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2024, The Oxford Handbook of Palmyra
https://doi.org/10.1093/oxfordhb/9780190858117.013.27…
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Palmyrene funerary sculpture has long been acknowledged as constituting the largest group of funerary sculptural material stemming from one place in the classical world outside of Rome itself. Since the second half of the nineteenth century much of the funerary sculpture has been dispersed widely into collections and museums across the world. Only since 2012 has it begun to be studied as a corpus through the work done within the Palmyra Portrait Project. This focus on recontextualizing the funerary sculpture within its local framework in Palmyra, but also as part of a much broader cultural koine, with strong ties to both the western Roman world and the eastern Parthian world, but also beyond those realms, has given new insights into the portrait habit in the ancient world. Today the approximately four thousand surviving funerary portraits from Palmyra give us a unique opportunity to revise our views and approaches to the study of the classical world at a time when calls for diversity and equality and reframing of the Classics stand at the forefront of studies of the ancient world. Raja, R. (2024). "The Palmyrene Funerary Sculpture", in: Raja, R. (ed.) (2024). The Oxford Handbook of Palmyra, Oxford: Oxford University Press, 417-432.
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