Henry Dobson

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Steve Jobs | ShotOnWhat?

Dubbing Supervisor: International Versions

Steve Jobs (2015)

Directed by: Danny Boyle

Cinematography by: Alwin H. Küchler

Edited by: Elliot Graham

Cameras: ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses

Editing System: Avid Editing System

The Theory of Everything | ShotOnWhat?

Dubbing Supervisor: International Versions

The Theory of Everything (2014)

Directed by: James Marsh

Cinematography by: Benoît Delhomme

Edited by: Jinx Godfrey

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRIFLEX 16SR3 Camera

Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

I Give It a Year | ShotOnWhat?

Dubbing Supervisor - International Versions

I Give It a Year (2013)

Directed by: Dan Mazer

Cinematography by: Ben Davis

Edited by: Tony Cranstoun

Cameras: ARRI ALEXA Plus Camera

Kick-Ass 2 | ShotOnWhat?

Dubbing Supervisor - International Versions

Kick-Ass 2 (2013)

Directed by: Jeff Wadlow

Cinematography by: Tim Maurice-Jones

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

The World's End | ShotOnWhat?

Dubbing Supervisor - International Versions

The World's End (2013)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Paul Machliss

Cameras: ARRIFLEX 16SR3 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses

Les Misérables | ShotOnWhat?

Dubbing Supervisor - International Versions

Les Misérables (2012)

Directed by: Tom Hooper

Cinematography by: Danny Cohen

Edited by: Chris Dickens, Melanie Oliver

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Contraband | ShotOnWhat?

Dubbing Supervisor - International Versions

Contraband (2012)

Directed by: Baltasar Kormákur

Cinematography by: Barry Ackroyd

Edited by: Elísabet Ronaldsdóttir

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses

Anna Karenina | ShotOnWhat?

Dubbing Supervisor - International Versions

Anna Karenina (2012)

Directed by: Joe Wright

Cinematography by: Seamus McGarvey

Edited by: Melanie Oliver

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Mission: Impossible - Ghost Protocol | ShotOnWhat?

Dubbing Supervisor - International Versions

Mission: Impossible - Ghost Protocol (2011)

Directed by: Brad Bird

Cinematography by: Robert Elswit

Edited by: Paul Hirsch

Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Tinker Tailor Soldier Spy | ShotOnWhat?

Dubbing Supervisor - International Versions

Tinker Tailor Soldier Spy (2011)

Directed by: Tomas Alfredson

Cinematography by: Hoyte Van Hoytema

Edited by: Dino Jonsäter

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Johnny English Reborn | ShotOnWhat?

Dubbing Supervisor - International Versions

Johnny English Reborn (2011)

Directed by: Oliver Parker

Cinematography by: Danny Cohen

Edited by: Guy Bensley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Phantom Flex Camera, Phantom HD Gold Camera

Lenses: Zeiss Master Prime Lenses

Kick-Ass | ShotOnWhat?

Dubbing Supervisor - International Versions

Kick-Ass (2010)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Eddie Hamilton, Jon Harris, Pietro Scalia

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Nanny McPhee Returns | ShotOnWhat?

Dubbing Supervisor - International Versions

Nanny McPhee Returns (2010)

Directed by: Susanna White

Cinematography by: Mike Eley

Edited by: Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Editing System: Avid Editing System

Green Zone | ShotOnWhat?

Dubbing Supervisor - International Versions

Green Zone (2010)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Scott Pilgrim vs. the World | ShotOnWhat?

Dubbing Supervisor - International Versions

Scott Pilgrim vs. the World (2010)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Transformers: Revenge of the Fallen | ShotOnWhat?

Dubbing Supervisor - International Versions

Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Pirate Radio | ShotOnWhat?

Dubbing Supervisor - International Versions

Pirate Radio (2009)

Directed by: Richard Curtis

Cinematography by: Danny Cohen

Edited by: Emma E. Hickox

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Duplicity | ShotOnWhat?

Dubbing Supervisor - International Versions

Duplicity (2009)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Dubbing Supervisor - International Versions

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Quantum of Solace | ShotOnWhat?

Dubbing Supervisor - International Versions

Quantum of Solace (2008)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse, Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Tropic Thunder | ShotOnWhat?

