Title |
Author |
Type |
Date |
Words |
Returning to Kolchak: Polymediated Narrative, Discourse, and Supernatural Drama. |
Herrmann, Andrew F.; Herbig, Art |
Report |
Jan 1, 2018 |
9010 |
FROM CALIBAN TO LUCIFER: NATIVE RESISTANCE AND THE RELIGIOUS COLONIZATION OF THE INDIES IN BAROQUE SPANISH THEATER. |
Castells, Ricardo |
Critical essay |
Jan 1, 2018 |
6603 |
The light that blinds: On art in D'Annunzio's La Gioconda. |
Syrimis, Michael |
|
Aug 1, 2017 |
9523 |
Alianzas inesperadas: amistad y agencia en el teatro estadounidense sobre el cancer de mama. |
Fernandez-Morales, Marta |
Critical essay |
Jun 1, 2017 |
8171 |
Four women in the woods: An ecofeminist look at the forest as home. |
Diamond, Catherine |
Critical essay |
Mar 22, 2017 |
12440 |
Staging the International Embrace: George Leslie Mackay Narratives on Taiwanese Stages. |
Stenberg, Josh |
Critical essay |
Mar 22, 2017 |
10404 |
"Tanto che l'aro amazo": Violence in Angelo Beolco's Plays and in His Associates' Lives. |
Carroll, Linda L. |
Critical essay |
Jan 1, 2017 |
13546 |
La tragicomedia de los hombres y las mujeres corrientes: usos ambiguos y distractores de la risa en The Castle of Otranto y sus prefacios. |
Suner, Ahmet |
Critical essay |
Dec 1, 2016 |
7677 |
Enriching the Judgement: Fulke Greville and Didactic Drama. |
Knight, Sarah |
Critical essay |
Sep 1, 2016 |
6685 |
Birds, humans, and taking flight in Shakespeare's first tetralogy. |
Szatek-Tudor, Karoline |
Critical essay |
Mar 22, 2016 |
9232 |
Left behind. |
Smith, Kyle |
|
May 1, 2015 |
2499 |
Music and the union of love: illustrating "Yingying Listens to Zither" in the 1616 He Bi edition of Xixiang ji. |
Hsiao, Li-Ling; Sheng, Yihui |
Report |
Jan 1, 2015 |
4782 |
Cross-gender casting as feminist interventions in the staging of early modern plays. |
Miller, Gemma |
|
Nov 1, 2014 |
7314 |
Madonna, whore: Mary's sexuality in the N-Town plays. |
Solberg, Emma Maggie |
Critical essay |
Sep 22, 2014 |
12314 |
Tyrants, tudors, and the Digby Mary Magdalen. |
Mitchell-Buck, Heather S. |
Critical essay |
Sep 22, 2014 |
8318 |
The country wife, Dance of the Cuckolds. |
Gelineau, David |
Critical essay |
Sep 22, 2014 |
12522 |
The halcyon days in Greek plays. |
|
|
Jun 1, 2014 |
213 |
Doric Drama: the first thirty years, 1894-1924. |
McClure, Derrick |
|
Jan 1, 2014 |
7956 |
"What Citadels, what turrets, and what towers": mapping the Tower of London in Thomas Heywood's Lord Mayors' shows. |
Deiter, Kristen |
Critical essay |
Dec 22, 2013 |
12341 |
Femi Osofisan tackles graft and corruption: a reading of his socially committed plays. |
Ajidahun, C.O. |
Critical essay |
Mar 22, 2013 |
6197 |
Faust and the "Death of Man". |
Lublin, Robert |
Critical essay |
Mar 22, 2013 |
9039 |
Blood Brothers Bows out of West End after 20-Year Run. |
|
Brief article |
Aug 6, 2012 |
184 |
Comparison and other "Modes of Order" in the plays of Bernard Shaw. |
Rodriguez-Martin, Gustavo A. |
Report |
Jul 1, 2012 |
8627 |
Lukacs/Ibsen: tragedy, selfhood, and "real life" in The Master Builder and When We Dead Awaken. |
Storm, William |
|
Mar 22, 2012 |
9186 |
"I just die for some authority!": barriers to Utopia in Howard Brenton's Greenland. |
Adiseshiah, Sian |
|
Mar 22, 2012 |
5603 |
"Where's my fool?": Lear motifs in Rigoletto. |
Barry, Barbara |
|
Mar 22, 2012 |
10494 |
Mickey & Minnie's Magical Journey. |
|
|
Jan 1, 2012 |
457 |
Creative license. |
Beers, Joel |
|
Jan 1, 2012 |
392 |
A soldier's tale. |
Bent, Eliza |
Brief article |
Jan 1, 2012 |
174 |
Hometown shenanigans. |
Pender, Rick |
Brief article |
Jan 1, 2012 |
312 |
A dance on contrasting platforms: African tradition and revolutionary aesthetics in Esiaba Irobi's plays. |
Osu, Leon Onyewuchi |
Critical essay |
Sep 2, 2011 |
7370 |
Digesting the Mega-Play: a full plate at Humana's all-you-can-see buffet. |
Weinert-Kendt, Rob |
|
Jul 1, 2011 |
1356 |
Events and texts: The prologues and epilogues of the Arbury Plays. |
Scott, Amy |
Critical essay |
Jul 1, 2011 |
6498 |
Medieval Maithili stagecraft in the Nepalamandala: the Bhaktapur school. |
Yadav, Ramawatar |
Report |
Jul 1, 2011 |
7308 |
Mancunian Rhapsodies Catherine Wood on the manchester international festival. |
Wood, Catherine |
|
Jun 22, 2011 |
884 |
Shanley goes South. |
|
|
May 1, 2011 |
429 |
Heather Woodbury's smartphone theatre. |
Morris, Steven Leigh |
