Jeremy De Chavez (卢杰)
Jeremy De Chavez is Associate Professor of Literature in English at the University of Macau. Prior to joining UM, he held teaching appointments at De La Salle University, Wilfrid Laurier University, and Queen’s University. His work could be found or is forthcoming in journals such as Critical Arts, ARIEL: A Review of International English Literature, JMMLA, The Explicator, ANQ, Kritika Kultura, Kemanusiaan, Masculinities and Social Change, Text Matters, and Food, Culture, & Society. While his research and teaching areas are primarily in Postcolonial Studies, Global Anglophone Literature, and Critical/Cultural Theory, he is committed to being a strategic generalist with wide-ranging interests across literary periods, genres, and cultural forms.
Currently, Jeremy is working on a scholarly monograph entitled Positive Affects and Postcolonial Critique (under contract with Routledge) and on compiling and annotating a research guide on “Positive Affects” and on “Aesthetic Theory” (co-authored with Asha Varadharajan, Queen’s University), which are included in the series Oxford Bibliographies in Literary and Critical Theory (under contract with Oxford University Press). He is also editor of the forthcoming edited volume Archipelagothic: Studies in the Philippine Gothic (under contract with Anthem Press) and co-editor of a special issue of ARIEL: A Review of International English Literature on Postcolonial Affect.
Publications
Books
Positive Affects and Postcolonial Critique (under contract with Routledge)
Archipelagothic: Studies in the Philippine Gothic (under contract with Anthem Press).
Articles
“Repairing Repair: Postcolonial Paranoia, Affective Temporalities, and Reparative Reading”. ARIEL: a review of international English literature. (2023). DOI: https://doi.org/10.1353/ari.2023.a905715 [A&HCI]
“Unhomeliness and Human Agency in Translational Encounters: Exploring the Negotiation of Identities of the Ethnic Chinese in Southeast Asia.” With Miao Chi. Asia Pacific Social Science Review. (2023). [Scopus]
“Aesthetic Theory”. Oxford Bibliographies in Literary and Cultural Theory. with Asha Varadharajan. Oxford University Press (forthcoming 2024)
“Consumed by Affects: Kwentong Jollibee, Happy Objects, and the Formation of Intimate Publics.” Kritika Kultura (accepted, forthcoming 2022).
“The Symbolic Fiction of Mr. Stevens: A Psychoanalytic Reading of Kazuo Ishiguro’s The Remains of the Day“. The Explicator (accepted, forthcoming 2022). DOI: https://doi.org/10.1080/00144940.2021.2005521 [A&HCI]
“‘…in the extremity of an impotent despair’: “Whatever Singularity,” Postcolonial Ab-Use, and Erik Matti’s On the Job.” With V. Pacheco. ARIEL: A Review of International English Literature (accepted, forthcoming 2021).
“Enduring Fears: The Monstrosity of Chinese Filipinos in Chito Roño’s Feng Shui (2004)”. With J. Velasco. Asian Ethnicity (2021). DOI: https://doi.org/10.1080/14631369.2021.1941754
“the faithful work of drowning.”: A Reparative Reading of Ocean Vuong’s “Telemachus”. With C. Lin. The Explicator (2020). DOI: https://doi.org/10.1080/00144940.2020.1732280
“Masculinity in the Age of Philippine Populism”. With V. Pacheco. Masculinities and Social Change (2020). DOI: https://doi.org/10.17583/MCS.2020.5157
“Hybridities and Awkward Constructions in Philippine Locavorism: Reframing Global-Local Dynamics Through Assemblage Thinking”, With M. Montefrio, et al. Food, Culture, & Society (2020). DOI: https://doi.org/10.1080/15528014.2020.1713428
“Marlow’s “delicious sensations”: On the Persistence of Affect in Joseph Conrad’s Heart of Darkness“. ANQ (2019). DOI: https://doi.org/10.1080/0895769X.2019.1696177
“Been Down So Long It Looks Like Up to Me: Rethinking the Humanities (in times of) Crisis”. With A. Varadharajan. Critical Arts (2019). DOI: https://doi.org/10.1080/02560046.2019.1665693
“Love in the Visual Field: Cinephiliac Moment, Truth-Event, Movement of Thought” JMMLA, Vol. 51, No. 1 (2019). DOI: 10.1353/mml.2018.0009
“The Political Subject is a Lover not a Fighter, or Reading Chuck Palahniuk’s Fight Club as a Love Story” ANQ: Articles and Notes Quarterly, Vol. 31, No. 2. (2018). DOI: https://doi.org/10.1080/0895769X.2017.1369863
“It’s More Fun in the Philippines: Positive Affects and the Post-Colonial Condition” Kemanusiaan: The Asian Journal of Humanities, Vol. 24. No. 2 (2017).
“The Traditional and the Modern in Jessica Hagedorn’s Dogeaters” The Explicator, Vol. 75, No. 2 (2017).
“On Love and Thought’s Intimate Connivance” Eidos, Vol. 26, No.1. (2017).
“The Breakdown of White Masculinity in the Period of Colonial Decline in Anthony Burgess’s Time for a Tiger” The Explicator, Vol. 75, No. 1. (2017).
