Digital Artist: ILM
Star Wars: Episode IX - The Rise of Skywalker (2019)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Digital Artist: ILM
Skyscraper (2018)
Directed by: Rawson Marshall Thurber
Cinematography by: Robert Elswit
Digital Artist: ILM
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Digital Artist: ILM
Thor: Ragnarok (2017)
Directed by: Taika Waititi
Cinematography by: Javier Aguirresarobe
Digital Artist: Industrial Light & Magic
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Digital Artist: Industrial Light & Magic
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Generalist Technical Director: ILM
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Digital Artist: Industrial Light & Magic
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Project Lead: Hydraulx
Snow White and the Huntsman (2012)
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Senior Lighting Technical Director: Hydraulx
Looper (2012)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Project Lead Technical Director: Hydraulx
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Project Lead Technical Director: Hydraulx
The Twilight Saga: Breaking Dawn - Part 2 (2012)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Lighting: Hydraulx
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Creature/modeling Supervisor: Hydraulx
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Lighting: Hydraulx
Mr. Popper's Penguins (2011)
Directed by: Mark Waters
Cinematography by: Florian Ballhaus
Edited by: Bruce Green
Cameras: ARRI ALEXA Camera
Visual Effect Artist: Lola Vfx
The Twilight Saga: Breaking Dawn - Part 1 (2011)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Visual Effects: Lola Vfx
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Modeling Supervisor: Hydraulx
Tooth Fairy (2010)
Directed by: Michael Lembeck
Cinematography by: David Tattersall
Edited by: David Finfer
Creature Supervisor: Hydraulx
Skyline (2010)
Cinematography by: Michael Watson
Edited by: Nicholas Wayman-Harris
Cameras: Red One MX Camera
Character Look Development: Hydraulx
Gulliver's Travels (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Modeling Supervisor: Hy*drau*lx
The Book of Eli (2010)
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Modeling Supervisor: Hydraulx
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Modeling Supervisor: Hy*drau"lx
Case 39 (2009)
Directed by: Christian Alvart
Cinematography by: Hagen Bogdanski
Edited by: Mark Goldblatt
Modeling Supervisor: Hydraulx
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Modeling Supervisor: Hydraulx
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Modeling Supervisor: Hydraulx
Bedtime Stories (2008)
Directed by: Adam Shankman
Cinematography by: Michael Barrett
Modeling Supervisor: Hydraulx
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Visual Effects
Jumper (2008)
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
Modeling Supervisor: Hydraulx
Meet Dave (2008)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Visual Effects
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Visual Effects
Wanted (2008)
Directed by: Timur Bekmambetov
Cinematography by: Mitchell Amundsen
Edited by: David Brenner
Lighter: Hydraulx
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Visual Effects Artist
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Modeling Supervisor: Hydraulx / Visual Effects Artist
Shooter (2007)
Directed by: Antoine Fuqua
Cinematography by: Peter Menzies Jr.
Modeling Supervisor: Hydraulx
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Visual Effects
The Seeker: The Dark Is Rising (2007)
Directed by: David L. Cunningham
Cinematography by: Joel Ransom
Cameras: Panavision Cameras
Lighting: Hydraulx / Modeling Supervisor: Hydraulx
Aliens vs. Predator: Requiem (2007)
Cinematography by: Daniel Pearl
Edited by: Dan Zimmerman
Visual Effects Artist
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Modeling Supervisor: Hydraulx
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Modeling Supervisor: Hydraulx
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
3D Modeler
Venom (2005)
Directed by: Jim Gillespie
Cinematography by: Steve Mason
Edited by: Paul Martin Smith
Digital Artist
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Modeling Supervisor
Syriana (2005)
Directed by: Stephen Gaghan
Cinematography by: Robert Elswit
Edited by: Tim Squyres
Modeling Supervisor: Hydraulx
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Digital Artist
A Sound of Thunder (2005)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Sylvie Landra
Visual Effects
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Modeling Supervisor
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Senior CG Modeler: Hydraulx
Æon Flux (2005)
Directed by: Karyn Kusama
Cinematography by: Stuart Dryburgh
3D Artist: Lola Visual Effects
Kiss Kiss Bang Bang (2005)
Directed by: Shane Black
Cinematography by: Michael Barrett
Edited by: Jim Page
3D Modeling Supervisor: Hydraulx / Modeling Supervisor: Hydraulx
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Modeling Supervisor
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Animator / Modeler
Tuck Everlasting (2002)
Directed by: Jay Russell
Cinematography by: James L. Carter
Edited by: Jay Cassidy
Cameras: Panavision Panaflex Gold II Camera
Digital Artist
'The X-Files' Trust No 1 (2002)
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Scott J. Wallace
Digital Artist
'The X-Files' John Doe (2002)
