Visual Effects Producer
'Nashville' Can't Help But Wonder Where I'm Bound (2018)
Directed by: Allan Arkush
Edited by: Farrel Levy
Visual Effects Producer
'Nashville' New Strings (2018)
Directed by: Timothy Busfield
Cinematography by: Michael Lohmann
Edited by: Farrel Levy
Visual Effects Producer
'The Man in the High Castle' Jahr Null (2018)
Directed by: Daniel Percival
Cinematography by: Gonzalo Amat
Edited by: Jason Savage
Visual Effects Producer
'The Man in the High Castle' Baku (2018)
Directed by: Deborah Chow
Edited by: Monty DeGraff
Visual Effects Producer
'The Man in the High Castle' Kasumi (Through the Mists) (2018)
Directed by: Jennifer Getzinger
Cinematography by: Gonzalo Amat
Edited by: Dorian Harris
Visual Effects Producer
'The Man in the High Castle' History Ends (2018)
Directed by: Meera Menon
Cinematography by: Gonzalo Amat
Edited by: Monty DeGraff
Visual Effects Producer
'The Man in the High Castle' Excess Animus (2018)
Directed by: Steph Green
Cinematography by: James Hawkinson
Edited by: Jason Savage
Visual Effects Producer
'The Man in the High Castle' The New Colossus (2018)
Directed by: Daniel Percival
Cinematography by: James Hawkinson
Edited by: Dorian Harris
Visual Effects Producer
'The Man in the High Castle' Sabra (2018)
Directed by: John Fawcett
Cinematography by: Gonzalo Amat
Edited by: Jason Savage
Visual Effects Producer
'The Man in the High Castle' Sensô Kôi (2018)
Directed by: Ernest R. Dickerson
Cinematography by: James Hawkinson
Edited by: Monty DeGraff
Visual Effects Producer
'The Man in the High Castle' Imagine Manchuria (2018)
Directed by: Alex Zakrzewski
Cinematography by: Gonzalo Amat
Edited by: Dorian Harris
Vfx Producer: In-house / Visual Effects Producer
'The Man in the High Castle' Now More Than Ever, We Care About You (2018)
Directed by: Daniel Percival
Cinematography by: James Hawkinson
Edited by: Jason Savage
Visual Effects Producer
'Silicon Valley' Grow Fast or Die Slow (2018)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Visual Effects Producer
'Silicon Valley' Reorientation (2018)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Visual Effects Producer
'Silicon Valley' Chief Operating Officer (2018)
Directed by: Jamie Babbit
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Visual Effects Producer
'Silicon Valley' Tech Evangelist (2018)
Directed by: Jamie Babbit
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Visual Effects Producer
'Silicon Valley' Facial Recognition (2018)
Directed by: Gillian Robespierre
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Visual Effects Producer
'Silicon Valley' Artificial Emotional Intelligence (2018)
Directed by: Matt Ross
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Visual Effects Producer
'Silicon Valley' Initial Coin Offering (2018)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Visual Effects Producer
'Silicon Valley' Fifty-One Percent (2018)
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Visual Effects Producer
'Nashville' Reasons to Quit (2017)
Directed by: Callie Khouri
Cinematography by: Michael Lohmann
Visual Effects Producer
'Nashville' Speed Trap Town (2017)
Directed by: Jet Wilkinson
Cinematography by: Michael Lohmann
Edited by: Larry McGinley
Visual Effects Producer
'Nashville' Farther On (2017)
Directed by: Michael Lohmann
Cinematography by: Michael Lohmann
Edited by: Garret Price
Visual Effects Producer
'Nashville' You Can't Lose Me (2017)
Directed by: Jesse Zwick
Cinematography by: Michael Lohmann
Visual Effects Producer
'Nashville' The Night Before (Life Goes On) (2017)
Directed by: Michael Goi
Cinematography by: Michael Lohmann
Edited by: Garret Price
Visual Effects Producer
'Nashville' Ghost in This House (2017)
Directed by: Maggie Greenwald
Cinematography by: Michael Lohmann
Edited by: Larry McGinley
Visual Effects Producer
'Nashville' A Change Would Do You Good (2017)
Directed by: Devon Gummersall
Cinematography by: Michael Lohmann
