hamburg, Kulturwissenschaften, Germany. pp. 147-161.
    According to the neo-Kantian and cultural anthropologist Ernst Cassirer, man always interacts with nature. This assumption forms the basis for his philosophical approach to the Philosophy of Symbolic Forms of 1929. It is based on the thesis that we do not conceive nature as objects (‘Ding-Wahrnehmung’), but immediately feel and suffer nature through the so-called ‘perception of expression’ (‘Ausdrucks-Wahrnehmung’). Thus, our understanding of the world is based on interaction with nature, because feeling and suffering depend on something we feel and (...)
    Download  
     
    Export citation  
     
    Bookmark  
  30. Phenomenally-grounded Intentionality for Naïve Realists.Giulia Martina - 2022 - Phenomenology and Mind 22 (22):138.
    In this paper, I outline a disjunctivist proposal for understanding the intentionality of perceptions and hallucinations within a naïve realist framework. For the case of genuine perceptual experience, naïve realists can endorse a version of the view that their intentionality is phenomenally-grounded: perceptual experiences have intentionality in virtue of being relations of conscious acquaintance to aspects of the mind-independent environment. By contrast, hallucinations have intentionality dependently or derivatively, in virtue of their indiscriminability from, or similarity with respect to, perceptual experiences. (...)
    Download  
     
    Export citation  
     
    Bookmark  
  31. Iconology and Formal Aesthetics: A New Harmony. A Contribution to the Current Debate in Art Theory and Philosophy of Arts on the (Picture-)Action-Theories of Susanne K. Langer and John M. Krois.Sauer Martina - 2016 - Sztuka I Filozofia (Art and Philosophy), Warschau 48:12-29.
    Since the beginning of the 20th Century to the present day, it has rarely been doubted that whenever formal aesthetic methods meet their iconological counterparts, the two approaches appear to be mutually exclusive. In reality, though, an ahistorical concept is challenging a historical analysis of art. It is especially Susanne K. Langer´s long-overlooked system of analogies between perceptions of the world and of artistic creations that are dependent on feelings which today allows a rapprochement of these positions. Krois’s insistence on (...)
    Download  
     
    Export citation  
     
    Bookmark  
  32. Anna-Maria C. Bartsch: Form und Formalismus. Stationen der Ästhetik bei Baumgarten, Kant und Zimmermann, Würzburg 2017. [REVIEW]Martina Sauer - 2018 - Sehepunkte. Rezensionsjournal für Geschichtswissenschaften 18 (7/8).
    Download  
     
    Export citation  
     
    Bookmark  
  33.  68
    What Is It to Incorporate an Incentive into a Maxim?Martina Favaretto - 2023 - Studia Kantiana 21 (2):45-60.
    Download  
     
    Export citation  
     
    Bookmark  
  34.  56
    A Kantian Account of Aesthetically Sublime Rage.Martina Favaretto - forthcoming - Ergo.
    Building on Kant’s text, I develop and defend an account of a specific kind of anger, which Kant calls “aesthetically sublime rage”. Unlike other kinds of anger, aesthetically sublime rage does not play a motivational function for the subject throughout the time she is feeling rage. Because of this, aesthetically sublime rage escapes the problems that anger has when it motivates one to act. Despite not playing such a direct motivational function, aesthetically sublime rage can have an indirect motivational role (...)
    Download  
     
    Export citation  
     
    Bookmark  
  35. (1 other version)Phenomenal Concepts and Wittgenstein's Private Language Argument.Martina Prinz & Francois-Igor Pris - 2013 - In Martina Prinz & Francois-Igor Pris (eds.), Papers of 36th Wittgenstein Symposium. pp. 326-328.
    Download  
     
