Compositor: Mavericks VFX
John Wick: Chapter 4 (2023)
Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Nathan Orloff
Digital Compositor: Mavericks VFX - 1 Episode, 2023
1923 (2022)
Cameras: ARRI Alexa 35 Camera, ARRI ALEXA Mini Camera
Compositor: DNEG , Digital Compositor: DNEG
No Time to Die (2021)
Directed by: Cary Joji Fukunaga
Cinematography by: Linus Sandgren
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Digital Compositor: Mill Film
Cats (2019)
Directed by: Tom Hooper
Cinematography by: Christopher Ross
Edited by: Melanie Oliver
Cameras: ARRI ALEXA 65 Camera
Digital Compositor: Framestore
Christopher Robin (2018)
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Matt Chesse
Digital Compositor: Framestore
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Digital Compositor: MPC
Alien: Covenant (2017)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Digital Compositor: Framestore
Darkest Hour (2017)
Directed by: Joe Wright
Cinematography by: Bruno Delbonnel
Edited by: Valerio Bonelli
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Digital Compositor: Framestore
Blade Runner 2049 (2017)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Digital Compositor: Framestore
Paddington 2 (2017)
Directed by: Paul King
Cinematography by: Erik Wilson
Cameras: ARRI ALEXA Series Cameras
Digital Compositor: Cinesite
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Digital Compositor: Cinesite
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Compositor: Cinesite
The Man from U.N.C.L.E. (2015)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Paint And Prep Artist
Maggie (2015)
Directed by: Henry Hobson
Cinematography by: Lukas Ettlin
Edited by: Jane Rizzo
Digital Compositor: Cinesite
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Digital Compositor
'Lost Girl' Origin (2014)
Directed by: Steve DiMarco
Cinematography by: Craig Wright
Edited by: Wendy Hallam Martin
Digital Compositor: Cinesite
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Digital Compositor
'Lost Girl' Destiny's Child (2014)
Directed by: Steve DiMarco
Cinematography by: Craig Wright
Edited by: Dale Gagne
Digital Compositor
'Lost Girl' Waves (2014)
Directed by: Director X.
Cinematography by: Craig Wright
Edited by: Ben Wilkinson
Digital Compositor
'Lost Girl' End of a Line (2014)
Directed by: Ron Murphy
Cinematography by: Craig Wright
Edited by: Paul G. Day
Digital Compositor
'Lost Girl' Dark Horse (2014)
Directed by: Ron Murphy
Cinematography by: Craig Wright
Edited by: Paul G. Day
Digital Compositor
'Lost Girl' Groundhog Fae (2013)
Directed by: Ron Murphy
Cinematography by: Craig Wright
Edited by: Ben Wilkinson
Digital Compositor
'Lost Girl' Turn to Stone (2013)
Directed by: Paolo Barzman
Cinematography by: Craig Wright
Edited by: Ben Wilkinson
Digital Compositor
'Lost Girl' Lovers. Apart. (2013)
Directed by: Andy Mikita
Cinematography by: Craig Wright
Edited by: Paul G. Day
Digital Compositor
'Lost Girl' Those Who Wander (2013)
Directed by: Ron Murphy
Cinematography by: David Greene
Edited by: Paul G. Day
Digital Compositor
'Lost Girl' Hail, Hale (2013)
Directed by: Steve DiMarco
Cinematography by: David Greene
Edited by: Ben Wilkinson
Digital Compositor
'Lost Girl' Fae-de to Black (2013)
Directed by: Ron Murphy
Cinematography by: David Greene
Edited by: Ben Wilkinson
Digital Compositor
'Lost Girl' Adventures in Fae-bysitting (2013)
Directed by: Lee Rose
Cinematography by: David Greene
Edited by: Paul G. Day
Digital Compositor
'Lost Girl' Delinquents (2013)
Directed by: Gail Harvey
Cinematography by: David Greene
Edited by: Ben Wilkinson
Digital Compositor
'Lost Girl' The Ceremony (2013)
Directed by: Lee Rose
Cinematography by: David Greene
Edited by: Paul G. Day
Digital Compositor
'Lost Girl' There's Bo Place Like Home (2013)
Directed by: Gail Harvey
Cinematography by: David Greene
Edited by: Paul G. Day
Digital Compositor - 1 Episode, 2013
Hemlock Grove (2013)
