When I was young, my father made up stories to tell me, my brother, and my sister each night. One of my favorites was an ongoing series entitled The Lady with the Big Toe. The Lady and her Toe enjoyed daring adventures but the best part was hearing my dad’s voice, being near him and my siblings. I’m not great at making up stories on the spot but because of my study of Jewish texts, languages, and traditions, I knew I wanted to share story-telling and Jewish culture with my own children and grandchildren. Picture books, which are meant to be read aloud, are a magical vehicle for culture/values.
A big reason I love this book is that it’s so much fun to read over and over again—and then some more, finding joy in the cleverness of the text and more joy in the visual humor. (Taback won the Caldecott Medal for this book in 2000.) I also love stories with morals as long as they aren’t moralizing and this one, based on a Yiddish song, teaches “you can always make something of nothing” in the most delightful, warm-hearted manner.
Joseph has a striped overcoat and when it gets old he makes it into a jacket, and then a vest, and so on until it becomes a little button. Each page bursts with creativity. It is, quite simply, a perfect picture book!
Joseph had a little overcoat, but it was full of holes—just like this book! When Joseph's coat got too old and shabby, he made it into a jacket. But what did he make it into after that? And after that?
As children turn the pages of this book, they can use the die-cut holes to guess what Joseph will be making next from his amazing overcoat, while they laugh at the bold, cheerful artwork and learn that you can always make something, even out of nothing.
As an archaeologist for over 50 years, I specialized in Household Archaeology, the branch of archaeology that investigates daily life. I was born and spent my childhood in British Mandatorial Palestine and then grew up to adulthood in Israel after it was founded. I spent many years as a kibbutz member in the Northern Negev living near the Bedouin. These experiences brought me close to pre-industrial societies. All my life I was surrounded by archaeological sites, taught biblical archaeology for over 40 years in college and wrote several books and articles on subjects related to daily life in biblical times.
William (Bill) Dever is a well-known archaeologist who influenced the field of biblical archaeology through his fieldwork, scholarly publications, and public presentations. He has become known to the lay public through his many popular publications one of which relates to the question of whether the Israelite God had a wife. This is an intriguing question since there is archaeological evidence to suggest it. This book is good for readers interested in daily life, gender questions, and religion in biblical times.
Following up on his two recent, widely acclaimed studies of ancient Israelite history and society, William Dever here reconstructs the practice of religion in ancient Israel from the bottom up. Archaeological excavations reveal numerous local and family shrines where sacrifices and other rituals were carried out. Intrigued by this "folk religion" in all its variety and vitality, Dever writes about ordinary people in ancient Israel and their everyday religious lives.
Did God Have a Wife? shines new light on the presence and influence of women's cults in early Israel and their implications for our understanding of Israel's official "Book religion."…
When I fall in love with a fantasy world, I want to consume as much of that world as possible. That’s why I’m drawn to illustration that is so dense with worldbuilding elements. In my own work, I started indulging this obsession by creating tiny one-by-three-inch books that contained fully-illustrated alien worlds before eventually moving on to bigger books like A is for Another Rabbit, a book crammed so full of hidden jokes, Easter eggs, and thousand-rabbit-wide crowd scenes that my hand hurt by the end of it. Extreme detail is a way of prolonging the delight and discovery inherent in reading picture books, and I intend to keep pushing it to the limit!
Golem’s illustrations are certainly not detailed in the same way as the others on this list; the imagery in this retelling of the Golem of Prague story is composed entirely of colorful cut paper, layered and woven into bold, dynamic scenes. Whereas the first four books I’ve recommended invite hours of poring over worldbuilding detail and density of information, Golem compels readers to marvel over the construction of its illustrations. How does the golem pierce through the spidery paper web of paper smoke? How are the sheets stacked to imply depth and shadow? Is this seriously all paper?!
Retold from traditional sources and accompanied by David Wisniewski's unique cut-paper illustrations, Golem is a dramatic tale of supernatural forces invoked to save an oppressed people. It also offers a thought-provoking look at the consequences of unleashing power beyond human control. The afterword discusses the legend of the golem and its roots in the history of the Jews. A Caldecott Medal Book.
When I was young, my father made up stories to tell me, my brother, and my sister each night. One of my favorites was an ongoing series entitled The Lady with the Big Toe. The Lady and her Toe enjoyed daring adventures but the best part was hearing my dad’s voice, being near him and my siblings. I’m not great at making up stories on the spot but because of my study of Jewish texts, languages, and traditions, I knew I wanted to share story-telling and Jewish culture with my own children and grandchildren. Picture books, which are meant to be read aloud, are a magical vehicle for culture/values.
I love stories peppered with Yiddish. Youngsters should know “schlep” and “chutzpah,” Right? And clever riffs on traditional tales are another favorite. Hence The Little Red Hen and the Passover Matzah immediately became my Passover must-read-to-the grandchild-choice. I also love to laugh and there are plenty of giggles in this book.
