Main Title | Beat the Invisible Enemy! (e25728) |
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Official Title | x-jat |
Official Title | ja |
Official Title | fr |
Official Title | de |
Relation | Song | in Episodes | Rating | Credit | Staff | Comment |
---|---|---|---|---|---|---|
opening | Asterisk | 1-25, OP1 | 6.22 (34) | Vocals/Performed by (歌手) | Orange Range | |
Lyrics (作詞) | Orange Range | |||||
Music Composition (作曲) | Orange Range | |||||
ending | Life Is Like a Boat | 1-13, ED1 | 6.77 (16) | Vocals/Performed by (歌手) | Rie Fu | |
Lyrics (作詞) | Rie Fu | |||||
Music Composition (作曲) | Rie Fu | |||||
Music Arrangement (編曲) | SNORKEL | |||||
String Arrangement (Strings Arrangement) | Okamura Mio | |||||
2nd Violin (2nd Violin) | Abe Mio | |||||
1st Violin (1st Violin) | Okamura Mio | |||||
Viola (Viola) | Hagiwara Kaoru | |||||
Guitar (Guitars) | Ishii Masayuki | |||||
Drums | Shiino Kyouichi | |||||
Bass | Kasahara Toshiyuki | |||||
Cello | Hashimoto Ayumi | |||||
Piano | Rie Fu |
Credit | Name | in Episodes | Comment |
---|---|---|---|
Series Composition (シリーズ構成) | Sogo Masashi | 1-214 | |
Sub Character Design (サブデザイン) | Miyoshi Kazuya | 4-7, 10-15, 18, 23-30, 34-35, 37-38, 40, 44-46, 52-53, 55, 61-67, 69-83, 86-87, 89, 91-92, 94-100, 102-103, 105-112, S3 | |
Hollow Design (ホロウデザイン) | Moriyama Yuuji | 4-5, 7, 12-14 | |
Costume Design (コスチュームデザイン) | Suzuki Natsuko | 5, 20 | |
Main Animator (キーアニメーター) | Nakamori Ryouji | 1-214 | |
Music Producer (音楽プロデューサー) | Kimura Tadahito | 1-189 | |
Ooyama Ryou | 1-214 | ||
Sound Work (音響制作) | Zack Promotion | 1-366, S1, S3 | |
Sound Effects (効果) | Mutou Akiko | 1-366, S1, S3 | |
Sound Box | 1-366, S1, S3 | ||
Editing (編集) | Uematsu Jun`ichi | 1-366, S1, S3 | |
Hamauzu Taeko | 1-63, S1, S3 | ||
Photographic Direction (撮影監督) | Fukushima Toshiyuki | 1-291 | |
Producer (プロデューサー) | Kobayashi Noriko | 1-86, 226-328 | TV Tokyo (テレビ東京) |
Sugiyama Yutaka | 1-25, 355-366 | ||
Planning Manager (プランニングマネージャー) | Harada Takashi | 1-38 | TV Tokyo (テレビ東京) |
Script/Screenplay (脚本) | Yoshimura Genki | 4-5, 12, 19, 25, 32, 38, 45, 51, 56, 60, 69, 72, 79, 110, 116, 120, 143, 150, 160, 164, 171, 175, 180, 182, 186, 193, 198, 203, 209, 216, 219, 227, 232, 238-239, 246, 251, 255, 257, 261, 266 | |
Storyboard (絵コンテ) | Saitou Tetsuhito | 5, 10, 14, 19, 25, 31, 38-39, 45, 49, 54, 62, 69, 71, 74, 77, 81, 86, 89, 93, 96, 102, 106, 117, 119, 123, 132, 139, 166, 176, 232, 239, 250, 261, 266-267, 284, 294, 330, 333, 339, 345, 352, 359, 365 | 斉藤哲人 |
