The ownership of this armor by Ferdinand I (1503–1564) is indicated by the heraldic emblems on the toe caps: the imperial double-headed eagle surmounted by a royal crown, which signifies Ferdinand’s honorific status as king of the Romans and designated successor to his brother, Emperor Charles V. The image of the Virgin and Child on the breastplate was also used by Charles V on his own armors. The backplate is decorated with crossed staves and firesteels, the insignia of the Order of the Golden Fleece, an elite chivalric society of which Ferdinand was a member.
Kunz Lochner, Nuremberg’s most celebrated armorer of the period, made several armors for both Ferdinand and his son Archduke Maximilian (1527–1576), including two matching armors produced about 1546 that are very similar to the one exhibited here.
The helmet of the Museum’s armor was not made for it originally but has been associated with the armor since at least the early nineteenth century.
This artwork is meant to be viewed from right to left. Scroll left to view more.
Front
3/4 front
Back
Detail of breastplate
Detail of left elbow
Detail of lancerest
Detail of backplate
Detail of decoration on backplate
Detail of decoration on right tasset (thigh defense)
Detail of decoration on right sabaton (foot defense)
Artwork Details
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Dimensions:H. 67 in. (170.2 cm); Wt. 52 lb. 14 oz. (24 kg)
Classification:Armor
Credit Line:Purchase, Rogers Fund and George D. Pratt Gift, 1933
Object Number:33.164a–x
Marking: Marked on the inner and outer faces of the principle elements: the blazon of the city of Nuremberg; and the initial N within a pearled border, denoting Nuremberg.
Count Franz I zu Erbach-Erbach, Schloss Erbach im Odenwald, Germany (by 1807–d. 1823; said to originate from Amberg; by descent through the family to Count Conrad zu Erbach-Erbach); Count Conrad zu Erbach-Erbach, Schloss Erbach im Odenwald (1920–1933; sold to Drey, 1933); [A. S. Drey, Munich, 1933; sold to MMA, December 18, 1933].
Los Angeles. Los Angeles County Museum of Art. "Loan Exhibition of Mediaeval and Renaissance Arms and Armor from the Metropolitan Museum of Art," January 15–March 18, 1953, no. 6.
San Francisco. California Palace of the Legion of Honor, Fine Arts Museums of San Francisco. "Loan Exhibition of Mediaeval and Renaissance Arms and Armor from the Metropolitan Museum of Art," April 18–June 7, 1953, no. 6.
Pittsburgh. Department of Fine Arts, Carnegie Institute. "Loan Exhibition of Mediaeval and Renaissance Arms and Armor from the Metropolitan Museum of Art," October 1953–April 1954, no. 6.
New York. The Metropolitan Museum of Art. "Gothic and Renaissance Art in Nuremberg, 1300–1550," April 8–June 22, 1986, no. 276.
Nuremberg. Germanisches Nationalmuseum. "Nürnberg 1300–1550: Kunst der Gotik und Renaissance," July 24–September 28, 1986, no. 276.
Augsburg. Kunstsammlungen und Museen Augsburg. "Als Frieden Möglich War: 450 Jahre Augsburger Religionsfrieden," June 16–October 16, 2005, no. II.2 (as "Feldharnisch König Ferdinands I.").
Schloss Erbach. Kurze Beschreibung des Rittersaales in dem Schlosse zu Erbach im Odenwalde und der in demselben aufgestellten Rüstungen und Waffen. Amorbach: H. W. Wolkhart, 1808. pp. 35–36, no. II.15 (as Albrecht V).
Schloss Erbach. Kurze Beschreibung des Rittersaales in dem Schlosse zu Erbach im Odenwalde und der in demselben aufgestellten Rüstungen und Waffen. Amorbach: H. W. Wolkhart, 1812. p. 35, no. II.15 (as Albrecht V).
Schreiber, Alois Wilhelm. Anleitung den Rhein und die Mosel und die Bäder des Taunus zu bereisen. Heidelberg: Engelmann, 1812. p. 272 (as "Die Rüstung Albrecht V").
Pauli, Philipp August. Darmstadt: Eine historisch-topographische Skizze und Excursionen in die Umgegend. Darmstadt: Will, 1815. p. 177 (as "Albrecht V")
.
