Digital Compositor: Digital Domain
We Own the Night (2007)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Color Grader: Digital Domain
Cinderella Man (2005)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Digital Color Grader: Digital Domain
Stealth (2005)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Edited by: Stephen E. Rivkin
Digital Color Grader
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Digital Color Grader: Digital Domain
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Color Grader: Digital Domain
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Digital Color Grader
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Digital Color Grader
Flight of the Phoenix (2004)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Digital Color Grader
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Digital Color Grader
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Digital Color Grader
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Digital Color Grader
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Color Grader
Star Trek: Nemesis (2002)
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Digital Artist
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Digital Artist
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Digital Color Grader
Adaptation. (2002)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Digital Artist
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Datacine Assistant
Kung Pow: Enter the Fist (2002)
Directed by: Steve Oedekerk
Cinematography by: John J. Connor
Edited by: Paul Marshal
Digital Artist
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Digital Artist
A Beautiful Mind (2001)
Directed by: Ron Howard
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Editing System: Avid Editing System
Digital Artist
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Scanning And Recording Operator
Gladiator (2000)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Scanning And Recording Operator
Romeo Must Die (2000)
Directed by: Andrzej Bartkowiak
Cinematography by: Glen MacPherson
Edited by: Derek Brechin
Technical Assistant: Cinesite
Traffic (2000)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Datacine Assistant
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Scanning And Recording Operator
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Scanning And Recording Operator
The Story of Us (1999)
Directed by: Rob Reiner
Cinematography by: Michael Chapman
Scanning And Recording Operator
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Scanning And Recording Operator
The Green Mile (1999)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Richard Francis-Bruce
Cameras: Panavision Panaflex Platinum Camera
Scanning And Recording Operator
Three Kings (1999)
Directed by: David O. Russell
Cinematography by: Newton Thomas Sigel
Edited by: Robert K. Lambert
Cameras: Panavision Cameras
