Visual Effects: Rising Sun Pictures
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: Rising Sun Pictures
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Production Executive
The Dragon Pearl (2011)
Directed by: Mario Andreacchio
Cinematography by: Geoffrey Simpson
Edited by: Suresh Ayyar
Visual Effects: Rising Sun Pictures
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Post-production Producer
Dark Frontier (2009)
Directed by: Kriv Stenders
Cinematography by: Jules O'Loughlin
Edited by: Gabriella Muir
Cameras: ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera
Visual Effects Supervisor: Rising Sun Pictures
Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Visual Effects Executive Producer: Rising Sun Pictures
Charlotte's Web (2006)
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Visual Effects Supervisor: Rising Sun Pictures
Blood Diamond (2006)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Visual Effects: Rising Sun Pictures
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Visual Effects Supervisor: Rising Sun Pictures
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Visual Effects Supervisor: Rising Sun Pictures
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Visual Effects Supervisor: Rising Sun Pictures
Queen of the Damned (2002)
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Second Unit Director, Visual Effects Supervisor
The Old Man Who Read Love Stories (2001)
Directed by: Rolf de Heer
Cinematography by: Denis Lenoir
Edited by: Tania Nehme
Cameras: Moviecam Compact Camera
Cinematographer
Innocence (2000)
Directed by: Paul Cox
Cinematography by: Tony Clark
Edited by: Simon Whitington
Technical Liaison
Sample People (2000)
Directed by: Clinton Smith
Cinematography by: David Foreman
Edited by: Frans Vandenburg
Visual Effects Supervisor: Rising Sun Pictures
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
Cinematographer
The Quiet Room (1996)
Directed by: Rolf de Heer
Cinematography by: Tony Clark
Edited by: Tania Nehme