|
Apr 1, 2011 |
451 |
Tanya Saracho catching the wheel: a Mexico-born play wright steps boldly from Teatro Luna into Chicago's larger scene. |
Reid, Kerry |
|
Apr 1, 2011 |
1559 |
Laura Schellhardt dark shadows: a taste for small-town gothic lurks in her expanding body of work. |
Hart, Harah |
|
Apr 1, 2011 |
1756 |
Jewish ethics and play: the exaltation of the possible. |
Pava, Moses L. |
Essay |
Mar 1, 2011 |
5650 |
Bloomsbury at play. |
Wright, Elizabeth |
Essay |
Jan 1, 2011 |
12756 |
"The Kingdom of Heaven within us": inner (world) peace in Gilbert Murray's Trojan Women. |
Perris, Simon |
|
Dec 22, 2010 |
6885 |
Aristophanes and Douglas Young. |
Marshall, C.W. |
|
Dec 22, 2010 |
2773 |
Invitation to the dance: Bhagavata Mela, Yakshagana, Kuchipudi, Krishnattam. |
|
Critical essay |
Dec 1, 2010 |
726 |
Celebrating idleness: Antony and Cleopatra and play theory. |
Scherer, Abigail |
|
Sep 22, 2010 |
8682 |
The unqueering of As You Like It. |
Tracy, Ryan |
Critical essay |
Jul 1, 2010 |
2459 |
Shakespeare Round the Globe: The Bard on the South Asian Stage Before 1947. |
Khan, Kaleem Raza |
Critical essay |
Jun 30, 2010 |
2834 |
A fresh assessment of Italian Baroque literature: poets and dramatists. |
Pallota, Augustus |
Critical essay |
Jun 22, 2010 |
5914 |
Pericles, Paul, and Protestantism. |
Finkelstein, Richard |
Report |
Jun 22, 2010 |
11878 |
"Hilda, harnessed to a purpose": Elizabeth Robins, Ibsen, and the vote. |
Joannou, Maroula |
Report |
Jun 22, 2010 |
8486 |
Emily Wardill. |
Helfand, Glen |
|
Jun 22, 2010 |
562 |
Did Hellenistic kings send letters to Asoka? |
Hinuber, Von Oskar |
Critical essay |
Apr 1, 2010 |
3663 |
"Death is more heroic on the soccer field ...": the cult of athletics in Melchior Vischer's Soccer Players and Indians. |
Dawson, Rebeccah |
Critical essay |
Mar 22, 2010 |
9690 |
"Those cold and timid souls who knew neither victory nor defeat": the politics of Jason Miller's That Championship Season. |
Fury, Frank P. |
Critical essay |
Mar 22, 2010 |
3598 |
"Mi carne, mi sangre, mis ilusiones": the collision of words and worlds in Milcha Sanchez-Scott's The Cuban Swimmer. |
Sanders, Shelly |
Critical essay |
Mar 22, 2010 |
3445 |
Sport in Artur Azevedo's revues: a reflection of developments in late 19th century Rio de Janeiro Society. |
Knijnik, Jorge; de Melo, Victor Andrade |
Essay |
Mar 22, 2010 |
5633 |
Boys to men or boys to boys? Biff Loman and Brick Pollitt: surviving football in Death of a Salesman and Cat on a Hot Tin Roof. |
Vanderwerken, David |
Critical essay |
Mar 22, 2010 |
4460 |
J.R.R. Tolkien's "Leaf by Niggle": an allegory in transformation. |
Nelson, Marie |
Critical essay |
Mar 22, 2010 |
7170 |
Coriolanus: inordinate passions and powers in personal and political governance. |
Langis, Unhae |
Critical essay |
Mar 22, 2010 |
9543 |
The biblical intertext in Peter Shaffer's Amadeus (or, Saul and David in eighteenth-century Vienna). |
Aschkenasy, Nehama |
Critical essay |
Mar 22, 2010 |
7502 |
Chinese ethnicity and the American heroic artisan in Henry Grimm's The Chinese Must Go (1879). |
Ou, Hsin-yun |
Critical essay |
Mar 22, 2010 |
8250 |
All singing, 'all dancing: sexually explicit jigs were a major part of the attraction of the Elizabethan, Jacobean and restoration stage, as Lucie Skeaping explains. |
Skeaping, Lucie |
Critical essay |
Feb 1, 2010 |
3479 |
The wound that never heals. |
Crapanzano, Vincent |
Critical essay |
Jan 1, 2010 |
12252 |
Aristophanes's response to the Peloponnesian war and the defeat of the comic hero. |
Kotini, Vassiliki |
Critical essay |
Jan 1, 2010 |
6828 |
Voices of violence: medieval French farce and the Dover Cliff scene in King Lear. |
Wheatley, Edward |
Critical essay |
Dec 22, 2009 |
6838 |
Doing the usual things: gender, race, and inwardness in Harley Granville Barker's The Marrying of Ann Leete and The Secret Life. |
Wixson, Christopher |
Critical essay |
Dec 22, 2009 |
10113 |
Remounting, remembering: gendered memorials and colleen Wagner's: the monument. |
Luger, Moberley |
Critical essay |
Dec 1, 2009 |
9103 |
Playwriting in three major Nigerian languages. |
Ilo, Isaiah |
Critical essay |
Dec 1, 2009 |
5431 |
Fletcher, Massinger, and Roman imperial character. |
Curran, John E., Jr. |
Critical essay |
Sep 22, 2009 |
15897 |
"Another play on Salem witch trials": Lion Feuchtwanger, communists, and Nazis. |
