Visión Doble Revista de Crítica e Historia del Arte
https://humanidades.uprrp.edu/visiondoble/
Visión Doble: revista de Crítica e Historia del Arte es una publicación virtual creada en marzo de 2013, que nace con el propósito fundamental de dar a conocer el arte puertorriqueño a través de críticas de arte, reseñas de publicaciones sobre la materia, entrevistas a personalidades del panorama artístico nacional, y de ensayos relacionados con la actualidad artística y arquitectónica que se desarrolla en este contexto. A este propósito inicial se le fue sumando, posteriormente, el interés por ampliar el alcance geográfico de la revista y así abarcar temáticas de mayor amplitud, tanto en la actualidad como en etapas anteriores de la historia del arte.
Visión Doble se genera desde el Programa de Historia del Arte de la Universidad de Puerto Rico, Recinto de Río Piedras, y está indexada en sistemas de información como Latindex y MIAR. La publicación abre una serie de ventanas a la reflexión histórica y crítica sobre las múltiples manifestaciones del arte y de la arquitectura a través de distintas secciones, como son entrevistas, análisis de exhibiciones, museos, libros y obras de arte, teniendo la investigación como fundamento primordial en todas ellas.
Esta revista académica es un espacio abierto a las aportaciones de investigadores con dilatada experiencia pero sin olvidar también la importancia de servir de plataforma a las perspectivas de autores con una incipiente carrera en estas áreas. En todos los casos, el criterio para la publicación de los textos se fundamenta en la pertinencia de sus propuestas, la calidad de sus ideas y el rigor de sus análisis.
Address: Visión Doble
Revista de Crítica e Historia del Arte
Programa de Historia del Arte
Facultad de Humanidades
Universidad de Puerto Rico, Recinto de Río Piedras
13 Ave. Universidad Ste. 1301
San Juan, Puerto Rico 00925-2533
Visión Doble: revista de Crítica e Historia del Arte es una publicación virtual creada en marzo de 2013, que nace con el propósito fundamental de dar a conocer el arte puertorriqueño a través de críticas de arte, reseñas de publicaciones sobre la materia, entrevistas a personalidades del panorama artístico nacional, y de ensayos relacionados con la actualidad artística y arquitectónica que se desarrolla en este contexto. A este propósito inicial se le fue sumando, posteriormente, el interés por ampliar el alcance geográfico de la revista y así abarcar temáticas de mayor amplitud, tanto en la actualidad como en etapas anteriores de la historia del arte.
Visión Doble se genera desde el Programa de Historia del Arte de la Universidad de Puerto Rico, Recinto de Río Piedras, y está indexada en sistemas de información como Latindex y MIAR. La publicación abre una serie de ventanas a la reflexión histórica y crítica sobre las múltiples manifestaciones del arte y de la arquitectura a través de distintas secciones, como son entrevistas, análisis de exhibiciones, museos, libros y obras de arte, teniendo la investigación como fundamento primordial en todas ellas.
Esta revista académica es un espacio abierto a las aportaciones de investigadores con dilatada experiencia pero sin olvidar también la importancia de servir de plataforma a las perspectivas de autores con una incipiente carrera en estas áreas. En todos los casos, el criterio para la publicación de los textos se fundamenta en la pertinencia de sus propuestas, la calidad de sus ideas y el rigor de sus análisis.
Address: Visión Doble
Revista de Crítica e Historia del Arte
Programa de Historia del Arte
Facultad de Humanidades
Universidad de Puerto Rico, Recinto de Río Piedras
13 Ave. Universidad Ste. 1301
San Juan, Puerto Rico 00925-2533
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Papers 2013 by Visión Doble Revista de Crítica e Historia del Arte
Abstract: In an installation named Mapping, Puerto Rican artist Víctor Vázquez examines the ideas of nation, territory and identity through a provocative use of Barbie dolls that were installed directly on the ground and dressed with the flags of various nations.
Abstract: In an installation named Mapping, Puerto Rican artist Víctor Vázquez examines the ideas of nation, territory and identity through a provocative use of Barbie dolls that were installed directly on the ground and dressed with the flags of various nations.
Abstract: Antonio Cortés Rolón has dedicated more than thirty years of his artistic career to representing emigrants on his canvases, echoing his own experiences in New York City as well as his family present reality. Galería Cidreña shows part of these paintings, until January 2017.
Abstract: Cybelle Cartagena shows her recent work, En alta frecuencia [In High Frequency], as part of the 4th season of projects in Area: Lugar de Proyectos. There, we experience mixed feelings, serenity and vertigo, inviting us to get into the space of the exhibition, which is conceived as an art installation.
Abstract: Humberto Figueroa dedicates this biographical sketch, full of admiration and tenderness, to the professional life and public figure of Emilia Somoza, Miyuca, after her recent pass.