Gräter, Friedrich David. "Der Rittersaal in dem Schlosse des Herrn Grafen zu Erbach." Idunna und Hermode: Eine Alterthums-Zeitung auf das Jahr 1816 (1816), p. 113, no. 15 (as "Albrecht V").
Heller, J. L., ed. "Vaterländische Wanderungen." Didaskalia oder Blätter für Geist, Gemüth und Publizität (1824), no. 16 (as "Albrecht V").
Reiffenberg, Baron Frédéric Auguste Ferdinand Thomas de. Histoire de l'Ordre de la Toison d'Or, Depuis son Institution jusqu'a la Cessation des Chapitres Généraux, Tirée des Archives Mêmes de cet Ordre et des Écrivains qui en ont Traité, par le Baron de Reiffenberg. Brussels: Fonderie et Imprimerie Normales, 1830. p. 420 (?).
Kresš, G. L. von. Rittersaal im Schlosse zu Erbach im Odenwalde: gezeichnet und in aqua tinta geätzt von G.L. v. Kresš. Offenbach a.M, 1832. p. 20, no. II.16, pl. XVII (as Albrecht V).
Leonhard, Karl Cäsar von. Fremdenbuch für Heidelberg und die Umgegend mit Holzschnitten, eingedruckten Lithographien und einer Karte. Heidelberg: Karl Groos, 1834. p. 262 (as "Albrecht V").
Erbach-Erbach, Eberhard zu. General-Catalog der Gräflich Erbachischen Sammlungen im Schlosse zu Erbach. Erbach im Odenwald: Druck und Verlag von Chr. Franz & Sohn, 1867. p. 7, no. 20 (as "Albrecht V").
Schaefer, Georg. Kunstdenkmäler im Grossherzogthum Hessen. Inventarisirung und beschreibende Darstellung der Werke der Architektur, Plastik, Malerei und des Kunstgewerbes bis zum Schluss des XVIII Jahrhunderts. A. Provinz Starkenburg, Kries Erbach. Darmstadt: A. Bergstraesser, 1891. pp. 69–70, fig. 40 (as Albrecht V).
Erbach-Erbach, Eberhard zu. General-Catalog der Gräflich Erbachischen Sammlungen im Schlosse zu Erbach. 2.: Der Rittersaal. Erbach im Odenwald: Aug. Franz, 1894. p. 7, no. 20 (as "Albrecht V").
Schinhammer, Clement. "Amberger Erinnerungen aus den Jahren 1800 und 1801." Das Bayerland 12 p. 488 (Elector of Bavaria in Amberg discussed).
Müller-Hickler, Hans. Führer durch die Waffensammlungen des Gräflichen Schlosses zu Erbach i.O.. Erbach im Odenwald: Aug. Franz'sche Hofbuchdruckerei, 1922. p. 13.
Müller-Hickler, Hans. Die Waffensammlungen in Erbach i. O. K. F. Bender, 1923. pp. 57–61, no. 38, pls. XVI–XVII (as Albrecht V).
Müller-Hickler, Hans. Bezeichnung der Rüstungen und Waffen in dem Rittersaal Sr. Erlaucht des Grafen Konrad zu Erbach, Erbach i. O. Darmstadt, 1926. pls. XIV–XV.
Grancsay, Stephen V. "A Sixteenth-Century Parade Armor." The Bulletin of the Metropolitan Museum of Art (1934), pp. 102–4, fig. 1.
Mann, James G. "The Etched Decoration of Armour: A Study in Classification." Proceedings of the British Academy (1940), p. 15, pl. VIII, fig. 2.
Grancsay, Stephen V. Historical Armor: A Picture Book. New York: The Metropolitan Museum of Art, 1944. p. 3, pl. 15.
Thomas, Bruno. Deutsche Plattnerkunst. Munich: F. Bruckmann, 1944. p. 99, pl. 31.
Grancsay, Stephen V. Historical Armor: A Picture Book. 2nd ed. New York: The Metropolitan Museum of Art, 1946. p. 3, pl. 15.
Grancsay, Stephen V. Historical Armor: A Picture Book. 3rd ed. New York: The Metropolitan Museum of Art, 1951. p. 3, pl. 15.
Grancsay, Stephen V. Loan Exhibition of Mediaeval and Renaissance Arms and Armor from the Metropolitan Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1953. p. 9, no. 6, ill.