Dubbing Supervisor - International Versions

Tropic Thunder (2008)

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Kingdom | ShotOnWhat?

Dubbing Supervisor - International Versions

The Kingdom (2007)

Directed by: Peter Berg

Cinematography by: Mauro Fiore

Edited by: Colby Parker Jr., Kevin Stitt

Atonement | ShotOnWhat?

Dubbing Supervisor - International Versions

Atonement (2007)

Directed by: Joe Wright

Cinematography by: Seamus McGarvey

Edited by: Paul Tothill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System

The Bourne Ultimatum | ShotOnWhat?

Dubbing Supervisor - International Versions

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Spider-Man 3 | ShotOnWhat?

Dubbing Supervisor - International Versions

Spider-Man 3 (2007)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

American Gangster | ShotOnWhat?

Dubbing Supervisor - International Versions

American Gangster (2007)

Directed by: Ridley Scott

Cinematography by: Harris Savides

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Mission: Impossible III | ShotOnWhat?

Dubbing Supervisor - International Versions

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

The Holiday | ShotOnWhat?

Dubbing Supervisor - International Versions

The Holiday (2006)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Joe Hutshing

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Casino Royale | ShotOnWhat?

Dubbing Supervisor - International Versions

Casino Royale (2006)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

You, Me and Dupree | ShotOnWhat?

Dubbing Supervisor - International Versions

You, Me and Dupree (2006)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Charles Minsky

Edited by: Peter B. Ellis, Debra Neil-Fisher

Children of Men | ShotOnWhat?

Dubbing Supervisor - International Versions

Children of Men (2006)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Alfonso Cuarón, Alex Rodríguez

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Zeiss Master Prime Lenses

King Kong | ShotOnWhat?

Dubbing Supervisor - International Versions

King Kong (2005)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jamie Selkirk

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Doom | ShotOnWhat?

Dubbing Supervisor - International Versions

Doom (2005)

Directed by: Andrzej Bartkowiak

Cinematography by: Tony Pierce-Roberts

Edited by: Derek Brechin

War of the Worlds | ShotOnWhat?

Dubbing Supervisor - International Versions

War of the Worlds (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Team America: World Police | ShotOnWhat?

Dubbing Supervisor: International Versions

Team America: World Police (2004)

Directed by: Trey Parker

Cinematography by: Bill Pope

Edited by: Thomas M. Vogt

Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Along Came Polly | ShotOnWhat?

Dubbing Supervisor: International Versions

Along Came Polly (2004)

Directed by: John Hamburg

Cinematography by: Seamus McGarvey

Edited by: William Kerr, Nick Moore

Thunderbirds | ShotOnWhat?

Dubbing Supervisor: International Versions

Thunderbirds (2004)

Directed by: Jonathan Frakes

Cinematography by: Brendan Galvin

Edited by: Martin Walsh

Bridget Jones: The Edge of Reason | ShotOnWhat?

Dubbing Supervisor: International Versions

Bridget Jones: The Edge of Reason (2004)

Directed by: Beeban Kidron

Cinematography by: Adrian Biddle

Edited by: Greg Hayden

Lara Croft Tomb Raider: The Cradle of Life | ShotOnWhat?

Dubbing Supervisor: International Versions

Lara Croft Tomb Raider: The Cradle of Life (2003)

Directed by: Jan de Bont

Cinematography by: David Tattersall

Edited by: Michael Kahn

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Core | ShotOnWhat?

Dubbing Supervisor: International Versions

The Core (2003)

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Peter Pan | ShotOnWhat?

Dubbing Supervisor: International Versions

Peter Pan (2003)

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Hulk | ShotOnWhat?

Dubbing Supervisor: International Versions

Hulk (2003)

Directed by: Ang Lee

Cinematography by: Frederick Elmes

Edited by: Tim Squyres

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke Panchro/i Classic Lenses, Cooke S4 Lenses

The Bourne Identity | ShotOnWhat?

Dubbing Supervisor: International Versions

The Bourne Identity (2002)

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

Cameras: Aaton 35-III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Ali G Indahouse | ShotOnWhat?

