Electronics For Beginners A Practical Introduction To Schematics Circuits and Microcontrollers 1st Edition Jonathan Bartlett
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Jonathan Bartlett
The publisher, the authors and the editors are safe to assume that the
advice and information in this book are believed to be true and accurate
at the date of publication. Neither the publisher nor the authors or the
editors give a warranty, expressed or implied, with respect to the
material contained herein or for any errors or omissions that may have
been made. The publisher remains neutral with regard to jurisdictional
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1. Introduction
Jonathan Bartlett1
(1) Tulsa, OK, USA
3. Jumper Wires: Jumper wires are just like normal insulated wires,
except that their ends are solid and strong enough to be pushed
into your breadboard. The wires themselves may be flexible or
rigid. Jumper wires with female ends (a hole instead of a wire) also
exist for plugging into circuits which have metal pins sticking out of
them (known as headers) to connect to. Every hobbyist I know has
a huge mass of jumper wires. They usually come in bundles of 65
wires, which is plenty to get started.
4. Resistors: Resistors do a lot of the grunt work of the circuit. They
resist current flow, which, among other things, prevents damaging
other parts of the circuit. Resistors are measured in ohms (Ω). Most
hobbyists have a wide variety of resistors. You should have a range
of resistors from 200 Ω to 1, 000, 000 Ω. However, if you had to pick
one value for your resistors, 1, 000 Ω resistors work in a wide
variety of situations. Resistors for this book should be rated for 1/4
watt of power.
3. If your circuit does not behave as you expect it to when you plug in
the battery, unplug it immediately and check for problems.
Please note that if you ever deal with alternating current (AC) or
large batteries (such as a car battery), you must exercise many more
precautions than described in this book, because those devices
generate sufficient power in themselves and within the circuits to harm
or kill you if mishandled (sometimes even after the power has been
disconnected).
3. Use a specialized ESD floor mat and/or wrist strap to keep you and
your workspace at ground potential.
4. If you don’t use an ESD strap or mat, touch a large metal object
before starting work. Do so again any time after moving around.
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enough some of the people what come here to see him.
Professor
But you have less to clean up than some of the other girls.
(Sighing.) So few people wander in this out of the way section.
Sarah
Ye don’t think anyone would be fool enough to look at these
corpses for pleasure, do ye?
Professor
I suppose not.
Sarah
Even though it means more work to my poor back, I’m goin’ to ask
to be put over where the cases of butterflies are. When I was a-
scrubbin’ around them I could be thinkin’ that I was out among the
daisies, instead of hangin’ ’round a morgue.
Professor
That’s much better, Sarah. (Gazing in admiration at the fossil.)
Wonderful specimen—wonderful!
(Robert Hood enters. He is a well set-up, attractive
young man about thirty. As he glances impatiently at his
watch, it is evident he is ill at ease and under the stress of
an unusual emotion. Though he carries a Museum
catalogue it is soon apparent he has come for a
rendezvous.
Sarah soon disappears from view—scrubbing.)
Hood
I beg your pardon. Is this where the Brontosaurus lives?
Professor
Yes. (Proudly) This is the Brontosaurus.
Hood
(Indifferently)
Oh, is it? Thanks.
Professor
Are you interested in fossils?
Hood
Fossils?—Oh, yes; but only the living ones.
Professor
Oh, then you’ve come to see the Hoatzins?
Hood
(Impatiently)
Not especially.
Professor
They’re in the ornithological section. Curious, isn’t it, when people
think fossils are so remote, that to-day in the thorn bushes along the
Berbice River there should be a small living bird who swims, creeps,
climbs, dives and can duplicate within a few minutes the processes
of evolution through the centuries. Mr. Beebe calls them “living
fossils”; so when you said....
Hood
(Again looking at his watch)
It’s very interesting.
Professor
Their wing formation somewhat resembles the Archæopteryx. We
have a cast of the Solenhofen specimen, if you....
Hood
I have a catalogue. I’d like to study them myself, quietly at first, if
you don’t mind.