Abstract: PROA is the The Artist Assistance Program, a project of the Museo de Arte de Puerto Rico that has completed ten years now. Its mission has been to support Puerto Rican artists, providing services to facilitate their art production and maximize their visibility, educating with strategies to face the reality of their professionalization.
Abstract: Party in the City is Rigoberto Quintana’s most recent exhibition, in Espacio 20/20, at Calle Cerra, in Santurce. Quintana reflects on his work in an interview with Melissa Ramos, who also relates the events that occurred after closing the exhibition, reporting on the current state of the exhibition space.
Abstract: Trabaje Duro [Work Hard] is the title of the exhibition by Quintín Rivera Toro, that is open at the Antiguo Arsenal de la Marina of the Institute of Puerto Rican Culture. Almost twenty years of art work make up his visual discourse, in which effort tinges with sarcasm this political raving.
Abstract: Through the use of definite articles for the names of different flowers in Spanish, Zuania Muñiz creates a set of photographs in which body and flower form a lyrically inseparable unit. This work is on exhibition at the Taller de Periodismo in San Juan, and it has been awarded an Honorable Mention as a portrait by The International Photography Awards.
Abstract: Garvin Sierra is showing his recent work, False Positives, at the Francisco Oller Art Gallery, in UPR – Río Piedras Campus. The artist invites viewers to an intimate tour of a peculiar wonder room, where false identities and positive memories are found. Through the use of mirrors and other elements, Sierra intervenes photographs as the subject himself intervenes with his memories: in fragments.
Abstract: Retratos de la subordinación [Portraits of Subordination], is the recent exhibition by Ramón López Colón, which brings together eight canvases created between 1996 and 2016. This artist’s work, under an apparent cloak of naivety, is always cutting with the present political landscape and the social environment in Puerto Rico.
Abstract: A veces sueño que cae un meteorito sobre mi país y lo construye [Sometimes I dream that a meteorite falls on my country and builds it], by Karlo Andre Ibarra, is the title of his recent exhibition, open at Projecto Local. There, the artist uses an ironic and bitter spirit to reflect on Puerto Rican politics.
Abstract: The Art Museum of Caguas has exhibited, for more than a year, the retrospective on the work that artist Nelson Rivera has created over the last more than three decades. Sucio Difícil [Tough Dirt], curated by Michele Fiedler, is an exhibition that brings together not only works of theater, music and performance, but also other artists, who have turned this retrospective into a collective artpiece.
Abstract: Conflicts and collisions between powers traditionally leave a balance of victims, something that has not gone unnoticed under the gaze of the artist Coco Valencia. His recent exhibition, titled ROOM of Evidence / SALA de Evidencia, mirror this situation, and it can be visited at the Museo de San Juan.
Abstract: Transitorios, an exhibition on artist Karen Santiago Torres’ most recent works, opened to the public on October 20th. In the show, dozens of stray dogs become a metaphor for the social and economic problems that affect the country, including poverty, danger, marginalization and neglect.
Abstract: Elsa Meléndez and Wilfredo Mercado have a long conversation about art and politics. Their coincidences and also their disagreements open up some very provocative questions, which serve as inspiration and as intellectual framework for those who visit the artist’s solo exhibition at the Museo de Arte de Caguas.
Abstract: The Art Gallery of the Humanities Department of the UPRM hosts the exhibition Samples and Examples, by Carlos Fajardo. In addition to his traditional and personal iconography, new elements come to conceptually enhance his artworks, once again, through his gaze, full of humor and sarcasm.
Abstract: The exhibition The Impertinence of Pertinence, by Ismael Figueroa, open at the Casa Zapater of the Museum of History of Ponce, shows a conceptually loaded set of assemblages and industrial material, both for the gaze and the mind of the viewers.
Abstract: Oil and its products are a dangerous and alarming threat to the environment. Javier and Jaime Suárezs exhibition, Petrofósil, set out the consequences of an excessive use of oil, creating artworks that are both lyrical and sinister.
Abstract: María Emilia Somoza’s long and productive artistic career working in printmaking is the focus of a retrospective exhibition at the Museo de Las Américas, in San Juan. The exhibition included more than seventy etchings, made between the 1970s and the present, flooded the rooms of color, virtuosity and creative mastery.
[Territory of the Soul], at the Walter Otero Contemporary Art Gallery (San Juan), marked a turning point in his career as an artist, in which blue pigment often played a key role. We took the opportunity to meet Roche Rabell in his element: surrounded by his paintings. The artist welcomed us with a broad smile and his hands still smudged with paint stains. We knew that was the perfect moment to interview him. [Versión en español].
/ At 72 years of existence, the Archaeological Research Center has maintained its mission of studying and defending the indigenous andhistorical cultural heritage of Puerto Rico. Thanks to the effort of this important project, directed initially by Dr.Ricardo Alegría and then by Dr. Chanlatte Baik, the largest and most valuable archaeological collection in the Antilles has been assembled