City in The City - Berlin A Green Archipelago - O.M. Ungers
City in The City - Berlin A Green Archipelago - O.M. Ungers
City in The City - Berlin A Green Archipelago - O.M. Ungers
In September of 1977 “The City in the City – Berlin: A Green Archipelago” was published as a 48-page
urban planning booklet by O.M. Ungers, a german architect and urban planner. At the time of making,
Originally the text was developed under Rem Koolhaas, who taught a summer school for Cornell
students in Berlin, which was dedicated to the topic “Urban Villa”. This short six-point version was only
titled “Berlin: A Green Archipelago” and formed the foundation for its reworked and extended version.
Facing a declining city population in Berlin, the full 48-page version was created as an urban
redevelopment proposal and presented to the city administration at the time.
Today it is considered one of the first manifestos to introduce the concept of urban reduction as a form
of urban planning; strongly contrasting the prevalent attitude of historic reconstruction and
densification from the centre to the city boundaries. Despite the radical approach and considerations
of mobility, suburban surroundings, tourism, forestry and agriculture, it did not achieve recognition like
other theories of the time (e.g. Learning from Las Vegas, Delirious New York) and was rarely published.
1) Depopulation
With a projected decline in population of 10% in the 1980s, the plan proposes a controlled reduction
of the city of Berlin without any loss of urban qualities.
2) False Nostalgia
Additive measures or measures of city renovation by historic principles are purely based on a false
sense of nostalgia for the sake of reproduction of kitsch. They must be avoided since they would not
achieve the projected future needs of the city. Most parts of the city have fallen into a state of
disorder. The process of reduction must happen in a controlled manner and not by chance.
Architectural additions do not have to be new. They should rather be taken from global model
references, designed at another time for another place. Examples could be:
8) Urban Villa
Despite higher costs of living, lack of infrastructures and increased time of mobility, there is a clear
preference towards the single house type within the population. The motivation is a heightened
sense of independence and a desire for individualisation and personalisation. The ideal housing type
for this lifestyle is the “Urban Villa”, a type between single house and apartment building.
Units of four to eight allow for individual designs and adaptability. Unlike housing blocks, this type
would not sanitise the city socially and economically. The urban villa is additional and not a
replacement. It is easy to integrate into the historic context.
9) Historic Justification
Berlin’s diverse urban qualities lie in the city’s history. There have always been articulations of
opposing elements and ideas. Berlin has existed in different versions, one after another: Cölln-Berlin
was a city for fishermen and merchants. It became a city of markets, a royal residence, a capital city,
an industrial city, a metropolis, a city of six towns with different uses in the 18th century and a divided
city. Industrial progress and increasing mobility led to an increase of work opportunities and housing
in the periphery, which led to the inclusion of its suburbs into the city administration. Berlin’s variety
of architectural styles from romantic to classical, neoclassical, neogothic or even elements of islamic
architecture can be described as an archipelago of cultural happenings. This is rooted in the cities
humanistic tradition and transferred to its present. Berlin preserves traces of its historic past, like a
living collage of fragments. Critical contradictions are the very concept of Berlin.
The results of phase one should be presented and discussed during the IBA (Internationale
Bauausstellung). The second phase serves the deepening of architectural and urban vocabulary by
selected committees and citizens. Results should be published and discussed publicly. The design of
the city islands and green zones is to be done without a preferred or uniform style. Selected
realisations could be goals for the 1980’s and yearly exhibitions should be held. Summer academies
can be used for theoretical work. Famous international personalities should be invited for longer
periods to make contributions, and the planning committee should be independent.