2008 September 19, Ta-Nehisi Coates, quoting Alyssa Rosenberg, “Why is Hollywood ignoring She-Hulk?”, in The Atlantic[1]:
But rather than drawing on extant rich stories about female superheroes, contemporary comic-based movies either downplay their powers and their personalities or rewrite them as trashy high camp.
2019 May 25, Guy Lodge, “Film Review: ‘The Invisible Life of Eurídice Gusmão’”, in Variety[2]:
A “tropical melodrama” is how the marketing materials bill “The Invisible Life of Eurídice Gusmão.” If that sounds about the most high-camp subgenre ever devised, Karim Aïnouz’s ravishing period saga lives up to the description […]