Episode Direction (演出) | Mizuno Kazunori | 5, 10, 17, 23, 31, 166, 219, 226, 236, 243, 255, 266, 318, 328, 334, 351, 365, ED14, ED18, ED22, ED29, OP6, OP9-OP10, OP12, S1 | |
Assistant Episode Direction (演出助手) | Shirai Takeshi | 5, 10, 17, 23, 31, 37, 44, 54, 60, 69, S1 | |
Animation Direction (作画監督) | Fukazawa Manabu | 5, 17, 37, 49, 58, 69, 79, 91, 108, 119, 124, 224, 233, 249, 266 | |
Key Animation (原画) | Murakami Tomoko | 1, 3, 5, 8, 10, 12, 15, 17, 21-23, 27, 29, 33, 36 | |
Nakanishi Rie | 1, 3, 5, 8, 10, 12, 17, 22-23, 27, 29, 31, 33, 35-36, ED3h, ED23, OP6 | ||
Inoue Atsuko | 1, 5, 10, 17, 23, 31, 33, 37, 366, ED3k, ED6, ED18, ED22, ED24, ED26, OP1-OP9, OP11-OP12, OP15a | ||
Notake Hiroyuki | 1, 5, 10, 20, 29, 33 | ||
Matsuzaka Sadatoshi | 1, 5, 12, 22, 31, 36 | ||
Oono Yasue | 1, 5, 14, 27, 33, 37 | ||
Tokumaru Teruaki | 1, 5, 33, 35, 37, 366, ED18 | ||
Chiba Michinori | 5 | ||
Obunai Mitsuru | 5 | ||
Nakamori Ryouji | 5, 10-12, 14, 17, 21-22, 27, 29, 31, 35, 37, OP1, OP7 | ||
Chiba Takaaki | 5, 12 | ||
Kitamura Tomoyuki | 5, 12, 22, 31, 36 | ||
Wanibuchi Kazuhiko | 5, 14, 21, 34 | ||
Kuwabara Misa | 5, 14, 22, 31, 37 | ||
Ootsuka Ken | 5, 33 | ||
Background Art (背景) | DR Movie | 1-33, 35-39, 41-42, 44-48, 50-53, 55-56, 58-60, 62-85, 89-91, 93-95, 97-99, 101-103, 105-107, 109-111, 113-115, 117-119, 121, 123, 126-132, 134-135, 147-150, 153-154, 159, 162-163, 165-177, 179-191, 194, 206-207, 209, 211, 219-220, 236, 240, 301, S1, S3 | |
Studio Wyeth | 1-15, 17-33, 35-39, 41-42, 44-48, 50-56, 58-87, 89-91, 93-95, 97-99, 101-103, 105-107, 109-111, 113-115, 117-119, 121-123, 125-355, 357-366, S1, S3 | ||
Special Effects (特効) | Suzuki Miho | 1-366 | |
Photography (撮影) | T2 Studio | 1-366, S1, S3 | |
Film Editing (ビデオ編集) | J-Force | 1-366, S1, S3 | |
平塚茂樹 | 1-366, S1, S3 | ||
石川正明 | 1-366, S1, S3 | ||
Recording Direction Assistant (録音監督助手) | Enomoto Takashi | 1-38, S1 | |
Recording (録音) | Seion Studio | 1-366, S1, S3 | |
Recording Adjustment (調整) | Katou Emi | 1-366, S1, S3 | |
Nishizawa Norio | 1-366, S1, S3 | ||
Music Assistance (音楽協力) | TV Tokyo Music | 1-364, 366 | |
Publicity (番組宣伝) | 渡辺聖子 | 1-19 | TV Tokyo (テレビ東京) |
Design Manager (設定制作) | Takashige Ritsuya | 1-125, 130-137, S1, S3 | Credit given as 設定 in ep125 |
Art and Literature (文芸担当) | Ookubo Masahiro | 1-205, S1, S3 | |
Production Desk (制作デスク) | Asari Fujiaki | 1-13, S1 | |
Production Manager (制作担当) | Ozawa Kazuyoshi | 1-119, S1, S3 |
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