Maierhofer, Waltraud |
Critical essay |
Sep 22, 2009 |
9646 |
The earliest Middle English interludes. |
Lundeen, Stephanie Thompson |
Critical essay |
Sep 22, 2009 |
8751 |
'Wives' gets Motown sound: tuner recasts mold, eyes Broadway. |
Hofler, Robert |
|
Jul 20, 2009 |
713 |
Shakespeare's words: quotes, misquotes, and lost contexts. |
Jolliffe, Lee |
|
Jul 1, 2009 |
1244 |
Contesting constancy in The Merchant of Venice. |
Blanchard, Jane |
Critical essay |
Jun 22, 2009 |
4966 |
Writing the Landscape of Memory : Ina Cesaire's Memoires d'Isles. |
Miyasaki, June |
Critical essay |
Jun 22, 2009 |
7675 |
Actors' names as textual evidence. |
Kathman, David |
Critical essay |
Jun 1, 2009 |
5215 |
Looking for laughs with Amy Freed: some funny things are happening on the way to You, Nero's second gig. |
D'Souza, Karen |
|
May 1, 2009 |
2490 |
Theatre reviewing: performance versus criticism. |
Wilkinson, Kate |
Essay |
Mar 22, 2009 |
6678 |
Roman world, Egyptian earth: cognitive difference and empire in Shakespeare's Antony and Cleopatra. |
Thomas Crane, Mary |
|
Mar 22, 2009 |
6760 |
Dumb reading: the noise of the mute in Jonson's Epicene. |
Curtin, Adrian |
Essay |
Mar 22, 2009 |
7139 |
The Scriblerian stage and page: Three Hours After Marriage, Pope's "minor" poems, and the problem of genre-history. |
Mannheimer, Katherine |
|
Mar 22, 2009 |
10392 |
"Whom seek ye, sirs?": the logic of searching in the York Herod and the Magi. |
Rice, Nicole R. |
Essay |
Mar 22, 2009 |
10372 |
Alexandra Bachzetsis: Kunsthalle Basel. |
Scharrer, Eva |
|
Feb 1, 2009 |
578 |
"A Carrion Death": the theme of the gold casket in The Merchant of Venice. |
Stone, James W. |
Critical essay |
Jan 1, 2009 |
8259 |
Domestic economies in The Taming of the Shrew: amassing cultural credit. |
Chamberlain, Stephanie |
Critical essay |
Jan 1, 2009 |
9774 |
"I woo'd thee with my sword, / and won thy love doing thee injuries": the erotic economies of A Midsummer Night's Dream. |
Rieger, Gabriel |
Critical essay |
Jan 1, 2009 |
5679 |
Dekker's accession pageant for James I. |
Lancashire, Anne |
Critical essay |
Jan 1, 2009 |
5121 |
Female bodies, speech, and silence in The Witch of Edmonton. |
Johnson, Sarah |
Critical essay |
Jan 1, 2009 |
9473 |
'You see the times are dangerous': the political and theatrical situation of The Humorous Magistrate. |
Polito, Mary; Windle, Jean-Sebastien |
Critical essay |
Jan 1, 2009 |
9296 |
Marking time in Doctor Faustus 5.2. |
Candido, Joseph |
Critical essay |
Jan 1, 2009 |
1465 |
Las visitas en Dona Rosita la soltera: ?ambientales o reflejos? |
Brakel, Arthur |
Report |
Dec 22, 2008 |
3539 |
A linguagem obscena do parvo no Auto da Barca do Inferno de Gil Vicente: uma luta de palavras pelos espacos divinos. |
Martinez, Monserrat Bores |
Report |
Dec 22, 2008 |
3914 |
Crix' picks. |
|
Table |
Nov 3, 2008 |
131 |
A dog, a witch, a play: The Witch of Edmonton. |
Pearson, Meg F. |
Critical essay |
Jul 1, 2008 |
9859 |
'Certain condolements, certain vails': staging rusty armour in Shakespeare's Pericles. |
Harlan, Susan |
Critical essay |
Jul 1, 2008 |
5057 |
The commedia all'improvviso pictures in the Corsini manuscript: a new reading. |
Mengarelli, Stefano |
Critical essay |
Jul 1, 2008 |
5584 |
Zimmerman's Metamorphoses: mythic revision as a ritual for grief. |
Chirico, Miriam M. |
|
Jun 22, 2008 |
10660 |
"What in me is dark/illumine" (PL 1:22-23): the "other" body of Samson Agonistes. |
Fernandez, Jane Lilly |
Critical essay |
Jun 22, 2008 |
9301 |
Gimcracks legacy: sex, wealth, and the theater of experimental philosophy. |
Chico, Tita |
|
Mar 22, 2008 |
8111 |
The paradoxes of slavery in Thomas Southerne's Oroonoko. |
Jaher, Diana |
|
Mar 22, 2008 |
7998 |
Sheridan, The School for Scandal, and aggression. |
Thompson, James |
|
Mar 22, 2008 |
3875 |
To school or not to school: Tudor views on education in drama and literature. |
Potter, Ursula |
|
Jan 1, 2008 |
7712 |
"To think these trifles some-thing": Shakespearean playbooks and the claims of authorship. |
Kastan, David Scott |
Critical essay |
Jan 1, 2008 |
5089 |
A fairy tale reality? Elfriede Jelinek's Snow White, Sleeping Beauty, and the mythologization of contemporary society. |
Tautz, Birgit |
Critical essay |
Jan 1, 2008 |
7689 |
The 'plentifull Lady-feast' in Brome's A Madd Couple Well Matcht. |
