Jump to content

Gareth Armstrong

From Wikipedia, the free encyclopedia

Gareth Armstrong
Born
Gareth S. Armstrong

(1948-06-26) 26 June 1948 (age 76)
OccupationActor

Gareth S. Armstrong (born 25 June 1948) is a Welsh actor, director, teacher and writer.

Career

[edit]

Armstrong began his career by acting in school plays at the Bishop Gore School, Swansea. At the age of 16 he joined the National Youth Theatre; and went on from there to study drama at Hull University. [citation needed]

Acting

[edit]

On stage he has played leading roles in most of the UK's regional theatres including Birmingham Rep., Nottingham Playhouse and the Bristol Old Vic where parts ranged from Mamet to Molière. He has specialised in Shakespearean theatre where roles have included Romeo, Richard III, Oberon, Macbeth, Shylock and Prospero. As a member of the Royal Shakespeare Company he worked in Stratford and London and has performed in the West End in plays by Noël Coward, Tom Stoppard, Agatha Christie and most recently in Yes, Prime Minister (2013). He played at Shakespeare's Globe in 2008, 2010, and 2011.

Armstrong's television credits include: Z-Cars, Doctor Who (in the serial The Masque of Mandragora), Blake's 7, The Professionals, Terry and June, One Foot in the Grave, Casualty and EastEnders and Birds of a Feather.

Armstrong provided the voice for the character of Sandy in the Japanese television series Saiyūki, released in English-speaking countries as Monkey. He has recorded hundreds of audiobooks and has recorded all 76 of Georges Simenon's Maigret novels for Audible. For Black Library he has narrated novels and audio dramas at Games Workshop.

On radio, Armstrong has played three recurring roles in The Archers on Radio 4, including Sean Myerson, the publican of the Cat and Fiddle and the serial's first regular gay character.[1] He also starred in an episode of Fear on Four, titled "The Edge", which was first broadcast in 1991.[2]

Plays

[edit]

Armstrong is noted for his own one-man show Shylock, in which Shakespeare's principal Jewish character is seen from the viewpoint of Tubal, Shakespeare's only other male Jewish character and Shylock's only friend in the original play.[3] Armstrong began performing the play in 1998 and was still staging it in 2024, when the play was characterised as "a metatheatrical exploration of Shakespeare's Merchant of Venice [...] a compelling meditation on Shylock, tracing both the plot and performance history of Shakespeare's Merchant and the dark details of Jewish persecution in Europe from the twelfth century".[4] Armstrong has toured the play in over fifty countries and across the United States.[citation needed] The play has won awards in New Zealand, Canada, Spain and Germany and been translated into Catalan, Spanish, Italian, French and Russian as well being performed on Dutch television and Romanian radio.[citation needed]

In 2015, Armstrong wrote a five-handed comedy called Fondly Remembered which premiered in London, and was subsequently published by French's Acting Editions.[citation needed]

Armstrong's play A Critical Stage, about the theatre critic James Agate, received its premier in June 2023 at London's Tabard Theatre.[citation needed]

Directing

[edit]

As a director he was a founder of The Made in Wales Stage Company, an artistic director of Cardiff's Sherman Theatre and an Associate Artist at the Salisbury Playhouse. As a freelance he has directed all over the UK, as well as in Europe, and the United States. He has more recently specialised in directing solo shows, which include My Darling Clemmie by Hugh Whitemore and performed by Rohan McCullough, Sherlock Holmes- The Last Act by David Stuart Davies, performed by Nigel Miles-Thomas, and Shakespeare's The Rape of Lucrece performed by Gerard Logan which won the Edinburgh Fringe Stage Award for Best Solo performance in 2012. He and Logan also collaborated on Armstrong's dramatisation of Oscar Wilde's De Profundis in the play called Wilde Without the Boy. He directed Hugh Whitemore's play Sand in the Sandwiches starring Edward Fox as the poet John Betjeman which toured extensively and played in the West End at The Theatre Royal Haymarket. He also directed two national tours of Agatha Christie's 'The Mousetrap;[citation needed]

Books

[edit]

In 2004 Armstrong published his account of presenting his solo play in A Case for Shylock – Around the World with Shakespeare's Jew.[5] His So You Want To Do A Solo Show is an instructional book for professional actors, published by Nick Hern Books.[citation needed]

Academia

[edit]

Armstrong has lectured and taught on campuses across the US and taken workshops and masterclasses in India, Sri Lanka New Zealand, Italy and all over the UK. He has been a guest director at the Royal Central School of Speech and Drama and at the Bristol Old Vic Theatre School. He was an Examiner in Speech and Drama, and is still assessor for registered drama schools for Trinity College London.[citation needed]

References

[edit]
  1. ^ "Audio – Chocolat". The Guardian. 8 July 2000. Retrieved 20 March 2012.
  2. ^ "BBC Radio 4 Extra - Fear on 4, Series 3, 5. The Edge". BBC. Retrieved 13 July 2022.
  3. ^ "Armstrong's Acclaimed One-Man Shylock Arrives in NYC". Playbill. 2 February 2005. Archived from the original on 31 January 2013. Retrieved 20 March 2012.
  4. ^ Daltry, Isabelle Trent (15 May 2024). "Review of Gareth Armstrong's Shylock (Directed by Frank Barrie for Gareth Armstrong) at the Workshop Theatre, Leeds, 9 February 2024". Shakespeare. 20 (3): 496–499. doi:10.1080/17450918.2024.2351053. ISSN 1745-0918.
  5. ^ "Reviews- A Case for Shylock". The Guardian. 12 October 2004. Retrieved 20 March 2012.[dead link]
[edit]