(He sits down on the bench at back and opens the
catalogue. The Professor is offended, gives him a look
and goes out. The minute he has gone, Hood arises,
takes several steps about as though looking for someone.
Sarah has entered with her pail and watches him. She
stands there, a worn and abject figure. Hood takes out his
watch again.)
Sarah
I beg ye pardon?
Hood
(Startled a moment)
Eh?
Sarah
Do ye be havin’ the toime about ye?
Hood
My watch says four. But I think it must be fast.
Sarah
(As she wearily crosses)
Thank ye, sir.
Hood
(A bit anxiously)
When does the Museum close?
Sarah
For ye or for me?
Hood
Why, for me; of course.
Sarah
Ye’ll hear the bell in a half-hour; it’s not long after that I’ll be a-
pullin’ up these shades.
Hood
Thanks.
Sarah
(Pointedly as she begins to wash up his footsteps)
If ye need more toime to look at the animals ye may be doin’ it, as
the Professor is expectin’ a whole regiment of soldiers.
Hood
(Vexed)
Coming here? I thought nobody ever came here?
Sarah
Ye mustn’t be surprised at anythin’ in a museum. All the strange
animals ain’t behind the railin’s.
(She gives him a knowing look and finally goes out of
sight, mopping down the aisle. He takes a step impatiently
and then sits in back and opens catalogue aimlessly as he
sees Mrs. Cornelius Van Dyke and Mrs. James
Morrow enter from back. They do not notice him at first.
Mrs. Van Dyke is a harmless middle-aged woman who
throughout life has comfortably relied on her blood instead
of her brains. She hides the absence of the latter by a
calm and superior imperturbability.
Her companion, Mrs. James Morrow, is younger;
obviously nouveau riche, she has achieved a successful
manner, most of which is dexterously expressed in her
lorgnette.
Both women are handsomely gowned and proclaim to
the observer flaunting wealth.)
Mrs. Morrow
The attendant said keep turning to the right.
Mrs. Morrow
No. But if we dressed up at Mrs. Bilton’s ball like some of these
animals, we’d certainly make a hit.
Mrs. Morrow
(Looking absently at Hood through her lorgnette)
Dear me, this is a terrible place—full of monsters.
Mrs. Morrow
(Reading sign)
It’s a Bron—(Not able to pronounce it and turning away) I left my
reading-glasses at home. You try.
Mrs. Morrow
(Interrupting, as she turns quickly to the fossil)
My husband? That?
Mrs. Morrow
I knew there was something here Jim wanted me to see. He
donated $250,000 to the museum last year. He said they’d bought
some old animal with it.
Mrs. Morrow
Of course, it’s Jim’s own money; but it does seem a bit
extravagant to turn all that money into old bones.
Mrs. Morrow
Jim’s been awfully generous to me; though, of course, now that
the war’s over we’ve got to hold in a bit. He hasn’t any more army
contracts, you know. (Sighing) It certainly was wonderful while it
lasted.
Mrs. Morrow
(The hand of Sarah mopping in the aisle is seen. Mrs.
Morrow is startled.)
What’s that?
Mrs. Morrow
They might wait till the museum closed before they splash about
spoiling our gowns.
Mrs. Morrow
But I’ll have to tell Jim I came especially to see his beast: he’ll
want to know what it looks like, the poor dear!
(Elizabeth Livingston enters. She is a woman of such
an indefinite age that she must be past her early thirties.
Handsome, well-groomed and yet a bit hectic, her secret
is that she is a born intriguanté and likes to see men
feverish.
She sees Hood: he sees her: the two women catch this
exchange of glances, though Hood instantly resumes
reading and Bess goes quickly to the case opposite not to
betray she is there to meet Hood.
The two women exchange significant glances. Hood
looks up and catches Mrs. Morrow eyeing him through
her lorgnette. He rises in question.)
Mrs. Morrow
(To cover it)
I beg pardon. Do you happen to know where they keep the ancient
jewelry?
Hood
(Politely)
I think it’s to the right.
Hood
Have you tried the long hall?