    Export citation  
     
    Bookmark  
  36. Faszination - Schrecken. Zur Handlungsrelevanz ästhetischer Erfahrung anhand Anselm Kiefers Deutschlandbilder.Martina Sauer - 2018 - Heidelberg, Germany: arthistoricum.
    Special commendation from the Hans-und-Lea-Grundig Prize by the Rosa-Luxemburg-Foundation 2015 - - I - - How do we perceive the world and pictures? The book is based around the hypothesis that we initially perceive the world as well as pictures by feelings and that there is a direct connection between the two. By debating fascination and horror, such as can be triggered by Anselm Kiefer´s Deutschlandbilder, the author discusses their consequences and conclusions for our cultural self-perception. The author develops a (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  37.  40
    Affects, Choice, and Kant’s Incorporation Thesis.Martina Favaretto - 2024 - In Edgar Valdez (ed.), Rethinking Kant Volume 7. Cambridge Scholars Press. pp. 97-121.
    I focus on the relation between affects and the Incorporation Thesis in Kant’s ethics. I challenge the following view: According to Kant, when affects lead to action, the relation between one’s affect and one’s action is one of being caused to act by one’s affect in such a way that it leaves no room for choice by the agent. I argue that Kant’s text supports an alternative reading of how affects lead to action. On the view I propose, when affects (...)
    Download  
     
    Export citation  
     
    Bookmark  
  38. Marshall McLuhan in a New Light. Old and New Methods of Influencing Emotions in Communities of the Electronic Age.Martina Sauer - 2023 - In Grabbe Lars, Andrew McLuhan & Tobias Held (eds.), Beyond Media Literacy. Germany, Marburg: Büchner Verlag. pp. 14—32.
    How is it possible that emotions in the community can be influenced by media? According to the paper’s concept, this is only understandable if we accept with Marshall McLuhan that media and the human body are not separable. There is no divide. The medium is the message expressed through the body/human being. This has preconditions, because the connection must be based on an analog principle that serves as the transmitter. This lies in non-discursive affectively relevant forms and an equally affectively (...)
    Download  
     
    Export citation  
     
    Bookmark  
  39. Emmanuel Alloa (Ed.): Erscheinung und Ereignis. Zur Zeitlichkeit des Bildes, München 2013. [REVIEW]Martina Sauer - 2015 - Sehepunkte. Rezensionsjournal für Geschichtswissenschaften 15 (1).
    Download  
     
    Export citation  
     
    Bookmark  
  40. Originalmanuskript: Debatte zwischen Spekulativer Ästhetik versus Ästhetik als Formwissenschaft, 1830-1870, urspr. erschienen in: Grundriss zur Geschichte der Philosophie, Bd. 1/2, Die Philosophie des 19. Jahrhundert: Deutschsprachiger Raum 1830-1870. Hg. Gerald Hartung, Basel: Schwabe, 2023, 425-447 (2nd edition).Martina Sauer - 2024 - Ub Heidelberg. Publikationsplattform Kunst- Und Bildwissenschaften, Arthistoricum.Net.
    Philosophy from above or from below? Higher ideas or empiricism? -/- These questions have been at the forefront of the differentiation of university subjects in Germany since the mid-19th century. Questions about aesthetics or the beautiful, the true and the good and about what is beautiful, good and true played a central role. -/- Cf. my contribution in Grundriss zur Geschichte der Philosophie, vol. 1/2, Die Philosophie des 19. Jahrhunderts: Deutschsprachiger Raum 1830-1870. ed. Gerald Hartung, Basel: Schwabe, 2023, 425-447 and (...)
    Download  
     
    Export citation  
     
    Bookmark  
  41. Ästhetik versus Kunstgeschichte?: Ernst Cassirer als Vermittler in einer bis heute offenen Kontroverse zur Relevanz der Kunst für das Leben.Martina Sauer - 2018 - In Stefan Niklas & Thiemo Breyer (eds.), Ernst Cassirer in Systematischen Beziehungen: Zur Kritisch-Kommunikativen Bedeutung Seiner Kulturphilosophie. Berlin: De Gruyter. pp. 239-260.
    Aesthetics versus Art History? Ernst Cassirer as Mediator in an ongoing Controversy on the Relevance of Art for Life. Against the background of Ernst Cassirer’s cultural philosophy, art studies are to be classified as cultural studies. Central to this is Cassirer’s philosophy as the basis for answering a question that has been posed by the methods of formal aesthetics and iconology since the 19th century but is still unanswered today, namely the question of the relevance of the arts for life. (...)
    Download  
     
