Main Title | And Your Bird Can Speak (e25127) |
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Official Title | x-jat |
Official Title | ja |
Official Title | de |
Official Title | fr |
Relation | Song | in Episodes | Rating | Credit | Staff | Comment |
---|---|---|---|---|---|---|
opening | Asterisk | 1-25, OP1 | 6.22 (34) | Vocals/Performed by (歌手) | Orange Range | |
Lyrics (作詞) | Orange Range | |||||
Music Composition (作曲) | Orange Range | |||||
ending | Life Is Like a Boat | 1-13, ED1 | 6.77 (16) | Vocals/Performed by (歌手) | Rie Fu | |
Lyrics (作詞) | Rie Fu | |||||
Music Composition (作曲) | Rie Fu | |||||
Music Arrangement (編曲) | SNORKEL | |||||
String Arrangement (Strings Arrangement) | Okamura Mio | |||||
Viola (Viola) | Hagiwara Kaoru | |||||
1st Violin (1st Violin) | Okamura Mio | |||||
2nd Violin (2nd Violin) | Abe Mio | |||||
Guitar (Guitars) | Ishii Masayuki | |||||
Drums | Shiino Kyouichi | |||||
Bass | Kasahara Toshiyuki | |||||
Cello | Hashimoto Ayumi | |||||
Piano | Rie Fu |
Credit | Name | in Episodes | Comment |
---|---|---|---|
Series Composition (シリーズ構成) | Sogo Masashi | 1-214 | |
Sub Character Design (サブデザイン) | Miyoshi Kazuya | 4-7, 10-15, 18, 23-30, 34-35, 37-38, 40, 44-46, 52-53, 55, 61-67, 69-83, 86-87, 89, 91-92, 94-100, 102-103, 105-112, S3 | |
Suzuki Natsuko | 4, 26-30, 33, 64-67, 69-70, 80-81, 88-89, 91-92, 94-100, 102, 105, 107-109 | ||
Hollow Design (ホロウデザイン) | Moriyama Yuuji | 4-5, 7, 12-14 | |
Main Animator (キーアニメーター) | Nakamori Ryouji | 1-214 | |
Music Producer (音楽プロデューサー) | Kimura Tadahito | 1-189 | |
Ooyama Ryou | 1-214 | ||
Sound Work (音響制作) | Zack Promotion | 1-366, S1, S3 | |
Sound Effects (効果) | Mutou Akiko | 1-366, S1, S3 | |
Sound Box | 1-366, S1, S3 | ||
Editing (編集) | Uematsu Jun`ichi | 1-366, S1, S3 | |
Hamauzu Taeko | 1-63, S1, S3 | ||
Photographic Direction (撮影監督) | Fukushima Toshiyuki | 1-291 | |
Producer (プロデューサー) | Kobayashi Noriko | 1-86, 226-328 | TV Tokyo (テレビ東京) |
Sugiyama Yutaka | 1-25, 355-366 | ||
Planning Manager (プランニングマネージャー) | Harada Takashi | 1-38 | TV Tokyo (テレビ東京) |
Work Assistance (制作協力) | Piggy | 4, 9, 13, 19, 26, 32, 38, 47, 55, 64, 70, 75-76, 81, 84-85, 88, 94, 96, 101, 104, 109, 111, 116, 123, 130, 139, 146, 148, 153, 156, 160, 168, 175, 183, 191, 194, 198, 201, 205, 209, 215, 228, 232, 240, 248, 256, 264, 275, 283, 291, 298, 305, 313, 321, 330, 337, 344, 352, 359, 364 |
Script/Screenplay (脚本) | Yoshimura Genki | 4-5, 12, 19, 25, 32, 38, 45, 51, 56, 60, 69, 72, 79, 110, 116, 120, 143, 150, 160, 164, 171, 175, 180, 182, 186, 193, 198, 203, 209, 216, 219, 227, 232, 238-239, 246, 251, 255, 257, 261, 266 | |
Storyboard (絵コンテ) | Ueda Hidehito | 4 | |
Episode Direction (演出) | Kimura Takuji | 4, 9, 13, 19, 26, 32 | |
Animation Direction (作画監督) | Suzuki Natsuko | 4, 9, 13, 19, 26, 32, 38, 47, 55, 64, 70, 76, 85, 94, 101, 109, 116, 123, 130, 139, 146, 153, 160, 168, 175, 183, 191, 194, 198, 201, 205, 209, 215, 228, 232, 240, 248, 256, 264, 266, 275, 283, 291, 298, 305, 313, 321, 330, 337, 344, 352, 359, 364, ED3a, ED3g | |
Key Animation (原画) | Kameyama Shin`ya | 1, 4, 9, 14, 23, 26, 32, 34, 38 | |
Kanazawa Hidemi | 4 | ||
Sawada Hironori | 4 | ||
Tanaka Yae | 4 | ||
Yokomine Katsumasa | 4 | ||
Muramatsu Hisao | 4, 7, 9, 26 | ||
Ikeda Tomomi | 4, 9 | ||
Ishihara Ayako | 4, 9 | ||
Kaneda Yasuhide | 4, 9 | ||
Igari Takashi | 4, 9, 13 | ||
Kubo Mitsuteru | 4, 9, 13, 19 | ||
Abe Hiroki | 4, 9, 26 | ||
Hwang Il jin | 4, 13 | ||
Hirakawa Rie | 4, 13, 19, 26, 32, 38 | ||
Nakajima Yuki | 4, 13, 19, 26, 32, 38 | ||
Aoyagi Shigemi | 4, 13, 19, 32 | ||
Washio Yukihiro | 4, 18-19, 26, 32, 38 | ||
Background Art (背景) | DR Movie | 1-33, 35-39, 41-42, 44-48, 50-53, 55-56, 58-60, 62-85, 89-91, 93-95, 97-99, 101-103, 105-107, 109-111, 113-115, 117-119, 121, 123, 126-132, 134-135, 147-150, 153-154, 159, 162-163, 165-177, 179-191, 194, 206-207, 209, 211, 219-220, 236, 240, 301, S1, S3 | |
Studio Wyeth | 1-15, 17-33, 35-39, 41-42, 44-48, 50-56, 58-87, 89-91, 93-95, 97-99, 101-103, 105-107, 109-111, 113-115, 117-119, 121-123, 125-355, 357-366, S1, S3 | ||
Special Effects (特効) | Suzuki Miho | 1-366 | |
Photography (撮影) | T2 Studio | 1-366, S1, S3 | |
Film Editing (ビデオ編集) | J-Force | 1-366, S1, S3 | |
平塚茂樹 | 1-366, S1, S3 | ||
石川正明 | 1-366, S1, S3 | ||
Recording Direction Assistant (録音監督助手) | Enomoto Takashi | 1-38, S1 | |
Recording (録音) | Seion Studio | 1-366, S1, S3 | |
Recording Adjustment (調整) | Katou Emi | 1-366, S1, S3 | |
Nishizawa Norio | 1-366, S1, S3 | ||
Music Assistance (音楽協力) | TV Tokyo Music | 1-364, 366 | |
Publicity (番組宣伝) | 渡辺聖子 | 1-19 | TV Tokyo (テレビ東京) |
Design Manager (設定制作) | Takashige Ritsuya | 1-125, 130-137, S1, S3 | Credit given as 設定 in ep125 |
Art and Literature (文芸担当) | Ookubo Masahiro | 1-205, S1, S3 | |
Production Desk (制作デスク) | Asari Fujiaki | 1-13, S1 | |
Production Manager (制作担当) | Ozawa Kazuyoshi | 1-119, S1, S3 |
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