Girl Stroke Boy (also known as Girl/Boy) is a 1971 British comedy-drama film directed by Bob Kellett and starring Joan Greenwood, Michael Hordern, Clive Francis, and Peter Straker, based on the play Girlfriend by David Percival.[3][4][2]
| Girl Stroke Boy | |
|---|---|
.png) Theatrical release poster | |
| Directed by | Bob Kellett |
| Screenplay by | Caryl Brahms Ned Sherrin |
| Based on | Girlfriend by David Percival |
| Produced by | Terry Glinwood Ned Sherrin |
| Cinematography | Ian Wilson |
| Edited by | Brian Smedley Aston |
| Music by | John Scott |
Production companies | Virgin Films Hemdale |
| Distributed by | London Screen[1] |
Release date |
|
Running time | 86 mins |
| Country | UK |
| Language | English |
| Budget | £50,000[2] |
Plot
editA middle-aged couple, author Letty and school teacher George, worry if their son Laurie will ever get married. Laurie brings home his new girlfriend Jo, the androgynous child of a West Indian politician, whose gender and sex Letty begins to question.
Cast
edit- Joan Greenwood as Lettice Mason
- Michael Hordern as George Mason
- Clive Francis as Laurie
- Peter Straker as Jo Delaney
- Patricia Routledge as Pamela Hovendon
- Peter Bull as Peter Hovendon
- Rudolph Walker as Mr Delaney
- Diana Hoddinott as wife / husband
- Elisabeth Welch as Mrs Delaney
Production
editThe film was based on the play Girlfriend. The cast included Margaret Leighton, John Standing (Lorn), Alan MacNaughton (George), and Michel Des Barres and was directed by Vivian Matalon. It was by first time author, school teacher David Percival.[5] It opened on 17 February 1970.[6] The Daily Telegraph called it "an equivocal comedy balanced halfway between a wink and a snigger."[7] The Observer said "it dragged the you-can't-tell-them-apart-in-those-clothes joke over a lamentable evening in which you were asked to believe no one on stage could notice the fiance of title's Adam's apple. The most maddening thing about it was the waste" of the cast and the author's talent whose "lines were fine. They only needed a play."[8]
The play had flopped but Ned Sherrin bought the film rights. The movie version was shot over two weeks at a cost of £50,000 (the low cost because fees were deferred). The film was sold to John Daly of Hemdale.[2]
It was the film debut of Peter Straker, who had been in Hair. He called the script "hysterical but it didn't turn out as well as it could have. But it was the chance of a lifetime."[9]
Reception
editProducer Ned Sherrin said the film previewed well but received poor reviews and minimal box office. However he says the film's costs were recovered through a television sale.[2] Peter Straker said the film had a long run in cinemas and was released on a double bill with School for Virgins.[9]
The Monthly Film Bulletin wrote: "Although this odd film – based on a short-running play – is set almost entirely in the (literally) stifling atmosphere of a snowbound country retreat, Bob Kellett's inventive yet discreet direction does at least eliminate a surprising amount of staginess. But despite some engagingly batty dialogue, the script flogs its two jokes very nearly to death; and whereas the relentlessly climbing temperature just about retains its lunatic appeal until the end, the altercations over the epicene youth (white in the play, black in the film) have no real progression and quickly pall. The film's one constant pleasure is in the expertly polished performances of Joan Greenwood and Michael Hordern as yet another set of respectable, contented and fearfully maladjusted parents. Their fumbling attempts at diplomatic curiosity ("Jo is rather an unusual name for a young person of your sex") are often quite irresistible."[10]
Variety called it "a light, would-be sophisticated comedy" where "Young and old alike could find its single uni-sex joke tedious and sometimes unpleasant... The film, despite added exteriors, is stagy in the extreme."[1]
The Evening Standard said "it might have been called "Guess What's Coming to Dinner?"... a more tedious, ill-made, appallingly-acted and directed piece of mindlessness it would be difficult to discover in a decade of filmgoing."[11]
Peter Straker claimed "the reviewers were just trying to make it into a vast racial transvestite mountain. It would have been alright if they had just stuck to the movie's failings as a comedy. And there were many, which I think was the fault of the director."[9]
References
edit- ^ a b Variety Reviews 1971-74. 1983.
- ^ a b c d Sherrin, Ned (2006). Ned Sherrin : the autobiography. Time Warner. pp. 213–214.
- ^ "Girl Stroke Boy". British Film Institute Collections Search. Retrieved 27 August 2024.
- ^ BFI.org
- ^ Owen, Michael (18 November 1969). "Leaving the Nile for suburbia...". Evening Standard. p. 17.
- ^ "Margaret Leighton's Return". The Daily Telegraph. 31 January 1970. p. 9.
- ^ Barber, John (18 February 1970). "Miss Leighton's fans face disappointment". The Daily Telegraph. p. 14.
- ^ Bryden, Ronald (22 February 1970). "Theatre". The Observer. p. 32.
- ^ a b c "Peter Straker -a Man of Many Parts". Gay News. 1972. p. 12.
- ^ "Girl Stroke Boy". The Monthly Film Bulletin. 38 (444): 181. 1 January 1971 – via ProQuest.
- ^ Walker, Alexander (12 August 1971). "Burton, striking terror at the heart of horror". Evening Standard. p. 17.