    Export citation  
     
    Bookmark  
  42. What is Reality? Walter Benjamin, Roland Barthes, Jacques Derrida, Judith Butler, and the artist Karin Kneffel on the deconstruction of the familiar as liberation from determination.Martina Sauer - 2020 - Art Style, Art and Culture International Magazine, Special Issue_6, On the Postmodern Age, Ed. By Martina Sauer 6 (6):101-120.
    What is reality? It is postmodern or poststructuralist philosophers like Roland Barthes, who realized that it only seems that the media present reality in the form of facts, because they actually spread myths. Accordingly, Jacques Derrida made it clear that communication via media is not based on logic, but is characterized by a significant “différance” between a “marque” (trace) of the past and the expectations of the future. Both agreed, that the initial misunderstanding of the concept of reality must be (...)
    Download  
     
    Export citation  
     
    Bookmark  
  43. Abstract - Affective – Multimodal: Interaction between Medium and Perception of Moving Images from the Viewpoint of Cassirer's, Langer's and Krois' Embodiment Theories.Martina Sauer - 2022 - In Multimodality. The Sensually Organized Potential of Artistic Works, edited by Martina Sauer and Christiane Wagner, New York and São Paulo [Special Issue, Art Style 10, 01, 2022]. pp. 25-46.
    Everyday media consumption leaves no doubt that the perception of moving images from various media is characterized by experience and understanding. Corresponding research in this field has shown that the stimulus patterns flooding in on us are not only processed mentally, but also bodily. Building on this, the following study argues that incoming stimuli are processed not only visually, but multimodally, with all senses, and moreover affectively. The classical binding of a sensory organ to a medium, on whose delimitation the (...)
    Download  
     
    Export citation  
     
    Bookmark  
  44. Panofsky - Warburg - Cassirer. From Iconology to Image Science.Martina Sauer - 2020 - In Homo Pictor. Image Studies and Archaeology in Dialogue [Freiburger Studien zur Archäologie & Visuellen Kultur 2], ed. by Jacobus Bracker, Heidelberg: Propylaeum. pp. 159-171.
    Neither the art historians Panofsky and Warburg nor the philosopher Cassirer had any interest with their cultural-historical research in fact-based, historical questions. An approach that had become common in the 19th century due to the loss of validity of the speculative aesthetics. On the contrary, instead of this substantial understanding as the documentary concept represents, these researchers focused on a functional understanding of art historical sources. Nevertheless, in contrast to this starting point, Panofsky invented a methodological procedure, the so-called iconological (...)
    Download  
     
    Export citation  
     
    Bookmark  
  45. Das Bild als eigenständiges semiotisches System.Martina Sauer - 2016 - In Natalia Igl Julia Menzel (ed.), Illustrierte Zeitschriften um 1900. Mediale Eigenlogik, Multimodalität und Metaisierung. transcript. pp. 137-165.
    Do we communicate with pictures? If so, the text asks, what about their complex, dynamic appearances? Are they part of the communication process? By analysing a cover image of the journal Jugend from 1896 and by consulting the research on the logic of pictures (“Eigenlogik”) in Bildwissenschaft, Iconology and Cultural Anthropology these questions shall be persued. The analysis suggests, that instead of consenting the results of epistemological aesthetic research a new understanding of pictures shall be implemented: They can be considered (...)
    Download  
     
