Zeiss Zoom Lenses | 10 Titles
Poor Things (2023)
Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 765 Camera, Beaumont Vista Vision Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Leitz Lenses, Nikon - Nikkor Lenses, Optex Super16 4 mm T2.0 Lens, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens, Zeiss Ultra 16 Lenses, Zeiss Zoom Lenses
The Matrix Resurrections (2021)
Directed by | Lana Wachowski | Cinematography by | Daniele Massaccesi, John Toll | Editing by | Joseph Jett Sally
Cameras | Red Komodo Camera
Lenses | Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses
Mission: Impossible III (2006)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Nick Gibbs, Mary Jo Markey
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses
Killer Twin (2018)
Directed by | David Langlois | Cinematography by | Jan Klompje | Editing by | Tyronne L'Hirondelle
Cameras | Red Epic Dragon Camera
The Father (2020)
Directed by | Florian Zeller | Cinematography by | Ben Smithard | Editing by | Yorgos Lamprinos
Cameras | Sony CineAlta VENICE Camera
Joker (2019)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth
Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens
Hard Core Logo (1996)
Directed by | Bruce McDonald | Cinematography by | Danny Nowak | Editing by | Reginald Harkema
Cameras | ARRIFLEX Camera
Lenses | Zeiss Lenses, Zeiss Zoom Lenses
The Apostate: Call of the Revenant (2015)
Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd
Cameras | Panasonic Lumix DMC-GH2 Camera
My Dinner with Andre (1981)
Directed by | Louis Malle | Cinematography by | Jeri Sopanen | Editing by | Suzanne Baron
Cameras | ARRIFLEX 16SR Camera
Lenses | Zeiss Zoom Lenses
Paranormal Activity (2007)
Directed by | Oren Peli | Cinematography by | Oren Peli | Editing by | Oren Peli
Cameras | Sony HDR-FX1 Camera
Lenses | Zeiss Zoom Lenses