Poulsen, Rachel E. |
Critical essay |
Jan 1, 2008 |
8580 |
The Merchant of Venice, the Arab-Israeli conflict, and the perils of Shakespearean appropriation. |
Bayer, Mark |
|
Dec 22, 2007 |
11298 |
Sacerdotal vestiges in The Tempest. |
Reid, Robert L. |
|
Dec 22, 2007 |
8472 |
Macbeth and the moral universe. |
Jaffa, Harry V. |
Critical essay |
Dec 22, 2007 |
7064 |
The status of a symbol: a kaleidoscopic docudrama puts a human face on little rock's integration crisis--and gives voice to those who live its legacy 50 years later. |
Estvanik, Nicole |
|
Dec 1, 2007 |
5071 |
A fecund harbor for Tennessee Williams: there are revelations aplenty at a Provincetown festival. |
Gener, Randy |
|
Dec 1, 2007 |
3626 |
Beyond Caliban's curses: the decolonial feminist literacy of Sycorax. |
Lara, Irene |
Critical essay |
Nov 1, 2007 |
9824 |
Between the lines: this year's Humana plays were most revealing when they left a little to the imagination. |
Estvanik, Nicole |
|
Jul 1, 2007 |
2172 |
Breathing room: PPF's laid-back ambiance pays off for writers of new plays. |
Hart, Sarah |
|
Jul 1, 2007 |
1572 |
Rationalizing the "decentered" white male in Neil Simon's The Prisoner of Second Avenue. |
Gomez-Vega, Ibis |
|
Jun 22, 2007 |
8466 |
Scotland nabs a U.S. passport. |
Fisher, Mark |
Brief article |
Jun 18, 2007 |
370 |
May-June 2007: "dramatic moments". |
Schneider, Richard, Jr. |
|
May 1, 2007 |
603 |
Restaging Romania: Romanian theatre artists are grappling with the realities of integrating into the new Europe. |
Gener, Randy |
|
May 1, 2007 |
2947 |
Meet me in Buenos Aires: a quartet of Argentine plays delves into dark corners of a volatile culture. |
Schloff, Aaron Mack |
|
May 1, 2007 |
2917 |
New myths for Mexican drama: today's playwrights are eclectic, experimental, enterprising--but seldom heard from in the U.S. |
Svich, Caridad |
|
May 1, 2007 |
1715 |
Will Broadway adopt Brit 'Boy'? Ambitious play competes for attention in a packed season. |
Cox, Gordon |
|
Apr 16, 2007 |
940 |
Socrates unbound: the cheeky philosopher has his say again--in corporate training sessions and ancient ruins. |
Kalb, Jonathan |
|
Apr 1, 2007 |
1217 |
The failure of the modern Aesop (1) in anglophone Cameroonian drama: the example of Hansel Ndumbe Eyoh's The Inheritance (2). |
Besong, Bate |
|
Mar 22, 2007 |
8061 |
Anti-Semitism, surrogacy, and the invocation of Mohammed in the Play of the Sacrament. |
Chemers, Michael Mark |
|
Mar 22, 2007 |
13065 |
Shakespeare's Julius Caesar, Erasmus's De Copia, and sentential ambiguity. |
Yu, Jeffrey J. |
|
Mar 22, 2007 |
10600 |
A playwright's spiritual coming out: 'Matthew Passion' looks at redemption through the prism of homosexuality. |
Blaney, Retta |
|
Mar 16, 2007 |
806 |
B'way delves into deep 'Thinking': creative quartet shepherds Didion memoir from page to stage. |
Cox, Gordon |
|
Mar 5, 2007 |
1047 |
McNally after the 'gay Jesus' play. |
Frontain, Raymond-Jean |
|
Mar 1, 2007 |
3588 |
Blinded by the light: will Radcliffe casting overshadow 'Equus'? |
Benedict, David |
|
Feb 26, 2007 |
1021 |
Philly fest tests scribes. |
Zinman, Toby |
|
Feb 26, 2007 |
753 |
A toast to 'coast'. |
Mohr, Ian |
Brief article |
Feb 26, 2007 |
133 |
Millburn, N.J.: how Miss Alma got her groove back. |
Gener, Randy |
Brief article |
Feb 1, 2007 |
350 |
Philadelphia: dweebs on the dark side. |
Zinman, Toby |
Brief article |
Feb 1, 2007 |
321 |
New York City: some like it cozy. |
Bent, Eliza |
Brief article |
Feb 1, 2007 |
154 |
Chicago: don't be a zero. |
Johnson, Cassandra |
Brief article |
Feb 1, 2007 |
306 |
New York City: smells like geek spirit. |
Gener, Randy |
Brief article |
Feb 1, 2007 |
309 |
Argonautika: Lookingglass Theatre Company. |
Lauren, Liz |
|
Feb 1, 2007 |
555 |
Perth, Australia. |
Estvanik, Nicole |
Brief article |
Feb 1, 2007 |
266 |
Moscow, Russia. |
Estvanik, Nicole |
Brief article |
Feb 1, 2007 |
138 |
Auckland, New Zealand. |
Estvanik, Nicole |
Brief article |
Feb 1, 2007 |
209 |
Singapore, Singapore. |
Estvanik, Nicole |
Brief article |
Feb 1, 2007 |
268 |
Minneapolis and Columbus, Ohio: white flight. |
Grote, Jason |
Brief article |
Jan 1, 2007 |
314 |
Washington, D.C.: lifelines. |
Bent, Eliza |
Brief article |
Jan 1, 2007 |
137 |
'Lane, you're a perfect pessimist': pessimism and the English Fin de siecle. |
Shrimpton, Nicholas |