    Export citation  
     
    Bookmark  
  46. Framing Emotional Perception: Affect and Effect of Aesthetic Experience, or Extensions of Aesthetic Theory Towards Semiotics.Martina Sauer - 2019 - Art Style: Art and Culture International Magazine 4 (4):73-87.
    How does an audience receive a work of art? Does the experience only affect the viewer or does it have an effect and thus influence his or her actions? It is the cultural philosopher Ernst Cassirer and his successors in philosophy and developmental psychology as well as in neuroscience to this day who postulate that perception in general and perception of art in particular are not neutral in their origins but alive and thus meaningful. They assume that both are based (...)
    Download  
     
    Export citation  
     
    Bookmark  
  47. From aesthetics to vitality semiotics - From l´art pour l´art to responsibility. Historical change of perspective exemplified on Josef Albers.Martina Sauer - 2020 - In Grabbe, Lars Christian ; Rupert-Kruse, Patrick ; Schmitz, Norbert M. (Hrsgg.): Bildgestalten : Topographien medialer Visualität. Marburg: Büchner. Büchner Verlag. pp. 194-213.
    The paper follows the thesis, that the perception of real or virtual media shares the anthropological state of "Ausdruckswahrnehmung" or perception of expression (Ernst Cassirer). This kind of perception does not represent a distant, neutral point of view, but one that is guided by feelings or "vitality affects" (Daniel N. Stern). The prerequisites, however, for triggering these feelings/"vitality affects" are not recognizable objects or motifs, but rather their sensually evaluable “abstract representations” or their formal logical structures. In contrast to aesthetic (...)
    Download  
     
    Export citation  
     
    Bookmark  
  48. Von Bildimpulsen zu Vitality Semiotics. Affordanz und Rahmen (frames) aus kunstgeschichtlicher Sichtweise am Beispiel der Exekias-Schale in München.Martina Sauer - 2021 - In Mehrdeutigkeiten: Rahmentheorien und Affordanzkonzepte in den Archäologischen Bildwissenschaften, edited by Elisabeth Günther and Johanna Fabricius. Wiesbaden: Harrassowitz, 2021 (Philippika ; 147). pp. 79-103.
    To relate theories of affordance and frame with the tradition of formal aesthetics, philosophical iconology and the life sciences (keyword Vitality Semiotics) is the starting point of the paper. According to this approach, the structural preconditions of images, as determined by materials, techniques and the composition of the design means, become essential. Through these structures, the producers are able to set impulses that become decisive for the interpretation of space and time or the "scene" as a dynamic event. Against the (...)
    Download  
     
    Export citation  
     
    Bookmark  
  49. ´The better form´ - Josef Albers´s Idealistic Concept of Art Reveals its Socio-Cultural Function.Martina Sauer - 2019 - Art Style: Art and Culture International Magazine 2 (2):30-55.
    With the aim of teaching and practicing art for the good or moreover the better, Josef Albers proves to be an idealist. At the same time, he confirms with this conviction that art can also arouse the opposite. This conviction is already evident in the grammatical form of the term, which proves that art is functional or a technique for socio-cultural applications, whether good or bad. In the presentation of the political and philosophical background of this idea as well as (...)
    Download  
     
    Export citation  
     
    Bookmark  
  50. Warburg und die Natur(-wissenschaft): Affektpsychologische Fundierung von Kultur im Hamburger Kreis um Warburg, Cassirer und Werner und deren Nachwirkungen.Martina Sauer - 2020 - Visual Past, 5/2018, Special Issue: Image Senses.
    What distinguishes humans form animals? Acknowledging that humans are part of nature, that can process psychologically their affective-vital reactions to nature, and thus be held responsible for cultural processes, is the result of art historical, cultural-philosophical and life science research over the past two centuries. This line of argumentation led to the consideration that there must also be a connection between affective-psychological reactions and formal, a-historical mechanisms that are usually used by the arts. However, influenced by classical aesthetic theory, no (...)
    Download  
     
    Export citation  
     
    Bookmark  
1 — 50 / 81