Mrs. Morrow
But which hall?
Hood
(Obviously trying to get rid of them)
The very furthest hall.
Mrs. Morrow
Oh.... (She turns to Mrs. Van Dyke.) The very furthest hall, he
said. (Aside to her as they turn) I’m afraid we’re de trop. I’m sure
it’s....
Mrs. Van Dyke
I thought so, too; and with a different tame robin this time. (As she
turns and looks at the Brontosaurus.) I’m glad I won’t look like
Jim’s beast when I’m dead.
Mrs. Morrow
Well, dear, we’ll never be found in a museum at any rate.
Hood
Bess!
Bess
Oh, Bob!
Hood
Dearest!
Bess
Be careful. Somebody may see us. I’m sure those women....
Hood
(With extravagant expression)
I’d like the whole world to see us. I can’t stand this much longer.
Bess, I want you.
Bess
I know. Sh!
(Sarah comes from out of aisle, goes out of sight,
obviously to clean another aisle. But she has seen them
and gives a knowing smile as though such rendezvous
were not unusual.)
Hood
It can’t go on like this.
Bess
Aren’t you satisfied with what we’ve already had?
Hood
(Unconsciously playing up to the situation)
I want all or nothing—the you all the world has, too. I....
Bess
Yes? Say it. I like to hear you say it.
Hood
I want you to be my wife. (Intensely) Bess! Bess! Will you?
Bess
Give me time to think.
Hood
But it can’t go on like this ... having me meet you in strange places
... always being afraid. Bess, you love me, don’t you?
Bess
Oh, Bob!
Hood
You’ve never loved anybody before as you love me?
Bess
Oh, no; you’re so fine and strong and....
Hood
Then why are you afraid?
Bess
The world ... my world ... your world....
Hood
But you wouldn’t be the first who....
Bess
Don’t drive me to the wall!
Hood
You must decide.
Bess
I’m thinking of you. I’m older than you. In time, perhaps, you....
Hood
Never.
Bess
How you say it!
Hood
I love you. I’ve never loved any woman before. I’ll never love any
woman again.
Bess
My dear boy! I must go now. I just wanted to see you, to hear you
say you love me.
Hood
And I came because I wanted a definite answer.
Bess
Wait. In time. Don’t drive me to the wall.
Hood
(Heroically)
I tell you I’ll kill myself if....
Bess
Bob! Do you care as much as that?
Hood
Yes. Nothing else matters.
Bess
But your career—your position?
Hood
You are more than all that. What will you give up for me?
Bess
Sh! Somebody’s coming. (In a different tone, mistress of herself.)
It must have taken a good many years to collect these specimens.
(Ray Livingston has come in on this, walking slowly
down with eyes that glitter for a moment on seeing them.
He is about sixty. The tightly drawn skin on his face
clearly reveals the bones beneath. He is an aristocratic,
calm, collected man: the essence of deliberate politeness.
When he comes to them he acts as though he were
surprised.)
Livingston
Bess. This is a surprise.
Bess
Ray?
Livingston
Do you come here often?
Bess
I was just strolling through to look at some ancient jewelry when I
happened to meet Mr. Hood.—This is my husband. Mr. Hood.
(As Livingston crosses slowly and shakes his hand with
cold studied courtesy, Hood gives him a sickly smile, ill at
ease in an unaccustomed situation.)
Livingston
I’m charmed to meet you. I’ve heard Mrs. Livingston speak of you.
Let me see, where was it?
Bess
(Casually, mistress of herself)
Perhaps it was after I first met him at Judge Wilton’s. Mr. Hood is
in the Legislature, you know.
Livingston
To be sure. I remember your photograph in all the newspapers.
(Half playfully) But you’re rather a young man for such a
conspicuous and responsible office.
Hood
(Trying to be at ease)
One soon grows older up there.
Livingston
(Pleasantly)
I hope that means wiser; for wisdom, I’m told, is only a matter of
perspective, and its secret is finding the relative importance of
things. (With a smile.) But, of course, everything must seem vitally
important at the beginning. Just as each moment of life was once the
most important thing to these animals. (Before Hood can answer.)
