Darrow, 2000 - Google Patents

Pietro Edwards and the restoration of the public pictures of Venice, 1778–1819: Necessity introduced these arts

Darrow, 2000

View PDF
Document ID
1504663434856540661
Author
Darrow E
Publication year

External Links

Snippet

Abstract Pietro Edwards (1744–1821) served as the Director of the Restoration of the Public Pictures of Venice and dedicated his life to the preservation of Venetian art. His visionary spirit and meticulous bureaucratic administration resulted in revolutionary developments in …
Continue reading at digital.lib.washington.edu (PDF) (other versions)

Similar Documents

Publication Publication Date Title
Jones et al. Fake?: the art of deception
Boase The decoration of the new Palace of Westminster, 1841-1863
Bomford et al. Issues in the Conservation of Paintings
Brolin Architectural ornament: Banishment and return
Ostrowitz Privileging the Past: Reconstructing History in Northwest Coast Art
Stone Signature Killer: Caravaggio and the Poetics of Blood
Morgan The Oxford dictionary of American art and artists
Kemp Living with Leonardo: Fifty Years of Sanity and Insanity in the Art World and Beyond
Rodini Gentile Bellini's Portrait of Sultan Mehmed II: Lives and Afterlives of an Iconic Image
Darrow Pietro Edwards and the restoration of the public pictures of Venice, 1778–1819: Necessity introduced these arts
Kent The life and works of Baldassare Peruzzi of Siena
Weisberg et al. The Documented image: visions in art history
Oryshkevich The History of the Roman Catacombs from the Age of Constantine to the Renaissance
Mills et al. Victorian Material Culture
Cohen et al. Inside an Ancient Assyrian Palace: Looking at Austen Henry Layard's Reconstruction
Gossman Thomas Annan of Glasgow: Pioneer of the Documentary Photograph
Kenworthy-Browne Plaster Casts for the Crystal Palace, Sydenham
Tesnière et al. Creating French culture: treasures from the Bibliothèque nationale de France
Long et al. Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation
Benton The Painter Le Corbusier: Eileen Gray's Villa E 1027 and Le Cabanon
Lee THE ORIGIN AND DEVELOPMENT OF JAPANESE LANDSCAPE PRINTS: A STUDY IN THE SYNTHESIS OF EASTERN AND WESTERN ART.
Hayes What Burckhardt Saw: Restoration and the Invention of the Renaissance, c. 1840-1904
Johns James Thornhill and decorative history painting in England after 1688
Sellin The first pose: Howard Roberts, Thomas Eakins, and a century of Philadelphia nudes
Fairman et al. Eileen Hogan: Personal Geographies