MacAgy, Jermayne. The Installation of the Loan Exhibition of Mediaeval and Renaissance Arms and Armor at the Legion of Honor Museum from April 18 through July 5 Nineteen Hundred Fifty-Three. San Francisco: California Palace of the Legion of Honor, Fine Arts Museums of San Francisco, April 18–July 5, 1953. p. 13.
Grancsay, Stephen V., The Metropolitan Museum of Art, and Washington County Museum of Fine Arts. Loan Exhibition of Medieval and Renaissance Arms and Armor from the Metropolitan Museum of Art. Hagerstown, Md.: Washington County Museum of Fine Arts, February 27–March 31, 1955. p. 9, no. 6, fig. 6.
Grancsay, Stephen V. Historical Armor: A Picture Book. 4th ed. New York: The Metropolitan Museum of Art, 1957. p. 3, pl. 15.
Nickel, Helmut. Warriors and Worthies: Arms and Armor Through the Ages. New York: Atheneum, 1969. p. 73, ill.
Schedelmann, Hans. "Ein Rückblick auf den Waffenmarkt des letzten halben Jahrhunderts." Waffen– und Kostümkunde: Zeitschrift der Gesellschaft für historische Waffen– und Kostümkunde, Waffen- und Kostümkunde, 32, ser. 3 v. 15, no.1 Heft 1, p. 30, no. 15, ill.
Nickel, Helmut. Ullstein-Waffenbuch: eine kulturhistorische Waffenkunde mit Markenverzeichnis. Berlin: Ullstein, 1974. p. 123, ill.
Gamber, Ortwin. "Der Plattner Kunz Lochner - Harnische als Zeugnisse Habsburgishcer Politik." Jahrbuch Der Kunsthistorischen Sammlungen in Wien (1984), pp. 43–44, figs. 55, 58.
Angerer, Martin, The Metropolitan Museum of Art, and Germanisches Nationalmuseum. Nürnberg, 1300–1550: Kunst der Gotik und Renaissance. 1st ed. Munich: The Metropolitan Museum of Art, 1986. pp. 466–7, no. 276.
Grancsay, Stephen V., and Stuart W. Pyhrr. Arms & Armor: Essays by Stephen V. Grancsay from the Metropolitan Museum of Art Bulletin 1920–1964. New York: The Metropolitan Museum of Art, 1986. pp. 122–125, fig. 48.1.
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Neumann, Hartwig. "Das Zeughaus. Die Entwicklung eines Bautyps von der spätmittelalterlichen Rüstkammer zum Arsenal im deutschsprachigen Bereich vom XV. bis XIX. Jahrhundert." PhD diss., PhD diss., Bernard & Graefe, 1992. p. 219.
Pfaffenbichler, Matthias. Armourers. Medieval Craftsmen. Toronto: University of Toronto Press, 1992. p. 54, fig. 62.
Koda, Harold. Extreme Beauty: The Body Transformed. New York: The Metropolitan Museum of Art, 2001. p. 136, ill.
Hoffmann, Carl A., Markus Johanns, Annette Kranz, Christof Trepesch, Oliver Zeidler, and Maximilianmuseum. Als Frieden möglich war: 450 Jahre Augsburger Religionsfrieden. Begleitband zur Ausstellung im Maximilianmuseum Augsburg. 1. Aufl ed. Regensburg, Germany: Schnell & Steiner, 2005. pp. 325–6, no. II.2, ill.
Espinosa, Natalie. "Metallic Package: The Erection and Detumescence of the Codpiece." Vice (March, 2010), pp. 190–192, ill.
Pyhrr, Stuart W. "Of Arms and Men: Arms and Armor at the Metropolitan, 1912–2012." The Metropolitan Museum of Art Bulletin (Summer 2012), pp. 31–32, fig. 49.
La Rocca, Donald J. How to Read European Armor. New York: The Metropolitan Museum of Art, 2017. pp. 96, 106–9, 149, figs. 109, 120–23a, 165.
Terjanian, Pierre. "Liberal Art or Profession? Etching Armor in Renaissance Nuremberg." In At the Sign of the Dragon: Papers to Celebrate the 700th Anniversary of the Armourers and Brasiers' Company of London. Leeds: Basiliscoe Press, 2024. pp. 57–9, 74, n. 31, figs. 13–15.
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