“Religion as False Resolution: Exploring the Religious Ideologeme in Daniel Defoe’s Robinson Crusoe”. With X. Selman. ANQ, Vol. 29, No. 4. (2016)
“‘Love is….’: An Inaesthetic Inquiry on Love and Attention in Aureus Solito’s The Blossoming of Maximo Oliveros.” Kritika Kultura, Vol. 27. (2016).
Currently, Jeremy is working on a scholarly monograph entitled Positive Affects and Postcolonial Critique (under contract with Routledge) and on compiling and annotating a research guide on “Positive Affects” and on “Aesthetic Theory” (co-authored with Asha Varadharajan, Queen’s University), which are included in the series Oxford Bibliographies in Literary and Critical Theory (under contract with Oxford University Press). He is also editor of the forthcoming edited volume Archipelagothic: Studies in the Philippine Gothic (under contract with Anthem Press) and co-editor of a special issue of ARIEL: A Review of International English Literature on Postcolonial Affect.
Publications
Books
Positive Affects and Postcolonial Critique (under contract with Routledge)
Archipelagothic: Studies in the Philippine Gothic (under contract with Anthem Press).
Articles
“Repairing Repair: Postcolonial Paranoia, Affective Temporalities, and Reparative Reading”. ARIEL: a review of international English literature. (2023). DOI: https://doi.org/10.1353/ari.2023.a905715 [A&HCI]
“Unhomeliness and Human Agency in Translational Encounters: Exploring the Negotiation of Identities of the Ethnic Chinese in Southeast Asia.” With Miao Chi. Asia Pacific Social Science Review. (2023). [Scopus]
“Aesthetic Theory”. Oxford Bibliographies in Literary and Cultural Theory. with Asha Varadharajan. Oxford University Press (forthcoming 2024)
“Consumed by Affects: Kwentong Jollibee, Happy Objects, and the Formation of Intimate Publics.” Kritika Kultura (accepted, forthcoming 2022).
“The Symbolic Fiction of Mr. Stevens: A Psychoanalytic Reading of Kazuo Ishiguro’s The Remains of the Day“. The Explicator (accepted, forthcoming 2022). DOI: https://doi.org/10.1080/00144940.2021.2005521 [A&HCI]
“‘…in the extremity of an impotent despair’: “Whatever Singularity,” Postcolonial Ab-Use, and Erik Matti’s On the Job.” With V. Pacheco. ARIEL: A Review of International English Literature (accepted, forthcoming 2021).
“Enduring Fears: The Monstrosity of Chinese Filipinos in Chito Roño’s Feng Shui (2004)”. With J. Velasco. Asian Ethnicity (2021). DOI: https://doi.org/10.1080/14631369.2021.1941754
“the faithful work of drowning.”: A Reparative Reading of Ocean Vuong’s “Telemachus”. With C. Lin. The Explicator (2020). DOI: https://doi.org/10.1080/00144940.2020.1732280
“Masculinity in the Age of Philippine Populism”. With V. Pacheco. Masculinities and Social Change (2020). DOI: https://doi.org/10.17583/MCS.2020.5157
“Hybridities and Awkward Constructions in Philippine Locavorism: Reframing Global-Local Dynamics Through Assemblage Thinking”, With M. Montefrio, et al. Food, Culture, & Society (2020). DOI: https://doi.org/10.1080/15528014.2020.1713428
“Marlow’s “delicious sensations”: On the Persistence of Affect in Joseph Conrad’s Heart of Darkness“. ANQ (2019). DOI: https://doi.org/10.1080/0895769X.2019.1696177
“Been Down So Long It Looks Like Up to Me: Rethinking the Humanities (in times of) Crisis”. With A. Varadharajan. Critical Arts (2019). DOI: https://doi.org/10.1080/02560046.2019.1665693
“Love in the Visual Field: Cinephiliac Moment, Truth-Event, Movement of Thought” JMMLA, Vol. 51, No. 1 (2019). DOI: 10.1353/mml.2018.0009
“The Political Subject is a Lover not a Fighter, or Reading Chuck Palahniuk’s Fight Club as a Love Story” ANQ: Articles and Notes Quarterly, Vol. 31, No. 2. (2018). DOI: https://doi.org/10.1080/0895769X.2017.1369863
“It’s More Fun in the Philippines: Positive Affects and the Post-Colonial Condition” Kemanusiaan: The Asian Journal of Humanities, Vol. 24. No. 2 (2017).
“The Traditional and the Modern in Jessica Hagedorn’s Dogeaters” The Explicator, Vol. 75, No. 2 (2017).
“On Love and Thought’s Intimate Connivance” Eidos, Vol. 26, No.1. (2017).
“The Breakdown of White Masculinity in the Period of Colonial Decline in Anthony Burgess’s Time for a Tiger” The Explicator, Vol. 75, No. 1. (2017).
“Religion as False Resolution: Exploring the Religious Ideologeme in Daniel Defoe’s Robinson Crusoe”. With X. Selman. ANQ, Vol. 29, No. 4. (2016)
“‘Love is….’: An Inaesthetic Inquiry on Love and Attention in Aureus Solito’s The Blossoming of Maximo Oliveros.” Kritika Kultura, Vol. 27. (2016).
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