Critical essay |
Jan 1, 2007 |
8216 |
Morose's turban. |
Sebek, Barbara |
|
Jan 1, 2007 |
2488 |
"I care not, let naturals love nations": cosmopolitan clowning. |
Brown, Pamela Allen |
|
Jan 1, 2007 |
3024 |
Lives and letters in Antony and Cleopatra. |
Stewart, Alan |
|
Jan 1, 2007 |
11278 |
Performing aboriginalities: a cross-cultural perspective. |
Achitei, Simona |
Critical essay |
Jan 1, 2007 |
5311 |
Mary Frith at the Fortune. |
Hutchings, Mark |
|
Jan 1, 2007 |
7923 |
Room for doubts in a nutshell: (in)finite spaces vs. spatial (in)definition in Hamlet. |
Gellert, Marcell |
Essay |
Jan 1, 2007 |
5251 |
Edwin Forrest's redding up: elocution, theater, and the performance of the frontier. |
Rebhorn, Matthew |
|
Dec 22, 2006 |
9634 |
Opposing forces: (re)playing Pocahontas and the politics of Indian removal on the antebellum stage. |
Jaroff, Rebecca |
|
Dec 22, 2006 |
8381 |
The bride wielded a razor: images of women on the blackface stage of James McIntyre and Thomas Heath. |
Pasternack, Leslie |
|
Dec 22, 2006 |
7016 |
Epic trilogy vexed by success audiences' enthusiasm has created a 'difficult but exhilarating' situation. |
Cox, Gordon |
|
Dec 18, 2006 |
1005 |
Washington, D.C.: have a kinky little Christmas. |
Pressley, Nelson |
Brief article |
Dec 1, 2006 |
311 |
Philadelphia: politics as usual. |
Hart, Sarah |
Brief article |
Dec 1, 2006 |
159 |
Drama on the border: a feisty Arizona theatre dives headlong into the immigration debate. |
Allen, Kerri |
|
Dec 1, 2006 |
3583 |
Toronto, Canada. |
Estvanik, Nicole |
Brief article |
Dec 1, 2006 |
220 |
Verbal and visual rhetorics of cancer: defying silence in Margaret Edson, Audre Lorde and Jo Spence's works. |
Florescu, Catalina Florina |
Critical essay |
Nov 1, 2006 |
10059 |
Steppenwolf at Gotham's door: Chi company hopes to revive N.Y. profile. |
Blankenship, Mark |
|
Oct 2, 2006 |
917 |
The first Edinburgh and London editions of John Home's Douglas and the play's early stage history. |
McGinley, Kevin J. |
Critical essay |
Oct 1, 2006 |
6399 |
'Queen' scribe treated like a king. |
Dawtrey, Adam |
|
Sep 25, 2006 |
601 |
Toon town faces hard cel: local animators set strategy for international play. |
Hopewell, John; Rilla, Maria Alvarez |
|
Sep 25, 2006 |
646 |
Coming of age. |
Cole, Susan G. |
|
Sep 22, 2006 |
653 |
Realms beyond the mountains: notes on Kenneth Rexroth. |
Woodcock, George |
Critical essay |
Sep 22, 2006 |
3543 |
What we see when we look at war; How photographs shaped the drama of The War Anthology. |
Cintio, Matt Di |
|
Sep 1, 2006 |
1791 |
'Bent' on newbies. |
Benedict, David |
Brief article |
Aug 14, 2006 |
165 |
Scribe crosses line with 'Fear'. |
Fricker, Karen |
Brief article |
Aug 7, 2006 |
294 |
Ready for his close-up. |
Benedict, David |
Brief article |
Jul 10, 2006 |
160 |
Belgrade, Serbia. |
Estvanik, Nicole |
Brief article |
Jul 1, 2006 |
144 |
London, England. |
Estvanik, Nicole |
Brief article |
Jul 1, 2006 |
129 |
The three faces of Dick Cheney. |
Schroth, Raymond A. |
|
Jun 30, 2006 |
1088 |
Yossi Melman. |
|
Brief article |
Jun 22, 2006 |
287 |
Edmund Eyre's The Maid of Normandy; or, Charlotte Corday in Anglo-Irish docudrama. |
Nielsen, Wendy C. |
|
Jun 22, 2006 |
9025 |
'Festen' testin' auds on B'way: can Denmark's dark tale of a troubled family translate its British success to the U.S.? |
Cox, Gordon |
|
Apr 3, 2006 |
730 |
Crossing the pond. |
Benedict, David |
Brief article |
Apr 3, 2006 |
153 |
A nationwide boom: the not-for-profit musical factory; Resident theatres believe in the journey of musical-theatre artists, not in hits. |
|
|
Apr 1, 2006 |
2995 |
Marriage in late-medieval German Easter and Shrovetide plays. |
Classen, Albrecht |
|
Mar 22, 2006 |
10901 |
Recent native American drama and film: negotiations through time and culture/Yakin zaman yerli-amerikali drama ve filmi: zaman ve kultur uzerinden anlasma. |
Over, William |
Critical essay |
Mar 22, 2006 |
7530 |
In the family way: the politicization of motherhood in Merrill Denison's Marsh Hay (1923) (1). |
Lindgren, Allana |
|
Mar 22, 2006 |
9940 |
Identities of ambivalence: Judith Thompson's Perfect Pie. |
Moser, Marlene |
|
Mar 22, 2006 |
8051 |
Podcast links 'Women' to new outlets. |
Blankenship, Mark |
|
Feb 13, 2006 |
590 |
Remembering Nagasaki. |
|
Brief Article |
Feb 1, 2006 |
134 |
