Special Effects Coordinator
Blood Father (2016)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Steven Rosenblum
Special Effects Supervisor
Jane Got a Gun (2015)
Directed by: Gavin O'Connor
Cinematography by: Mandy Walker
Edited by: Alan Cody
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Foreman
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Gimbal Engineer
Lone Survivor (2013)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Colby Parker Jr.
Cameras: Phantom Flex Camera, Red Epic Camera
Special Effects Shop Foreperson
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Special Effects Coordinator
'In Plain Sight' Love in the Time of Colorado (2011)
Directed by: Michael Schultz
Edited by: Regis Kimble
Special Effects Coordinator
'In Plain Sight' I'm a Liver Not a Fighter (2011)
Directed by: Michael W. Watkins
Special Effects Coordinator
'In Plain Sight' Kumar vs Kumar (2011)
Directed by: Michael Fields
Edited by: Jennifer Barbot
Special Effects Coordinator
'In Plain Sight' The Rolling Stones (2011)
Directed by: David Warren
Cinematography by: John B. Aronson
Edited by: Regis Kimble
Special Effects Coordinator
'In Plain Sight' Girls, Interrupted (2011)
Directed by: Lee Rose
Cinematography by: John B. Aronson
Edited by: Sarah Boyd
Special Effects Coordinator
'In Plain Sight' A Womb with a View (2011)
Directed by: Bethany Rooney
Edited by: Regis Kimble
Special Effects Coordinator
'In Plain Sight' Provo-Cation (2011)
Directed by: Bryan Spicer
Cinematography by: John B. Aronson
Edited by: Jennifer Barbot
Special Effects Coordinator
'In Plain Sight' Something Borrowed, Something Blew Up (2011)
Directed by: Michael Morris
Cinematography by: John B. Aronson
Edited by: Sarah Boyd
Special Effects Coordinator
'In Plain Sight' Crazy Like a Witness (2011)
Directed by: Matthew Penn
Cinematography by: John B. Aronson
Edited by: Jennifer Barbot
Special Effects Coordinator
'In Plain Sight' The Art of the Steal (2011)
Directed by: Dan Lerner
Cinematography by: John B. Aronson
Edited by: Sarah Boyd
Special Effects
'The Lying Game' Pilot (2011)
Directed by: Mark Piznarski
Cinematography by: Crescenzo G.P. Notarile
Edited by: Henk Van Eeghen
Special Effects Coordinator
'In Plain Sight' Second Crime Around (2011)
Directed by: Andy Wolk
Edited by: Jennifer Barbot
Special Effects - 1 Episode, 2011
The Lying Game (2011)
Directed by: Fred Gerber, John Scott, David Jackson, Joe Lazarov, Norman Buckley, Michael Grossman, Joanna Kerns, Bobby Roth, Elodie Keene, Ron Lagomarsino, Mark Piznarski, Wendey Stanzler, Larry Shaw, Robert J. Metoyer
Cameras: Red Epic Camera
Special Effects Coordinator
'In Plain Sight' The Born Identity (2010)
Directed by: Bryan Spicer
Cinematography by: David Wagreich
Edited by: Josh Beal
Special Effects Coordinator
'In Plain Sight' Father Goes West (2010)
Directed by: Charles Haid
Cinematography by: David Wagreich
Edited by: Scott K. Wallace
Special Effects Coordinator
'In Plain Sight' When Mary Met Marshall (2010)
Directed by: Fred Gerber
Cinematography by: David Wagreich
Edited by: Josh Beal
Special Effects Coordinator
'In Plain Sight' Coma Chameleon (2010)
Directed by: Michael W. Watkins
Cinematography by: David Wagreich
Edited by: Debby Germino
Special Effects Coordinator
'In Plain Sight' Whistle Stop (2010)
Directed by: Michael Zinberg
Cinematography by: David Wagreich
Special Effects Coordinator
'In Plain Sight' Fish or Cut Betta (2010)
Directed by: Dan Lerner
Cinematography by: David Wagreich
Edited by: Josh Beal
Special Effects Coordinator
'In Plain Sight' No Clemency for Old Men (2010)
Directed by: Jerry Levine
Cinematography by: David Wagreich
Special Effects Coordinator
'In Plain Sight' Love's Faber Lost (2010)
Directed by: Deran Sarafian
