Fisher, 1990 - Google Patents

Jasper Johns: Strategies for Making and Effacing Art

Fisher, 1990

Document ID
8081254163804204921
Author
Fisher P
Publication year
Publication venue
Critical Inquiry

External Links

Snippet

Within the strategy that we call avant-garde there are two sets of tactics, one immediate, the other long term. One set could be called a tactics of short-term attention, and it is this set that has been most often noticed. Shock, surprise, self-promotion, the baiting of middle-class …
Continue reading at www.journals.uchicago.edu (other versions)

Similar Documents

Publication Publication Date Title
Crow The rise of the sixties: American and European art in the era of dissent
Danto Beyond the Brillo box: The visual arts in post-historical perspective
Steinberg Other criteria: confrontations with twentieth-century art
Meggs Type and image: The language of graphic design
Teukolsky The Literate Eye: Victorian Art Writing and Modernist Aesthetics
Crowther How pictures complete us: the beautiful, the sublime, and the divine
Vanhaelen The Wake of Iconoclasm: Painting the Church in the Dutch Republic
Lobel Image Duplicator: Roy Lichtenstein and the Emergence of Pop Art
Wood Western Art and the Wider World
McCoubrey American tradition in painting
Gilmore The Victorian Novel and the Space of Art: Fictional Form on Display
Carrier Poussin's paintings: A study in art-historical methodology
Taylor The picture in question: Mark Tansey and the ends of representation
Fisher Jasper Johns: Strategies for Making and Effacing Art
Hope Seeing sense: visual literacy as a tool for libraries, learning and reader development
Østermark-Johansen Walter Pater's European Imagination
Zuker RALPH STEINER: FILMMAKER AND STILL PHOTOGRAPHER.
Schwabsky The Perpetual Guest: Art in the Unfinished Present
Gaiger Philosophy of Painting: Ancient, Modern, Contemporary
Modigliani Engendering an avant-garde: The unsettled landscapes of Vancouver photo-conceptualism
Nakama Flowers and Femininity of the Bridal Mysticism: Representation of the Bride of the Song of Songs
Oushakine et al. Let's Sharpen Our Optic Nerves.
Bader Roy Lichtenstein
Platt Responses to Modern Art in New York in the 1920s
Loftus Northern Ireland 1968–1988: enter an art historian in search of a useful theory