Pressure cooks for 'Dreamgirls' to goose musical pic genre. |
Rooney, David |
|
Jan 30, 2006 |
826 |
Pics: tune deaf? |
LaPorte, Nicole |
|
Jan 30, 2006 |
972 |
Voices from the Irish margin: Sean O'Casey's The Shadow of a Gunman and Christina Reid's Joyriders. |
Kao, Wei H. |
Critical essay |
Jan 1, 2006 |
7115 |
Syntactically honest: Iago's character as reflected in Janos Acs's 1989 play-text. |
Tabi, Katalin |
Critical essay |
Jan 1, 2006 |
5122 |
Language and ritual in T. S. Eliot's sweeney agonistes. |
Szele, Balint |
Critical essay |
Jan 1, 2006 |
6406 |
Bawdily manipulations: spheres of female power in The Birth of Merlin. |
Karpinska, Monika |
Critical essay |
Jan 1, 2006 |
2987 |
'Wife's' married to the road. |
Wolf, Matt |
Brief article |
Nov 7, 2005 |
381 |
San Francisco: Death! Violence! Compassion! |
Di Cintio, Matt |
Brief article |
Nov 1, 2005 |
221 |
New York City: Girl play. |
Pincus-Roth, Zachary |
Brief article |
Nov 1, 2005 |
287 |
The Rivals: Huntington Theatre Company. |
Erickson, T. Charles |
|
Nov 1, 2005 |
430 |
A date with Theresa Rebeck: an evening with her plays may make you laugh or shudder (or both)--or see the human condition with fresh eyes. |
Hart, Sarah |
|
Oct 1, 2005 |
2708 |
Eyes of the beholder: what do the critics see when they look at racially charged theatre? |
Brown, Carlyle |
|
Oct 1, 2005 |
1364 |
When chaos is come again: narrative and narrative analysis in Othello. |
Macaulay, Marcia |
Critical essay |
Sep 22, 2005 |
8917 |
The trappings of All's Well That Ends Well. |
Clark, Ira |
Critical essay |
Sep 22, 2005 |
10730 |
Shakespeare's "still-vexed" Tempest. |
Hunt, Maurice |
Critical essay |
Sep 22, 2005 |
7453 |
Early Asian drama: conversations and convergences. |
Salisbury, Eve |
Critical essay |
Sep 22, 2005 |
1948 |
Cincinnati's 'Shangri-La'. |
Hofler, Robert |
Brief Article |
Aug 15, 2005 |
154 |
A tale of two tuners: 'Drowsy Chaperone' and 'Spring Awakening' take different roads to the big time. |
Hofler, Robert |
|
Aug 8, 2005 |
909 |
Helmers heat up Lincoln fest. |
Stasio, Marilyn |
|
Aug 8, 2005 |
783 |
Ruhl's cleaning 'House'. |
Harris, Paul |
|
Aug 8, 2005 |
578 |
'Barefoot' beginnings. |
Hofler, Robert |
|
Jul 18, 2005 |
405 |
Tangled up in blue: political trepidation translates to unfocused theatre at Humana Festival. |
Hart, Sarah |
|
Jul 1, 2005 |
1526 |
"Bodied Forth": spectator, stage, and actor in the early modern theater. |
Low, Jennifer A. |
|
Mar 22, 2005 |
11961 |
Thomas Heywood's The Royall King, and the Loyall Subject and the fall of Robert Devereux, second earl of Essex. |
Lindberg, Kevin |
|
Mar 22, 2005 |
9047 |
"In better places": space, identity, and alienation in Sarah Kane's Blasted. |
Wixson, Christopher |
|
Mar 22, 2005 |
6748 |
Frank McGuinness and the Sons of Ulster. |
Kiberd, Declan |
|
Jan 1, 2005 |
9486 |
Melodrama, convention, and rape. |
Branca, R. Rene |
|
Jan 1, 2005 |
4720 |
Dying for love in The Peony Pavilion and Romeo and Juliet. |
Qingjun, Li |
|
Jan 1, 2005 |
6416 |
Expanding the political nation: Gorboduc at the Inns of Court and succession revisited. |
Winston, Jessica |
Critical essay |
Jan 1, 2005 |
10219 |
Oversight as insight: reading The Second Shepherds' Play as The Second Shepherd's Play. |
Abate, Michelle Ann |
Critical essay |
Jan 1, 2005 |
5787 |
Telling it like it isn't: the importance of the non-dit in Green's Sud. |
Armbrecht, Thomas J.D. |
Critical essay |
Dec 22, 2004 |
7036 |
The princess, persona, and subjective desire: a reading of Oscar Wilde's Salome. |
Marcovitch, Heather |
Critical essay |
Dec 22, 2004 |
4564 |
Criticizing critics. |
|
Brief Article |
Oct 11, 2004 |
278 |
The legacy of a one-woman show: a performance history of Julie Candeille's Catherine, ou la belle fermiere. |
Letzter, Jacqueline; Adelson, Robert |
Critical essay |
Sep 22, 2004 |
9603 |
"Renouncing change": salvation and the sacred in Brian Friel's Faith Healer. |
Strain, Margaret M. |
Critical essay |
Sep 22, 2004 |
9039 |
Of Mice and Men. |
Daniels, Robert L. |
|
Sep 20, 2004 |
512 |
Communicating social inclusiveness (1): Paul Slabolepszy's Fordsburg's Finest (2) (1997). |
van Deventer, M.A. |
Critical Essay |
Aug 1, 2004 |
6770 |
At the crossroads: gendered desire, political occasion, and Dryden and Lee's Oedipus. |
Schille, Candy B.K. |
Critical essay |
Jun 22, 2004 |
7611 |
The alienated moralist in An Enemy of the People. |