Dubbing Supervisor: International Versions

Ali G Indahouse (2002)

Directed by: Mark Mylod

Cinematography by: Ashley Rowe

Edited by: Paul Knight

Spirit: Stallion of the Cimarron | ShotOnWhat?

Dubbing Supervisor: International Versions

Spirit: Stallion of the Cimarron (2002)

Directed by: Kelly Asbury, Lorna Cook

Edited by: Nick Fletcher, Clare Knight

Vizontele | ShotOnWhat?

Re-recording Mixer

Vizontele (2001)

Directed by: Yilmaz Erdogan, Ömer Faruk Sorak

Cinematography by: Ömer Faruk Sorak

Edited by: Mustafa Presheva

Jurassic Park III | ShotOnWhat?

Dubbing Supervisor: International Versions

Jurassic Park III (2001)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva

The Mummy Returns | ShotOnWhat?

Dubbing Supervisor: International Versions

The Mummy Returns (2001)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay, Kelly Matsumoto

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses

Crouching Tiger, Hidden Dragon | ShotOnWhat?

Dubbing Supervisor: International Versions

Crouching Tiger, Hidden Dragon (2000)

Directed by: Ang Lee

Cinematography by: Peter Pau

Edited by: Tim Squyres

Cameras: ARRIFLEX 435 ES Camera

Lenses: Zeiss Lenses

How the Grinch Stole Christmas | ShotOnWhat?

Dubbing Supervisor: International Versions

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Stuart Little | ShotOnWhat?

Dubbing Supervisor: International Versions

Stuart Little (1999)

Directed by: Rob Minkoff

Cinematography by: Guillermo Navarro

Edited by: Tom Finan

Cameras: Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

Two Bad Mice | ShotOnWhat?

Re-recording Mixer

Two Bad Mice (1999)

Directed by: Mike Hakata

Cinematography by: A.J. Murray

Edited by: Lol Gellor

The Bone Collector | ShotOnWhat?

Dubbing Supervisor: International Versions

The Bone Collector (1999)

Directed by: Phillip Noyce

Cinematography by: Dean Semler

Edited by: William Hoy

Lock, Stock and Two Smoking Barrels | ShotOnWhat?

Re-recording Mixer

Lock, Stock and Two Smoking Barrels (1998)

Directed by: Guy Ritchie

Cinematography by: Tim Maurice-Jones

Edited by: Niven Howie

Cameras: ARRIFLEX 16SR2 Camera, Photo-Sonics Cameras

Editing System: Lightworks Editing System

Godzilla | ShotOnWhat?

Dubbing Supervisor: International Versions

Godzilla (1998)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Peter Amundson, David Siegel

Anaconda | ShotOnWhat?

Dubbing Supervisor: International Versions

Anaconda (1997)

Directed by: Luis Llosa

Cinematography by: Bill Butler

Edited by: Michael R. Miller

Home Alone 3 | ShotOnWhat?

Dubbing Supervisor: International Versions

Home Alone 3 (1997)

Directed by: Raja Gosnell

Cinematography by: Julio Macat

Edited by: Malcolm Campbell, Bruce Green, David Rennie

Cameras: Panavision Panaflex Gold Camera

Assassins | ShotOnWhat?

Dubbing Supervisor: International Versions

Assassins (1995)

Directed by: Richard Donner

Cinematography by: Vilmos Zsigmond

Edited by: Lawrence Jordan, Richard Marks

Cameras: Panavision Panaflex Gold II Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

Leaving Las Vegas | ShotOnWhat?

Dubbing Mixer

Leaving Las Vegas (1995)

Directed by: Mike Figgis

Cinematography by: Declan Quinn

Edited by: John Smith

The Flintstones | ShotOnWhat?

Dubbing Supervisor: International Versions

The Flintstones (1994)

Directed by: Brian Levant

Cinematography by: Dean Cundey

Edited by: Kent Beyda

Cameras: Panavision Cameras

The Keep | ShotOnWhat?

Assistant Dubbing Mixer

The Keep (1983)

Directed by: Michael Mann

Cinematography by: Alex Thomson

Edited by: Dov Hoenig, Tony Palmer

Cameras: ARRIFLEX 35 BL3 Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

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