windows build of festival with flinger and extra voices

.time-stamp

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+festival 2.1
+Fri Nov 5 11:21:40 EDT 2010

ACKNOWLEDGMENTS

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+Festival is currently actively developed by:
+
+ Alan W Black (Carnegie Mellon University)
+ Rob Clark (Edinburgh University)
+ Junichi Yamagishi (Edinburgh University)
+ Keiichiro Oura (Nagoya Institute of Technology)
+
+The following people and organisations have contributed to the
+development of Festival in various ways. It is their work that makes
+it all possible.
+
+Alan W Black Overall design, most of the front end and software control
+Paul Taylor Overall design, most of the back end
+Richard Caley for doing lots of difficult and boring bits
+Rob Clark Intonation, multisyn voice building, general developement and
+ maintenance.
+Keiichiro Oura Updated HTS engine and API
+Junichi Yamagishi
+ HTS voices
+Korin Richmond Multisyn engine, swig wrappers and general developement.
+Heiga Zen HTS engine
+Brian Foley Mac OSX support
+Kevin Lenzo for speaking a bunch of different nonsense words,
+ design and improvements to the clunits module,
+ and co-author of the whole festvox project
+Alistair Conkie various low level code points and some design work
+ Spanish synthesis, recording Roger
+Steve Isard design of diphone schema, LPC diphone code, and
+ directorship
+EPSRC who funded awb and pault
+Carnegie Mellon University 
+ who fund awb
+David Huggins Daines (Cepstral, LLC)
+ configure, and lots of Linux associated bugs
+Sun Microsystems Laboratories
+ For believing in us and their generosity.
+AT&T Research Labs
+ For providing funding and using our work
+Paradigm Assoc. and George Carrett
+ For Scheme In One Defun
+CNET, France Telecom
+ for use of Donovan diphones and some code in
+ modules/donovan (used with permission)
+The beta testers
+ Thanks for wanting to use the system, you make it 
+ worth doing. (And thanks for helping me debug my code.)
+ You all responded to my requests fast and accurately
+ thanks, even when I dumped last minute changes on you
+Andy Donovan for speaking a bunch of nonsense words
+Roger Burroughes for speaking another bunch of nonsense words
+Kurt Dusterhoff for speaking another bunch of nonsense words
+Amy Isard for her SSML project and related synthesizer
+Mike Macon for signal processing advice
+Richard Tobin for answering all those difficult questions,
+ and the socket code, and rxp the XML parser
+Simmule Turner and Rich Salz
+ command line editor: editline
+Borja Etxebarria
+ For Spanish synthesis and answer signal processing
+ questions
+Briony Williams Welsh synthesis
+Jacques H. de Villiers
+ from CSLU at OGI, for the TCL interface.
+ATR and Nick Campbell 
+ for first allowing Paul and Alan to work together
+Oxford Text Archive 
+ For the computer users version of Oxford Advanced
+ Learners' Dictionary redistributed with permission
+Reading University
+ for access to MARSEC from which the phrase break
+ model was trained.
+Mari Ostendorf For giving access to the FM Radio Corpus from which
+ some models were trained.
+LDC & Penn Tree Bank 
+ from which the POS ragger was trained, redistribution
+ of the models is with permission from the LDC.
+Grady Ward for the MOBY pronunciation lexicon
+FSF for G++, make, .... 
+
+and others too.
+
+
+