Roshwald, Mordecai |
Critical Essay |
Jun 22, 2004 |
3972 |
The Jacobean Syndrome. |
Greer, Herb |
|
May 1, 2004 |
2662 |
Doyoustillloveme.com: Laguna Beach, Calif. |
Hodgins, Paul |
Brief article |
Apr 1, 2004 |
372 |
Directed readings: paratext in a Game at Chess and The Tragedie of Philotas. |
Alt, Christina |
|
Mar 22, 2004 |
7200 |
The uses of interpretation in Hamlet. |
Croxford, Leslie |
Critical essay |
Jan 1, 2004 |
10658 |
On translating Alexander Pushkin's Angelo. |
Eubanks, Ivan |
|
Jan 1, 2004 |
1462 |
'My breasts sear'd': the self-starved female body and A Woman Killed with Kindness. |
Frey, Christopher; Lieblein, Leanore |
Critical essay |
Jan 1, 2004 |
9155 |
The Empress of Babylon's 'carbuncles and rich stones': the metaphorizing of the pox in Thomas Dekker's The Whore of Babylon. |
Scott, Sarah |
Critical essay |
Jan 1, 2004 |
12088 |
Numerology in the York creation sequence. |
Schmitt, Natalie Crohn |
Critical essay |
Jan 1, 2004 |
2230 |
Another shade of Dahlia: New Haven, Conn. |
Snyder, Diane |
Calendar |
Oct 1, 2003 |
362 |
Moguls, mistresses and the 'midsummer' movie: Washington, D.C. |
Hickman, Christopher |
|
Oct 1, 2003 |
378 |
Winner takes all: an actress rides shotgun on the rough-and-tumble development of David Edgar's epic Continental Divide. |
Holt, Lorri |
|
Oct 1, 2003 |
4583 |
Adam Bock: what can we imagine? An inventive playwright depends on collaborators for the finishing touch. |
Cieply, Peter |
Critical essay |
Oct 1, 2003 |
1181 |
Heather Woodbury standup novelist; fasten your seat belts for a cross-country joyride. |
Renner, Pamela |
Critical essay |
Oct 1, 2003 |
1168 |
From the ashes, a new South Africa: reflections of a nation's metamorphosis in a giant festival of arts. |
Vandenbroucke, Russell |
Critical essay |
Oct 1, 2003 |
2482 |
2 new plays for young audiences. |
|
Critical essay |
Oct 1, 2003 |
155 |
Descents into the maelstrom: new productions plunge into the murky depths of Poe's writings--and his psyche. |
Wren, Celia |
Critical essay |
Oct 1, 2003 |
1810 |
Haunted and haunting O'Neill. |
Lynch, Vivian Valvano |
Critical essay |
Sep 22, 2003 |
1281 |
A memorable production of classic O'Casey. |
Krause, David |
|
Sep 22, 2003 |
1156 |
What Ibsen has meant. |
Bentley, Eric |
|
Sep 22, 2003 |
3366 |
The lost playing places of Lincolnshire. |
Stokes, James |
|
Sep 22, 2003 |
8476 |
Nonverbal theatrical elements in Ntozake Shange's for colored girls ... and Intissar Abdel-Fatah's Makhadet El-Kohl (The Kohl Pillow). |
Shayal, Dalia El- |
|
Sep 22, 2003 |
6345 |
The Tyrone anthology: authority in the last act of Long Day's Journey into Night. |
Dugan, Lawrence |
|
Sep 22, 2003 |
6243 |
Head games: Wilde's 1892 Salome, in a wave of new productions, is a Rorschach test for artist. |
Grode, Eric |
|
Sep 1, 2003 |
2240 |
Colonial drama revealed, or plays submitted for approval. |
Pelosi, Janette |
|
Jul 1, 2003 |
4919 |
The Maltese Janus: Frances Ebejer and his drama. |
Crow, Brian; Galea, Marco |
|
Apr 1, 2003 |
4889 |
All right an assessment of Tom Stoppard's plays. |
Karwowski, Michael |
Critical essay |
Mar 1, 2003 |
3024 |
On Shylock: a reassessment of Shakespeare's tragic Jew. (Arts and Letters). |
Lang, Allen A. |
Critical Essay |
Feb 1, 2003 |
2864 |
Hrotsvit's Sapientia: rhetorical power and women of wisdom. |
Richmond, Colleen D. |
|
Jan 1, 2003 |
5508 |
Cloud 9, metadrama, and the post-semiotics of the subject. |
Kiss, Attila |
Critical essay |
Jan 1, 2003 |
3951 |
The Gift: economies of kinship and sacrificial desire in 'Tis Pity She's a Whore. |
Banerjee, Pompa |
Critical essay |
Dec 1, 2002 |
5287 |
New work on modern Irish drama and theater, 1997-2002: an overview. |
Flynn, Joyce |
|
Sep 22, 2002 |
4265 |
Bad boy: The Don Juan paradigm. (Previews). |
Berson, Misha |
Brief Article |
Jul 1, 2002 |
101 |
The future of humanity as projected in Soyinka's A Dance of the Forests. |
Adekoya, Olusegun |
|
Jun 1, 2002 |
4961 |
In Medea Res: An ancient Greek Femme Fatale is the American theatre's passion of the moment. |
Wren, Celia |
Critical essay |
Apr 1, 2002 |
2987 |
Views beyond the veil: A festival samples the complex reality of Muslim female playwrights. (Connections). |
Ahmad, Shazia |
Critical essay |
Apr 1, 2002 |
1468 |
The hostage and the writer. (Roaming Spotlight). |
Sampson, Benjamin W. |