Are you interested in fossils?
Hood
(Eyes him)
I’m trying to understand their meaning and significance.
Livingston
Do you find it difficult? I see you have a catalogue. Do you come
here to study them?
Bess
(Trying with her skill to relieve the situation)
Mr. Hood was just telling me he was planning to introduce a bill in
the Legislature to—to extend the wings.
Livingston
To extend the wings? What of?
Bess
Of the Museum, of course.
Livingston
Indeed?
Hood
(Lying in spite of himself)
Yes.
Bess
(With a reassuring smile)
He thinks it’s a bit cramped here.
Livingston
I quite approve. Space is what is needed. But you’ll find it difficult
to get money from the Legislature for such purposes. I’ve tried
myself.
Hood
Oh, are you interested in museums?
Livingston
Didn’t you tell him, Bess, about the museum I had planned?
Bess
(Beginning to detect his intention)
No; it slipped my mind.
Livingston
(Playfully reproving her)
And I had such a personal interest in it, too.
Hood
Was it a museum for fossils?
Livingston
It was to prevent people from becoming fossils before their time. It
was a museum of safety appliances.
Hood
Industrial?
Livingston
No: domestic. From a very long life, I’d observed that in the world
and in the home, most everybody, through lack of a little precaution,
makes a fool of himself or herself once or twice in a life.
Bess
(Suavely)
I thought the average was higher; didn’t you, Mr. Hood?
Livingston
Perhaps the nasty messy mangling is. I’m not sure of the
mortalities. You see, Mr. Hood—if you are interested?
Hood
(With a start)
Very.
Livingston
What I mean is that people cut off a useful hand or limb—
metaphorically, of course—because they go a little too near the
machinery: the machinery of what we call the hard facts of life.
Hood
And what was your exhibit intended for?
Livingston
(Pointedly)
To have them read the danger signs first. It was my plan to
indicate how signs should be put up over terrain places, like stores
and homes and....
Bess
(Calmly)
How interesting. What sort of signs were they to be, dear?
Hood
“Don’t Handle,” “Watch Your Step.” You know the sort. You see, I
have a theory that if these signs were placed about in enough places
people would soon grow accustomed to carrying them in their mind’s
eye, as it were. (Pointedly) Do you get my meaning?
Bess
But, dear; there are so many signs now. Look at these about here
for instance. I’m sure people would never get anything out of these
by carrying them about in their heads.
Livingston
It’s merely a matter of how much intelligence and imagination you
bring to signs—otherwise they are only words.
(As Livingston crosses to read sign under the
Brontosaurus, Hood makes a movement as though to
speak, but Bess, who has sat on the bench, stops him
with an imploring gesture.)
Um—highly suggestive, this. (Reading) “Great Amphibious
Dinosaur Brontosaurus ... Jurassic Period ... Donated by James
Morrow.... The Brontosaurus lived several million years ago....” You
see (To them) James Morrow and the animal have clasped hands
over the centuries. Um. From this sign, can’t you picture the love and
devotion to science that prompted such a gift?
Hood
(Now smiling for the first time)
As it happens he didn’t even know what his money was for. While I
was waiting here I heard Mrs. Morrow say.... (He stops short as
Livingston gives him a sharp look.)
Bess
(Quickly)
You see, dear, you were mistaken in that sign.
Livingston
(Casually)
Perhaps. Curious though how much information a man picks up
while he waits about. (He crosses over to the case opposite.) I
wonder what this one will reveal.
(Hood sees he has been caught in a slip. It spurs him into
a mood of retaliation. He overcomes a momentary
hesitation and then shows he resolves to tell Livingston
everything.)
Hood
(With hoarse nervous intensity)
Mr. Livingston!
Bess
(Under her breath to him)
Bob!
Livingston
(Not turning)
Yes?
(For a second Hood is about to speak, but he is halted by
Bess’s look and voices, as the Professor, followed by
Larry Anderson, enters.