Leconte de Lisle


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Le·conte de Lisle

 (lə-kôNt′ də lēl′), Charles Marie 1818-1894.
French poet and a leading Parnassian. His works include Poèmes antiques (1852) and Poèmes barbares (1862).
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

Leconte de Lisle

(French ləkɔ̃t də lil)
n
(Biography) Charles Marie René (ʃarl mari rəne). 1818–94, French Parnassian poet
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014

Le•conte de Lisle

(lə kɔ̃t də ˈlil)

n.
Charles Marie, 1818–94, French poet.
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.
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It comprised such important names as Theophile Gautier [1811-72], Leconte de Lisle [1818-94], Theodore de Banville [1829-90] and Jose Maria de Heredia [1818-94].
THE INFLUENCE OF FRENCH PARNASSIAN POETRY ON ENGLISH LITERATURE
Para ello, se sirvio de la mas cercana tradicion literaria francesa y, especialmente, de las traducciones de prosa poetica de Leconte de Lisle y posiblemente de la de Pierre Guiget.
Ivan Garcia Sala, Diana Sanz Roig i Bozena Zaboklicka, (eds.), Traduccio indirecta en la literatura catalana. V Simposi sobre traduccio i recepcio en la literatura catalana
8), via the formative nineteenth-century views on philosophies of art of critic and historian Hippolyte Taine back to poets Walt Whitman (notably "Proud Music of the Storm" (1869)), Leconte de Lisle (and Faure 's Les Roses d'Isphahan (1884)), Theophile Gautier, and so on.
Literary Sources of Nineteenth-Century Musical Orientalism: The Hypnotic Spell of the Exotic on Music of the Romantic Period
Among the volunteers were Leconte de Lisle and Sully Prudhomme, and Koschwitz took notice of their muted es.
To be or not to be: notes on the muted E, Part 1
Espantado de la dipsomania dariana y la apropiacion indiscriminada de fuentes ("altas individualidades como Leconte de Lisle, Ibsen, Poe y el mismo Verlaine, respiran el mismo incienso y se codean con los Bloy, d'Esparbes, la histerica Rachilde y otros rates aun mas innominados") califica Los raros de "reunion interlope", adjetivo que ilustra su figuracion como arbitro del comercio intelectual.
En zaga de tantos otros: Paul Groussac y la angustia de las influencias en el Rio de la Plata

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