COPYING

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+The system as a whole and most of the files in it are distributed
+under the following copyright and conditions
+
+ The Festival Speech Synthesis System
+ Centre for Speech Technology Research 
+ University of Edinburgh, UK 
+ Copyright (c) 1996-2004
+ All Rights Reserved. 
+
+ Permission is hereby granted, free of charge, to use and distribute 
+ this software and its documentation without restriction, including 
+ without limitation the rights to use, copy, modify, merge, publish, 
+ distribute, sublicense, and/or sell copies of this work, and to 
+ permit persons to whom this work is furnished to do so, subject to 
+ the following conditions: 
+ 1. The code must retain the above copyright notice, this list of 
+ conditions and the following disclaimer. 
+ 2. Any modifications must be clearly marked as such. 
+ 3. Original authors' names are not deleted. 
+ 4. The authors' names are not used to endorse or promote products 
+ derived from this software without specific prior written 
+ permission. 
+
+ THE UNIVERSITY OF EDINBURGH AND THE CONTRIBUTORS TO THIS WORK 
+ DISCLAIM ALL WARRANTIES WITH REGARD TO THIS SOFTWARE, INCLUDING 
+ ALL IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS, IN NO EVENT 
+ SHALL THE UNIVERSITY OF EDINBURGH NOR THE CONTRIBUTORS BE LIABLE 
+ FOR ANY SPECIAL, INDIRECT OR CONSEQUENTIAL DAMAGES OR ANY DAMAGES 
+ WHATSOEVER RESULTING FROM LOSS OF USE, DATA OR PROFITS, WHETHER IN 
+ AN ACTION OF CONTRACT, NEGLIGENCE OR OTHER TORTIOUS ACTION, 
+ ARISING OUT OF OR IN CONNECTION WITH THE USE OR PERFORMANCE OF 
+ THIS SOFTWARE. 
+
+Some further comments:
+
+Every effort has been made to ensure that Festival does not contain
+any violation of intellectual property rights through disclosure of
+trade secrets, copyright or patent violation. Considerable time and
+effort has been spent to ensure that this is the case. However,
+especially with patent problems, it is not always within our control
+to know what has or has not been restricted. If you do suspect that
+some part of Festival cannot be legally distributed please inform us
+so that an alternative may be sought. Festival is only useful if it
+is truly free to distribute.
+
+As of 1.4.0 the core distribution (and speech tools) is free. Unlike
+previous versions which had a commercial restriction. You are free to
+incorporate Festival in commercial (and of course non-commercial
+systems), without any further communication or licence from us.
+However if you are seriously using Festival within a commercial
+application we would like to know, both so we know we are contributing
+and so we can keep you informed of future developments. Also if you
+require maintenance, support or wish us to provide consultancy feel
+free to contact us.
+
+The voices however aren't all free. At present the US voices, kal and
+ked are free. Our British voices are free themselves but they use OALD
+which is restricted for non-commercial use. Our Spanish voice is also
+so restricted.
+
+Note other modules that festival supports e.g MBROLA and OGI
+extensions, may have different licencing please take care when using
+the system to understand what you are actually using.
+
+--------------------------------------------------
+
+A number of individual files in the system fall under a different
+copyright from the above. All however are termed "free software"
+but most people. 
+
+./src/arch/festival/tcl.c
+ * Copyright (C)1997 Jacques H. de Villiers <[email protected]>
+ * Copyright (C)1997 Center for Spoken Language Understanding,
+ * Oregon Graduate Institute of Science & Technology
+ See conditions in file. This is the standard TCL licence and hence
+ shouldn't cause problems from most people.
+
+./examples/festival_client.pl
+# Copyright (C) 1997
+# Kevin A. Lenzo ([email protected]) 7/97
+ See condition in file
+
+./src/modules/clunits/*
+./lib/*clunits*
+ Joint copyright University of Edinburgh and Carnegie Mellon University
+ Conditions remain as free software like the rest of distribution
+
+./src/modules/hts_engine/*
+./lib/hts.scm
+ The HMM-based speech synthesis system (HTS)
+ hts_engine API version 1.04 (https://hts-engine.sourceforge.net/)
+ Copyright (C) 2001-2010 Nagoya Institute of Technology
+ 2001-2008 Tokyo Institute of Technology
+ All rights reserved.
+ distributed under a New and Simplified BSD licence.
+
+./lib/festival.el
+;;; Copyright (C) Alan W Black 1996
+copyright under FSF General Public Licence
+
+Please also read the COPYING section of speech_tools/README for the
+conditions on those files.
+