Jacques Jouffret

43 Titles

Is this you? Add a Profile

Transformers: The Last Knight | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

War Dogs | ShotOnWhat?

Camera Operator: "b" Camera / Steadicam Operator

War Dogs (2016)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth

Cameras: ARRI ALEXA XT Camera

The Purge: Anarchy | ShotOnWhat?

Camera Operator: "a" Camera, Director Of Photography

The Purge: Anarchy (2014)

Directed by: James DeMonaco

Cinematography by: Jacques Jouffret

Edited by: Vince Filippone, Todd E. Miller

Cameras: ARRI ALEXA XT Camera

Editing System: Avid Editing System

Transformers: Age of Extinction | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Lone Survivor | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Lone Survivor (2013)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr.

Cameras: Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

The Fifth Estate | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

The Fifth Estate (2013)

Directed by: Bill Condon

Cinematography by: Tobias A. Schliessler

Edited by: Virginia Katz

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Zeiss Master Prime Lenses

The Purge | ShotOnWhat?

Director Of Photography

The Purge (2013)

Directed by: James DeMonaco

Cinematography by: Jacques Jouffret

Edited by: Peter Gvozdas

Cameras: ARRI ALEXA Plus Camera

Editing System: Avid Editing System

Pain & Gain | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Pain & Gain (2013)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Tom Muldoon, Joel Negron

Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

The Three Stooges | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

The Three Stooges (2012)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

The Mechanic | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

The Mechanic (2011)

Directed by: Simon West

Cinematography by: Eric Schmidt

Edited by: T.G. Herrington, Todd E. Miller

Transformers: Dark of the Moon | ShotOnWhat?

"a" Camera Operator / Steadicam Operator

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Hall Pass | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Hall Pass (2011)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

A Nightmare on Elm Street | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

A Nightmare on Elm Street (2010)

Directed by: Samuel Bayer

Cinematography by: Jeff Cutter

Edited by: Glen Scantlebury

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Greenberg | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Greenberg (2010)

Directed by: Noah Baumbach

Cinematography by: Harris Savides

Edited by: Tim Streeto

Friday the 13th | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Friday the 13th (2009)

Directed by: Marcus Nispel

Cinematography by: Daniel Pearl

Edited by: Ken Blackwell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses

My Sister's Keeper | ShotOnWhat?

Steadicam Operator

My Sister's Keeper (2009)

Directed by: Nick Cassavetes

Cinematography by: Caleb Deschanel

Edited by: Jim Flynn, Alan Heim

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Where the Wild Things Are | ShotOnWhat?

Steadicam Operator

Where the Wild Things Are (2009)

Directed by: Spike Jonze

Cinematography by: Lance Acord

Edited by: James Haygood, Eric Zumbrunnen

Cameras: Aaton 35-III Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Transformers: Revenge of the Fallen | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Never Back Down | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Never Back Down (2008)

Directed by: Jeff Wadlow

Cinematography by: Lukas Ettlin

Edited by: Victor Du Bois, Debra Beth Weinfeld

The Express | ShotOnWhat?

Camera Operator: "b" Camera / Steadicam Operator

The Express (2008)

Directed by: Gary Fleder

Cinematography by: Kramer Morgenthau

Edited by: Padraic McKinley, William Steinkamp

Eagle Eye | ShotOnWhat?

Camera Operator: "b" Camera / Steadicam Operator

Eagle Eye (2008)

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Into the Wild | ShotOnWhat?

Camera Operator / Steadicam Operator

Into the Wild (2007)

Directed by: Sean Penn

Cinematography by: Eric Gautier

Edited by: Jay Cassidy

Cameras: Aaton 35 II Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Canon Lenses, Zeiss Ultra Prime Lenses

Walk Hard: The Dewey Cox Story | ShotOnWhat?

Steadicam Operator

Walk Hard: The Dewey Cox Story (2007)

Directed by: Jake Kasdan

Cinematography by: Uta Briesewitz

Edited by: Tara Timpone, Steve Welch

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Idlewild | ShotOnWhat?

Steadicam Operator

Idlewild (2006)

Directed by: Bryan Barber

Cinematography by: Pascal Rabaud

Edited by: Anne Goursaud

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

The Holiday | ShotOnWhat?

Steadicam Operator

The Holiday (2006)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Joe Hutshing

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Failure to Launch | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Failure to Launch (2006)

Directed by: Tom Dey

Cinematography by: Claudio Miranda

Edited by: Steven Rosenblum

Cursed | ShotOnWhat?

Steadicam Operator

Cursed (2005)

Directed by: Wes Craven

Cinematography by: Robert McLachlan

Edited by: Patrick Lussier, Lisa Mozden

Flightplan | ShotOnWhat?

Steadicam Operator

Flightplan (2005)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Transporter 2 | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator: First Unit

Transporter 2 (2005)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen

Edited by: Christine Lucas Navarro, Vincent Tabaillon

The Girl Next Door | ShotOnWhat?

Camera Operator / Steadicam Operator

The Girl Next Door (2004)

Directed by: Luke Greenfield

Cinematography by: Jamie Anderson

Edited by: Mark Livolsi

Man on Fire | ShotOnWhat?

Camera Operator: "b" Camera / Steadicam Operator

Man on Fire (2004)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

After the Sunset | ShotOnWhat?

Steadicam Operator

After the Sunset (2004)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Seabiscuit | ShotOnWhat?

Camera Operator: "b" Camera / Steadicam Operator

Seabiscuit (2003)

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

A Man Apart | ShotOnWhat?

Steadicam Operator

A Man Apart (2003)

Directed by: F. Gary Gray

Cinematography by: Jack N. Green

Edited by: Robert Brown, William Hoy

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Looney Tunes: Back in Action | ShotOnWhat?

Camera Operator: "b" Camera , Steadicam Operator

Looney Tunes: Back in Action (2003)

Directed by: Joe Dante

Cinematography by: Dean Cundey

Edited by: Rick Finney, Marshall Harvey

Daredevil | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Daredevil (2003)

Directed by: Mark Steven Johnson

Cinematography by: Ericson Core

Edited by: Armen Minasian, Dennis Virkler

Swordfish | ShotOnWhat?

Camera Operator

Swordfish (2001)

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Stephen E. Rivkin

The One | ShotOnWhat?

Steadicam Operator

The One (2001)

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

The Pentagon Wars | ShotOnWhat?

Steadicam Operator

The Pentagon Wars (1998)

Television Movie

Directed by: Richard Benjamin

Cinematography by: Robert D. Yeoman

Edited by: Jacqueline Cambas

Halloween H20: 20 Years Later | ShotOnWhat?

Steadicam Operator

Halloween H20: 20 Years Later (1998)

Directed by: Steve Miner

Cinematography by: Daryn Okada

Edited by: Patrick Lussier

Senseless | ShotOnWhat?

Steadicam Operator

Senseless (1998)

Directed by: Penelope Spheeris

Cinematography by: Daryn Okada

Edited by: Ross Albert

Gummo | ShotOnWhat?

Steadicam Operator

Gummo (1997)

Directed by: Harmony Korine

Cinematography by: Jean-Yves Escoffier

Edited by: Christopher Tellefsen

The Dutch Master | ShotOnWhat?

Additional Grip

The Dutch Master (1993)

Directed by: Susan Seidelman

Cinematography by: Maryse Alberti

Edited by: Mona Davis

©2012 - 2025 ShotOnWhat?

20254.20