Visual Effects Producer
'Nashville' 'Til I Can Make It on My Own (2017)
Directed by: Michael Lohmann
Cinematography by: Michael Lohmann
Visual Effects Producer
'Nashville' Back in the Saddle Again (2017)
Directed by: Dawn Wilkinson
Cinematography by: Michael Lohmann
Edited by: Garret Price
Visual Effects Producer
'Nashville' I'll Fly Away (2017)
Directed by: Dan Lerner
Cinematography by: Michael Lohmann
Edited by: Farrel Levy
Visual Effects Producer
'Nashville' Stand Beside Me (2017)
Directed by: Mike Binder
Cinematography by: Michael Lohmann
Edited by: Larry McGinley
Visual Effects Producer
'Nashville' A Little Bit Stronger (2017)
Directed by: Stephen Cragg
Cinematography by: Michael Lohmann
Edited by: Garret Price
Visual Effects Producer
'Silicon Valley' Success Failure (2017)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Visual Effects Producer
'Silicon Valley' Terms of Service (2017)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Visual Effects Producer
'Silicon Valley' Teambuilding Exercise (2017)
Directed by: Jamie Babbit
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Visual Effects Producer
'Silicon Valley' The Blood Boy (2017)
Directed by: Tim Roche
Cinematography by: Tim Suhrstedt
Edited by: Brian Bautista
Visual Effects Producer
'Silicon Valley' Customer Service (2017)
Directed by: Clay Tarver
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Visual Effects Producer
'Silicon Valley' The Patent Troll (2017)
Directed by: Jamie Babbit
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Visual Effects Producer
'Silicon Valley' The Keenan Vortex (2017)
Directed by: Jamie Babbit
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Visual Effects Producer
'Silicon Valley' Hooli-Con (2017)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Visual Effects Producer
'Silicon Valley' Server Error (2017)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Visual Effects Producer
'The Man in the High Castle' Land O' Smiles (2016)
Directed by: Karyn Kusama
Cinematography by: Gonzalo Amat
Edited by: Jason Savage
Visual Effects Producer
'The Man in the High Castle' Kintsugi (2016)
Directed by: Paul Holahan
Cinematography by: James Hawkinson
Edited by: Mark C. Baldwin
Visual Effects Producer
'The Man in the High Castle' Duck and Cover (2016)
Directed by: John Fawcett
Cinematography by: Gonzalo Amat
Edited by: Joe Leonard
Visual Effects Producer
'The Man in the High Castle' Escalation (2016)
Directed by: David Petrarca
Cinematography by: James Hawkinson
Edited by: Jason Savage
Visual Effects Producer
'The Man in the High Castle' Travelers (2016)
Directed by: Daniel Sackheim
Cinematography by: Gonzalo Amat
Edited by: Mark C. Baldwin
Visual Effects Producer
'The Man in the High Castle' The Road Less Traveled (2016)
Directed by: Colin Bucksey
Cinematography by: James Hawkinson
Edited by: Joe Leonard
Visual Effects Producer
'The Man in the High Castle' The Tiger's Cave (2016)
Directed by: Daniel Percival
Cinematography by: Gonzalo Amat
Edited by: Marta Evry
Visual Effects Producer
'The Man in the High Castle' Detonation (2016)
Directed by: Chris Long
Cinematography by: Gonzalo Amat
Edited by: Mark C. Baldwin
Visual Effects Producer
'The Man in the High Castle' Loose Lips (2016)
Directed by: Alex Zakrzewski
Cinematography by: James Hawkinson
Edited by: Joe Leonard
Visual Effects Producer
'Silicon Valley' The Empty Chair (2016)
Directed by: Eric Appel
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Visual Effects Producer
'Silicon Valley' To Build a Better Beta (2016)
Directed by: Jamie Babbit
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Visual Effects Producer: Barnstorm VFX
'Silicon Valley' Bachman's Earnings Over-Ride (2016)
Directed by: Jamie Babbit
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Visual Effects Producer
'Silicon Valley' Daily Active Users (2016)
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Visual Effects Producer