Cinematography by: David Wagreich
Special Effects Coordinator
'In Plain Sight' Son of Mann (2010)
Directed by: Anton Cropper
Cinematography by: David Wagreich
Edited by: Josh Beal
Special Effects Coordinator
'In Plain Sight' Death Becomes Her (2010)
Directed by: Bethany Rooney
Cinematography by: David Wagreich
Edited by: Debby Germino
Special Effects Coordinator
'In Plain Sight' Her Days Are Numbered (2010)
Directed by: Dan Lerner
Cinematography by: David Wagreich
Edited by: Scott K. Wallace
Special Effects Coordinator
'In Plain Sight' WitSec Stepmother (2010)
Directed by: Tawnia McKiernan
Cinematography by: David Wagreich
Edited by: Debby Germino
Special Effects Coordinator
'In Plain Sight' A Priest Walks Into a Bar (2010)
Directed by: Michael Morris
Cinematography by: David Wagreich
Edited by: Josh Beal
Physical Effects Foreman
Salt (2010)
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Special Effects Foreman
Let Me In (2010)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Edited by: Stan Salfas
Special Effects Coordinator
'In Plain Sight' In My Humboldt Opinion (2009)
Directed by: Dan Lerner
Cinematography by: Jim Denault
Edited by: Bonnie Koehler
Special Effects Coordinator
'In Plain Sight' Rubble with a Cause (2009)
Directed by: Michael W. Watkins
Cinematography by: Jim Denault
Edited by: Bonnie Koehler
Special Effects Coordinator
'In Plain Sight' Aguna Matatala (2009)
Directed by: Leslie Libman
Cinematography by: Jim Denault
Edited by: Lori Jane Coleman
Special Effects Coordinator
'In Plain Sight' One Night Stan (2009)
Directed by: Dan Lerner
Cinematography by: Jim Denault
Edited by: Nancy Morrison
Special Effects Coordinator
'In Plain Sight' Duplicate Bridge (2009)
Directed by: Bryan Spicer
Cinematography by: Jim Denault
Edited by: Nancy Morrison
Special Effects Foreman
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Special Effects Coordinator
'In Plain Sight' A Stand-Up Triple (2009)
Directed by: Sam Weisman
Cinematography by: Jim Denault
Edited by: Lori Jane Coleman
Special Effects Coordinator - 31 Episodes, 2009-2011
In Plain Sight (2008)
Directed by: Dan Lerner, Michael W. Watkins, Bryan Spicer, Bethany Rooney, Sam Weisman, Michael Morris, Fred Gerber, Michael Fields, Andy Wolk, John Badham, Tricia Brock, John Fortenberry, Rod Hardy, John T. Kretchmer, Mark Piznarski, John F. Showalter, Jesús Salvador Treviño, Ernest R. Dickerson, Félix Enríquez Alcalá, Stephen Hopkins, Leslie Libman, Anton Cropper, Charles Haid, Jerry Levine, Tawnia McKiernan, Deran Sarafian, Michael Zinberg, Jan Eliasberg, Matthew Penn, Lee Rose, Michael Schultz, David Warren
Special Effects Set Foreperson
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Special Effects Technician
Zodiac (2007)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: Angus Wall
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Special Effects Technician
Garfield: A Tail of Two Kitties (2006)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Special Effects
The Dukes of Hazzard (2005)
Directed by: Jay Chandrasekhar
Cinematography by: Lawrence Sher
Pyrotechnician
Be Cool (2005)
Directed by: F. Gary Gray
Cinematography by: Jeffrey L. Kimball
Edited by: Sheldon Kahn
Special Effects Stand-by
Hollywood Homicide (2003)
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Edited by: Paul Seydor
Cameras: Panavision Panaflex Camera
Special Effects Technician
Red Dragon (2002)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Pyro Supervisor
Hollow Man (2000)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Physical Effects Foreman: Physical Effects
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Special Effects Tech
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