Brief Article |
Apr 1, 2002 |
158 |
The Re-Gendering of Mythic Figures in Three Shakespearean Dramas. (Language & Literature). |
|
Brief Article |
Mar 22, 2002 |
217 |
Ophelia's Distorted Marriage Rites in Shakespeare's Hamlet. (Language & Literature). |
|
Brief Article |
Mar 22, 2002 |
212 |
Weaving the Web of Gossip: Player Kings in Shakespeare's Much Ado About Nothing. (Language & Literature). |
|
Brief Article |
Mar 22, 2002 |
234 |
Shakespeare's Distracted Globe and Hamlet's Theory of Theatre. (Language & Literature). |
|
Brief Article |
Mar 22, 2002 |
232 |
Shakespeare's Others as Witnesses: The Role of Thersites in Troilus and Cressida. (Language & Literature). |
|
Brief Article |
Mar 22, 2002 |
213 |
Producing Laughing Anne. |
Hand, Richard J. |
Critical essay |
Mar 22, 2002 |
8071 |
Laughing Anne: "an almost unbearable spectacle". |
Wheatley, Alison E. |
Critical essay |
Mar 22, 2002 |
6141 |
Reclaiming McCullers: with her new play on author Carson McCullers, Sarah Schulman brings her empathetic outsider's eye to New York's mainstream theater scene. (theater). |
Shewey, Don |
Critical essay |
Feb 5, 2002 |
564 |
Mrs Noah and didactic abuses. |
Tolmie, Jane |
Essay |
Jan 1, 2002 |
10098 |
Um Auto de Gil Vicente and the tradition of comedy. |
Earle, T.F. |
|
Jan 1, 2002 |
4258 |
Do Facts Matter on a CD-ROM? |
RAGEN, BRIAN ABEL |
|
Sep 22, 2001 |
1475 |
The Ethics of Democracy in Menander's Dyskolos. |
Lape, Susan |
Critical essay |
Sep 22, 2001 |
15194 |
Theatricality and cosmopolitanism in Hannah Cowley's The Belle's Stratagem. |
Wallace, Elizabeth Kowaleski |
|
Sep 22, 2001 |
7058 |
Hedda and Bailu: portraits of two "bored" women. |
He, Chengzhou |
|
Sep 22, 2001 |
7024 |
Submission, seduction, and state propaganda in Favart's Soliman II, ou Les trois sultanes. |
Elmarsafy, Ziad |
|
Sep 22, 2001 |
5611 |
What We Talk About When We Talk About Good. |
LONDON, TODD |
|
Sep 1, 2001 |
3646 |
Measure for Measure. |
MEMRAN, MICHELLE |
|
Sep 1, 2001 |
3081 |
The Critic in Extremis. |
KALB, JONATHAN |
|
Sep 1, 2001 |
1838 |
The Other Side of the Lights. |
NESBITT, CAROLINE |
|
Sep 1, 2001 |
1847 |
A Critic Under the INFLUENCE. |
BROWN, TONY |
|
Sep 1, 2001 |
2252 |
On Deadline. |
AHMAD, SHAZIA |
|
Sep 1, 2001 |
1703 |
Prince Gomolvilas NO LIMITS. |
Schiffman, Jean |
Critical essay |
Sep 1, 2001 |
1274 |
Falstaff: subjectivity between the carnival and the aesthetic. |
Grady, Hugh |
|
Jul 1, 2001 |
9199 |
The Merchant of Venice and Shylock's "Christian Problem". |
Spiro, Jack D. |
Critical essay |
Jul 1, 2001 |
2885 |
Paul Claudel's L'Annonce faite a Marie: A process of visionary revision. |
Jones, Anwen |
|
Apr 1, 2001 |
7942 |
Flattery in Shakespeare's Othello: the relevance of Plutarch and Sir Thomas Elyot. |
Evans, Robert C. |
|
Mar 22, 2001 |
17964 |
Intercession, detraction, and just judgment in Othello. |
Hassel, R. Chris, Jr. |
|
Mar 22, 2001 |
10288 |
Emblems of folly in the first Othello: renaissance blackface, moor's coat, and "muckender". |
Hornback, Robert |
|
Mar 22, 2001 |
11821 |
"Othello/me": racial drag and the pleasures of boundary-crossing with Othello. |
Marks, Elise |
|
Mar 22, 2001 |
9914 |
`SALESMAN' CALLS. |
DORE, SHALINI; MARSHALL, ALYS |
Brief article |
Sep 25, 2000 |
194 |
"Oh, Phooey to Death!": Boethian Consolation in Tom Stoppard's Arcadia. |
ALWES, DEREK B. |
|
Sep 22, 2000 |
4411 |
James Kelman (3). |
Bernstein, Stephen |
|
Sep 22, 2000 |
4721 |
Opposition or Identification: Chekhov's Plays On Screen. |
Olshankskay, Natalia L. |
|
Sep 22, 2000 |
2301 |
`Life Is a Dream'. |
CAIN, BILL |
|
Jul 28, 2000 |
1667 |
The controversial plot: Declamation and the concept of the 'problem play'. |
Rhodes, Neil |
|
Jul 1, 2000 |
8561 |
The Urner Tellenspiel of 1512: Strategies of Early Political Drama. |
WALSH, MARTIN W. |
|
Jun 22, 2000 |
6818 |
CAESAR TALKS, CROWD WALKS. |
FRITH, KELLEE |
|
Jun 1, 2000 |
1392 |
The Stars of Betheham. |
COHEN-CRUZ, JAN |
Brief Article |
Mar 1, 2000 |
3560 |
IN THE BLOOD. |
PARKS, SUZAN-LORI |
|
Mar 1, 2000 |
16168 |
Double Trouble. |
Sampson, Benjamin W. |
Brief Article |
Mar 1, 2000 |
147 |
Dialectica historica. |
Valdivieso, L. Teresa |
|
Jan 1, 2000 |
2988 |
Anarchy in the Southwest. |
Faires, Robert |
Brief Article |
Nov 1, 1999 |
978 |
Less Than Zero. |
Skloot, Robert |
Brief Article |
Nov 1, 1999 |
626 |