'Silicon Valley' The Uptick (2016)
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Visual Effects Producer / Vfx Producer: In-house - 20 Episodes, 2016-2018
The Man in the High Castle (2015)
Directed by: Daniel Percival, John Fawcett, Karyn Kusama, Alex Zakrzewski, Brad Anderson, Nelson McCormick, Ken Olin, Michael Rymer, David Semel, Michael Slovis, Bryan Spicer, Colin Bucksey, Paul Holahan, Chris Long, David Petrarca, Daniel Sackheim, Deborah Chow, Ernest R. Dickerson, Jennifer Getzinger, Steph Green, Meera Menon, Charlotte Brändström, Rachel Leiterman
Edited by: Jason Savage, Marta Evry, Jon Dudkowski, Mark C. Baldwin, Joe Leonard, Monty DeGraff, Dorian Harris, Julie Monroe, Sidney Wolinsky, Angela M. Catanzaro, Kathryn Himoff, Michael Kewley
Cameras: Red Epic Dragon Camera
Visual Effects Producer / Visual Effects Producer: Barnstorm VFX - 22 Episodes, 2016-2018
Silicon Valley (2014)
Directed by: Mike Judge, Alec Berg, Jamie Babbit, Eric Appel, Charlie McDowell, Tricia Brock, Maggie Carey, Tim Roche, Clay Tarver, Gillian Robespierre, Matt Ross
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Visual Effects Compositing Supervisor: Pixel Magic
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Visual Effects Compositing Supervisor: Pixel Magic
Beautiful Creatures (2013)
Directed by: Richard LaGravenese
Cinematography by: Philippe Rousselot
Edited by: David Moritz
Visual Effects: Pixel Magic
The Conjuring (2013)
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Kirk M. Morri
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Compositor
Looper (2012)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Senior Compositor
Bullet to the Head (2012)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Timothy Alverson
Visual Effects Producer - 14 Episodes, 2017-2018
Nashville (2012)
Directed by: Callie Khouri, Stephen Cragg, Michael Lohmann, Mike Listo, Paul McCrane, Julie Hébert, Michael Waxman, Allan Arkush, Dan Lerner, Mario Van Peebles, Eric Stoltz, Jean de Segonzac, Arlene Sanford, Lily Mariye, Mike Binder, Timothy Busfield, R.J. Cutler, Patrick R. Norris, Sanaa Hamri, Bethany Rooney, Eric Close, Ron Underwood, Jan Eliasberg, Jet Wilkinson, Devon Gummersall, Dawn Wilkinson, Jesse Zwick, Michael Engler, Lesli Linka Glatter, Mimi Leder, David Petrarca, Wendey Stanzler, Kevin Dowling, Paul A. Edwards, Michael Grossman, Jonathan Pontell, Kate Woods, Thomas Carter, Joe DeMaio, David Grossman, Elodie Keene, Joanna Kerns, Nelson McCormick, Steve Robin, John Carrafa, Michael Goi, Maggie Greenwald, Ron Lagomarsino, Ellen S. Pressman
Cinematography by: Michael Lohmann, Ross Berryman, Shawn Maurer, Tim Sutherland, Rob Sweeney, Rodney Charters
Edited by: Farrel Levy, Lizzy Calhoun, Larry McGinley, Jamin Bricker, Garret Price, Glenn Farr, J. Kathleen Gibson, Michael Hathaway, Keith Henderson
Cameras: ARRI ALEXA Camera
Stereographer/stereoscopic Supervisor: Pixel Magic
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Compositing Supervisor: Pixel Magic
The Twilight Saga: Breaking Dawn - Part 1 (2011)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Stereographer/stereoscopic Supervisor: Pixel Magic
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Stereoscopic Conversion Lead
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Stereoscopic Conversion Artist: Prime Focus
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Compositing Supervisor: Frantic Films
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Compositor: Frantic Films
Dragonball Evolution (2009)
Directed by: James Wong
Cinematography by: Robert McLachlan
Roto/paint Supervisor: Prime Focus
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Compositor
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Rotoscope Artist: Prime Focus VFX
The Twilight Saga: New Moon (2009)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
2D Supervisor: Amalgamated Pixels
Powder Blue (2009)
Directed by: Timothy Linh Bui
