Tim McGovern

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First Man | ShotOnWhat?

Additional Dfx Supervisor: Double Negative

First Man (2018)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Dunkirk | ShotOnWhat?

Additional Visual Effects Supervisor: Double Negative

Dunkirk (2017)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

The Huntsman: Winter's War | ShotOnWhat?

Visual Effects Supervisor: Double Negative Mumbai

The Huntsman: Winter's War (2016)

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Mission: Impossible - Rogue Nation | ShotOnWhat?

Associate Visual Effects Supervisor: Double Negative, Visual Effects Supervisor: Double Negative

Mission: Impossible - Rogue Nation (2015)

Directed by: Christopher McQuarrie

Cinematography by: Robert Elswit

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Editing System: Avid Editing System

Sin City: A Dame to Kill For | ShotOnWhat?

Visual Effects Supervisor: Prime Focus - Mumbai

Sin City: A Dame to Kill For (2014)

Directed by: Frank Miller, Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: ARRI ALEXA M Camera

Lenses: Fujinon Premier Lenses

Editing System: Avid Editing System

A Sound of Thunder | ShotOnWhat?

Visual Effects Supervisor

A Sound of Thunder (2005)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Sylvie Landra

Trapped | ShotOnWhat?

Visual Effects Supervisor

Trapped (2002)

Directed by: Luis Mandoki

Cinematography by: Frederick Elmes, Piotr Sobocinski

Edited by: Gerald B. Greenberg

Equilibrium | ShotOnWhat?

Visual Effects Supervisor

Equilibrium (2002)

Directed by: Kurt Wimmer

Cinematography by: Dion Beebe

Edited by: Tom Rolf, William Yeh

Cameras: Panavision Cameras, Panavision Panaflex Lightweight Camera

Lenses: Panavision Lenses

Feardotcom | ShotOnWhat?

Visual Effects Supervisor

Feardotcom (2002)

Directed by: William Malone

Cinematography by: Christian Sebaldt

Edited by: Alan Strachan

The Shaft | ShotOnWhat?

Visual Effects Supervisor

The Shaft (2001)

Directed by: Dick Maas

Cinematography by: Marc Felperlaan

Edited by: Bert Rijkelijkhuizen

Stigmata | ShotOnWhat?

Visual Effects Supervisor

Stigmata (1999)

Directed by: Rupert Wainwright

Cinematography by: Jeffrey L. Kimball

Edited by: Michael J. Duthie, Michael R. Miller

As Good as It Gets | ShotOnWhat?

Visual Effects Supervisor: SPI

As Good as It Gets (1997)

Directed by: James L. Brooks

Cinematography by: John Bailey

Edited by: Richard Marks

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Ghost and the Darkness | ShotOnWhat?

Visual Effects Supervisor: SPI

The Ghost and the Darkness (1996)

Directed by: Stephen Hopkins

Cinematography by: Vilmos Zsigmond

Edited by: Roger Bondelli, Robert Brown, Steve Mirkovich, Bert Lovitt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Virtuosity | ShotOnWhat?

Visual Effects Supervisor: SPI

Virtuosity (1995)

Directed by: Brett Leonard

Cinematography by: Gale Tattersall

Edited by: Rob Kobrin, B.J. Sears

Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera

Money Train | ShotOnWhat?

Visual Effects Supervisor

Money Train (1995)

Directed by: Joseph Ruben

Cinematography by: John Lindley

Edited by: George Bowers, Bill Pankow

Hideaway | ShotOnWhat?

Visual Effects Supervisor

Hideaway (1995)

Directed by: Brett Leonard

Cinematography by: Gale Tattersall

Edited by: B.J. Sears

Look Who's Talking Now | ShotOnWhat?

Plate Supervisor: SPI

Look Who's Talking Now (1993)

Directed by: Tom Ropelewski

Cinematography by: Oliver Stapleton

Edited by: Harry Hitner, Michael A. Stevenson

Last Action Hero | ShotOnWhat?

Visual Effects Supervisor: SPI

Last Action Hero (1993)

Directed by: John McTiernan

Cinematography by: Dean Semler

Edited by: Richard A. Harris, John Wright

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Total Recall | ShotOnWhat?

Visual Effects: Cgi Director

Total Recall (1990)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Carlos Puente, Frank J. Urioste

Cameras: ARRIFLEX Camera

Lenses: Zeiss Lenses

TRON | ShotOnWhat?

Systems Programmer: Robert Abel And Associates

TRON (1982)

Directed by: Steven Lisberger

Cinematography by: Bruce Logan

Edited by: Jeff Gourson

Cameras: Panavision Cameras, Panavision System 65 Camera, Super Panavision-70 Camera

Lenses: Panavision Lenses

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