Directed by: Michelle MacLaren
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Digital Artist
'The X-Files' Hellbound (2002)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Digital Artist
'The X-Files' Provenance (2002)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Digital Artist
'The X-Files' Providence (2002)
Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Scott J. Wallace
Digital Artist
'The X-Files' Audrey Pauley (2002)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Digital Artist
'The X-Files' Underneath (2002)
Directed by: John Shiban
Cinematography by: Bill Roe
Edited by: Christopher Cooke
Digital Artist
'The X-Files' Improbable (2002)
Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Scott J. Wallace
Digital Artist
'The X-Files' Scary Monsters (2002)
Directed by: Dwight H. Little
Cinematography by: Bill Roe
Edited by: Christopher Cooke
Digital Artist
'The X-Files' Jump the Shark (2002)
Directed by: Cliff Bole
Cinematography by: Bill Roe
Edited by: Christopher Cooke
Digital Artist
'The X-Files' Release (2002)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Digital Artist
'The X-Files' Sunshine Days (2002)
Directed by: Vince Gilligan
Cinematography by: Bill Roe
Edited by: Jeff Cahn
CG Artist
The Glass House (2001)
Directed by: Daniel Sackheim
Cinematography by: Alar Kivilo
Edited by: Howard E. Smith
Digital Artist
'The X-Files' Dæmonicus (2001)
Directed by: Frank Spotnitz
Cinematography by: Bill Roe
Edited by: Christopher Cooke
Digital Artist
'The X-Files' Lord of the Flies (2001)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Christopher Cooke
Digital Artist
'The X-Files' 4-D (2001)
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Scott J. Wallace
Digital Artist
'The X-Files' Nothing Important Happened Today II (2001)
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Scott J. Wallace
Digital Artist
'The X-Files' Nothing Important Happened Today (2001)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Digital Artist
'The X-Files' Surekill (2001)
Directed by: Terrence O'Hara
Cinematography by: Bill Roe
Edited by: Michael Kewley
Digital Artist
'The X-Files' Salvage (2001)
Directed by: Rod Hardy
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Digital Artist
'The X-Files' Badlaa (2001)
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Michael Kewley
Digital Artist
'The X-Files' The Gift (2001)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Digital Artist
'The X-Files' Medusa (2001)
Directed by: Richard Compton
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Digital Artist
'The X-Files' Per Manum (2001)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Digital Artist
'The X-Files' This Is Not Happening (2001)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Digital Artist
'The X-Files' Deadalive (2001)
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Regis Kimble
Digital Artist
'The X-Files' Three Words (2001)
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Regis Kimble
Digital Artist
'The X-Files' Empedocles (2001)
Directed by: Barry K. Thomas
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Digital Artist
'The X-Files' Vienen (2001)
Directed by: Rod Hardy
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Digital Artist
'The X-Files' Alone (2001)
Directed by: Frank Spotnitz
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Digital Artist
'The X-Files' Essence (2001)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Digital Artist
'The X-Files' Existence (2001)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Regis Kimble
Digital Artist
'The X-Files' Patience (2000)
Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Digital Artist
'The X-Files' Roadrunners (2000)
Directed by: Rod Hardy
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Digital Artist
'The X-Files' Invocation (2000)
Directed by: Richard Compton
Cinematography by: Bill Roe
Edited by: Michael Kewley
Digital Artist
'The X-Files' Within (2000)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Digital Artist
'The X-Files' Via Negativa (2000)
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Digital Artist
'The X-Files' Without (2000)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Digital Artist - 40 Episodes, 2000-2002
The X-Files (1993)
Directed by: Kim Manners, Rob Bowman, David Nutter, Chris Carter, R.W. Goodwin, Tony Wharmby, Michael W. Watkins, Daniel Sackheim, Michael Lange, James Wong, Jim Charleston, Cliff Bole, William A. Graham, Peter Markle, David Duchovny, Thomas J. Wright, Rod Hardy, Glen Morgan, Jerrold Freedman, Joe Napolitano, Larry Shaw, Tucker Gates, Vince Gilligan, Richard Compton, Frank Spotnitz, Darin Morgan, Fred Gerber, Michael Katleman, Harry Longstreet, Robert Mandel, Win Phelps, Stephen Surjik, James A. Contner, Nick Marck, Michael Vejar, James Whitmore Jr., Brett Dowler, Allen Coulter, Ralph Hemecker, Robert Lieberman, Bryan Spicer, Gillian Anderson, Paul Shapiro, Terrence O'Hara, Barry K. Thomas, Dwight H. Little, Michelle MacLaren, John Shiban, Carol Banker, Holly Dale, Kevin Hooks
Cinematography by: Bill Roe, John S. Bartley, Joel Ransom, Jon Joffin, Craig Wrobleski, Ron Stannett, Thomas Del Ruth
Edited by: Heather MacDougall, Lynne Willingham, Stephen Mark, Jim Gross, James Coblentz, Louise Innes, Michael Stern, Chris G. Willingham, Scott J. Wallace, Casey O. Rohrs, Christopher Cooke, Michael Kewley, Robert Komatsu, Eleanor Infante, Regis Kimble, J. Kathleen Gibson, Kevin D. Ross, Leon Carrere, Jeff Cahn
Lenses: Panavision Lenses