Cinematography by: Jonathan Sela
Edited by: Leo Trombetta
Compositor
Nim's Island (2008)
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Compositor: Amalgamated Pixels
Traitor (2008)
Directed by: Jeffrey Nachmanoff
Cinematography by: James M. Muro
Edited by: Billy Fox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Final Cut Pro Editing System
Additional Visual Effects: Amalgamated Pixels
City of Ember (2008)
Directed by: Gil Kenan
Cinematography by: Xavier Grobet
2D Supervisor: Digital Dimension
Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Paint/wire Removal
Twilight (2008)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Additional Visual Effects
Wrong Turn 2: Dead End (2007)
Directed by: Joe Lynch
Cinematography by: Robin Loewen
Edited by: Ed Marx
2D Supervisor: Digital Dimension
Bordertown (2007)
Directed by: Gregory Nava
Cinematography by: Reynaldo Villalobos
Edited by: Padraic McKinley
2D Supervisor: Digital Dimension
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Coordinating Supervisor: Digital Dimension
Rendition (2007)
Directed by: Gavin Hood
Cinematography by: Dion Beebe
Edited by: Megan Gill
2D Supervisor: Digital Dimension / Digital Compositor: Digital Dimension
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
2D Supervisor: Digital Dimension / Digital Compositor: Digital Dimension
Norbit (2007)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Roto/paint Lead: Digital Dimension
Slither (2006)
Directed by: James Gunn
Cinematography by: Gregory Middleton
Edited by: John Axelrad
Roto/paint Lead: Digital Dimension
Final Destination 3 (2006)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
2d Coordinating Supervisor: Digital Dimension
The Pursuit of Happyness (2006)
Directed by: Gabriele Muccino
Cinematography by: Phedon Papamichael
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Lenses: Panavision Lenses
2d Coordinating Supervisor: Digital Dimension, Digital Compositor: Digital Dimension
Talladega Nights: The Ballad of Ricky Bobby (2006)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Cameras: Panavision Cameras
Lenses: Panavision Lenses
2D Supervisor: Digital Dimension
Charlotte's Web (2006)
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Visual Effects
An American Haunting (2005)
Directed by: Courtney Solomon
Cinematography by: Adrian Biddle
Edited by: Richard Comeau
Rotoscope And Paint Supervisor: Digital Dimension
Magnificent Desolation: Walking on the Moon 3D (2005)
Directed by: Mark Cowen
Cinematography by: Sean MacLeod Phillips
Edited by: Billy Schinski
Digital Compositor / Roto Supervisor
Son of the Mask (2005)
Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner
Digital Compositor , Roto/paint Lead: Digital Dimension
Cellular (2004)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Visual Effects Roto Artist
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Digital Compositor / Rotoscope And Paint Supervisor: Digital Dimension
A Cinderella Story (2004)
Directed by: Mark Rosman
Cinematography by: Anthony B. Richmond
Edited by: Cara Silverman
Lenses: Panavision Lenses
Digital Compositor / Rotoscope Artist
Bulletproof Monk (2003)
Directed by: Paul Hunter
Cinematography by: Stefan Czapsky
Edited by: Robert K. Lambert
Compositor: Digital Dimension
Elf (2003)
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
Compositor: Digital Dimension
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Digital Compositor
Cradle 2 the Grave (2003)
Directed by: Andrzej Bartkowiak
Cinematography by: Daryn Okada
Edited by: Derek Brechin
Cameras: Panavision Cameras
Digital Compositor / Rotoscope Artist
Final Destination 2 (2003)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Cameras: Panavision Cameras
Compositor: Flash Film Works
Collateral Damage (2002)
Directed by: Andrew Davis
Cinematography by: Adam Greenberg
Rotoscope Artist: Flash Film Works
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