Directed by: David Straiton, Deran Sarafian, Russell Lee Fine, T.J. Scott, David Semel, Peter Cornwell, Eli Roth, Billy Gierhart, Sanaa Hamri, Vincenzo Natali, David Petrarca, Floria Sigismondi, Spencer Susser, Jon Amiel, Coky Giedroyc, Marc Jobst, Jim O'Hanlon, Carl Tibbetts
Edited by: Paul G. Day, Don Cassidy, Bert Kish, James Coblentz, Jim Munro, Roslyn Kalloo, Monty DeGraff, Conrad Smart, Roger Mattiussi, Ronald Sanders, Michael G. England, David B. Thompson
Cameras: ARRI ALEXA Camera, Canon EOS-C300 Camera
Digital Compositor
'Hemlock Grove' Catabasis (2013)
Directed by: David Straiton
Cinematography by: Fernando Argüelles
Edited by: Paul G. Day
Digital Compositor
'Lost Girl' Caged Fae (2013)
Directed by: Paolo Barzman
Cinematography by: David Greene
Edited by: Paul G. Day
Digital Compositor
'Lost Girl' Confaegion (2013)
Directed by: Paolo Barzman
Cinematography by: David Greene
Edited by: Paul G. Day
Digital Compositor
'Lost Girl' Fae-ge Against the Machine (2013)
Directed by: Andy Mikita
Cinematography by: David Greene
Edited by: Ben Wilkinson
Digital Compositor
'Lost Girl' The Kenzi Scale (2013)
Directed by: David Greene
Cinematography by: Anton Van Rooyen
Edited by: Ben Wilkinson
Digital Compositor
'Lost Girl' SubterrFaenean (2013)
Directed by: Steve DiMarco
Cinematography by: David Greene
Edited by: Ben Wilkinson
Digital Compositor
'Lost Girl' Midnight Lamp (2012)
Directed by: David Winning
Cinematography by: Joachim Martin
Edited by: Mike Lee
Digital Compositor
'Lost Girl' School's Out (2012)
Directed by: James Dunnison
Cinematography by: David Greene
Edited by: Mike Lee
Digital Compositor
'Lost Girl' Table for Fae (2012)
Directed by: David Greene
Cinematography by: Joachim Martin
Edited by: Ben Wilkinson
Digital Compositor
'Lost Girl' Masks (2011)
Directed by: Lee Rose
Cinematography by: David Greene
Edited by: Paul G. Day
Digital Compositor
'Lost Girl' Can't See the Fae-Rest (2011)
Directed by: Gail Harvey
Cinematography by: David Greene
Edited by: Ben Wilkinson
Digital Compositor
'Lost Girl' Raging Fae (2011)
Directed by: David Greene
Cinematography by: Joachim Martin
Edited by: Paul G. Day
Digital Compositor
'Lost Girl' Original Skin (2011)
Directed by: Paul Fox
Cinematography by: Joachim Martin
Edited by: Teresa Hannigan
Digital Compositor
'Lost Girl' Death Didn't Become Him (2011)
Directed by: Steve DiMarco
Cinematography by: David Greene
Edited by: Paul G. Day
Digital Compositor
'Lost Girl' Fae Gone Wild (2011)
Directed by: Lynne Stopkewich
Cinematography by: David Greene
Edited by: Teresa Hannigan
Digital Compositor
'Lost Girl' It's Better to Burn Out Than Fae Away (2011)
Directed by: Gail Harvey
Cinematography by: David Greene
Edited by: Paul G. Day
Digital Compositor
'Lost Girl' BrotherFae of the Wolves (2011)
Directed by: Clark Johnson
Cinematography by: David Greene
Edited by: Teresa Hannigan
Digital Compositor
'Lost Girl' Mirror, Mirror (2011)
Directed by: Steve DiMarco
Cinematography by: David Greene
Edited by: Paul G. Day
Digital Compositor
'Lost Girl' Scream a Little Dream (2011)
Directed by: George Mihalka
Cinematography by: David Greene
Edited by: Teresa Hannigan
Digital Compositor
'Lost Girl' I Fought the Fae (and the Fae Won) (2011)
Directed by: Steve DiMarco
Cinematography by: David Greene
Edited by: Teresa Hannigan
Digital Compositor
'Lost Girl' Barometz. Trick. Pressure (2011)
Directed by: Paolo Barzman
Cinematography by: David Greene
Edited by: Ben Wilkinson
Digital Compositor - 35 Episodes, 2011-2014
Lost Girl (2010)
Directed by: Steve DiMarco, Paolo Barzman, Ron Murphy, John Fawcett, Gail Harvey, Lee Rose, Robert Lieberman, David Greene, Paul Fox, Mairzee Almas, George Mihalka, Andy Mikita, Erik Canuel, Clark Johnson, Lynne Stopkewich, Michael DeCarlo, James Dunnison, Brett Sullivan, David Winning, Director X., Bruce McDonald
Edited by: Paul G. Day, Ben Wilkinson, Teresa Hannigan, Mike Lee, Dale Gagne, Brett Sullivan, Wendy Hallam Martin
Cameras: Panavision Genesis Camera
Lenses: Panavision Lenses