When Sheep, Horse, and Dog don’t help the Little Red Hen prepare for the holiday she finally gets upset but then, ever aware of the mitzvah of feeding the hungry, she gives in and invites all of them to her seder table. I must admit that after many years of preparing seders and also leading them, I’ve often felt like the Little Red Hen. “Hey, where are the helping hands here?” And, like her, I’m glad when everyone sits down to celebrate together.
A classic tale gets a Jewish twist, when Little Red Hen asks her friends for help making Passover matzah.
Before she knows it, Little Red Hen tells herself, it will be time for Passover. So she decides to plant some grain. But when she asks her friends to help, they're too busy for her. "Sorry, bub," says the Horse. "Think again," barks the dog.
Oy gevalt! "Friends, shmends," she says. "I'll just do it myself."
But when the wheat is grown and harvested, when the flour is milled and the matzah baked and the Seder table set-- all by Red…
I grew up in a secular Jewish household where Yiddish culture, history, and politics were a part of daily life. As a result, when I began reading (and eventually writing) science fiction and fantasy, I would take note if I found a novel or short story collection that reflected any of the many flavors of Judaism and Jewish culture. While it is not all I read or write about (I make my living as a tech journalist and I have very eclectic tastes in literature), I find that my curiosity is particularly piqued when confronted with a new book that covers both those genres.
If Wandering Stars was the first short-story anthology to explore Jewish science fiction and fantasy, People of the Book is its descendant. This collection features a variety of stories by modern authors such as Jane Yolen, Theodora Goss, Neil Gaiman, and Michael Chabon, and is an excellent way to discover some of the talents that have emerged in the 21st century—and their approach to the Jewish religion, culture, and society.
From Sholom Aleichem to Avram Davidson, Isaac Bashevis Singer to Tony
Kushner, the Jewish literary tradition has always been one rich in the
supernatural and the fantastic. In these pages, gathered from the best short
fiction of the last ten years, twenty authors prove that their heritage is alive
and well - in the spaces between stars that an alphabet can bridge,
folklore come to life and histories become stories, and all the places where old
worlds and new collide and change.
The Beggar King and the Secret of
Happiness is a story about a storyteller who loses his
voice. What do writers want more than anything else? Yes, it’s to have an
original voice that readers love.
So, the metaphorical image of losing one’s
voice brings a great deal of fear to a writer, and it was the first reason this
story piqued my interest. No voice equals no storytelling and if a storyteller
can’t tell stories, then that’s a big problem.
This book makes the reader
question the concept of happiness. If we can’t do what we love most, if we lose
what we think makes us who we are, then how can we be happy? Is it possible
that we are more than what we do, more than what we project to the world?
The protagonist had to experience silence
and give up who he thought he was to…
"Wonderful!" (Grace Paley)."Heartwarming and smart and wonderfully written" (Detroit Free Press)."Provides edifying advice, intimately given, like the best-selling Tuesdays with Morrie" (the Dallas Morning News)."Altogether original" (Dr. Laura Schlessinger)."This story will speak to the humanity of the reader" (Jewish Book World).The Beggar King and the Secret of Happiness is that rare, magical book-a book that tells a good story but also shows us how the tales we learned when we were children shed light on our adult lives. Joel ben Izzy had the unusual opportunity to relive those lessons when he lost his voice and reconnected with his old teacher,…
I’m a New Englander by birth, a Canadian by circumstance, and a Nova Scotian by choice. For as long as I can remember, I’ve told stories, first to my little sister—a captive audience—then to my children, then at my book readings, and now on my podcast, Kate and Friends, which I’m lucky enough to record with two professional musicians. For me, the ultimate test of a story is whether it can be told without visual aids. While I love picture books, and the way an artist can deepen a child’s experience of a story, I gravitate to satisfying, stand-alone tales with a good twist. They’re difficult to write, easy to remember, and great fun to tell!
A deft, charming re-telling of a Jewish folk tale, and winner of the Ruth Schwartz Award. In this gentle story, young Joseph grows up in a shtetl in a warm and loving home. His grandfather, a tailor, makes him a beautiful blanket at birth. As he grows, the blanket becomes worn, but Grandpa can always rejig the fabric into something new. At last, however, the sad day arrives when nothing is left of the blanket… until Joseph realizes that what’s left is a wonderful story.
I nominate this book as a storyteller’s delight because of its comforting, cyclical nature, and surprise ending. While Gilman’s glowing pictures augment the story perfectly, with their warm, humorous depiction of family life, the story can easily be memorized, told, and enjoyed when no pictures are available.
Phoebe Gilman's beloved classic celebrates its 20th anniversary!
Joseph's grandfather made him a beautiful blanket when he was a baby, but now it's frazzled and worn, and Joseph's mother says it is time to throw it out. Joseph doesn't want to part with his special blanket, and he's sure that his grandfather can fix it. Sure enough, Grandfather miraculously alters the blanket into useful items again and again. But when Joseph loses the final item, even Grandfather can't make something from nothing. But maybe Joseph can?
Based on the Yiddish folktale "Joseph's overcoat," Phoebe Gilman's gorgeous artwork charts the transformation…
