Dan Gorval

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Star Trek Beyond | ShotOnWhat?

Best Boy / Grip

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Tomorrowland | ShotOnWhat?

Best Boy Grip

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Seventh Son | ShotOnWhat?

Best Boy Grip

Seventh Son (2014)

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

Alvin and the Chipmunks: Chipwrecked | ShotOnWhat?

Best Boy Grip

Alvin and the Chipmunks: Chipwrecked (2011)

Directed by: Mike Mitchell

Cinematography by: Thomas E. Ackerman

Edited by: Peter Amundson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Final Destination 5 | ShotOnWhat?

Best Boy Grip

Final Destination 5 (2011)

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Big Year | ShotOnWhat?

Best Boy Grip

The Big Year (2011)

Directed by: David Frankel

Cinematography by: Lawrence Sher

Edited by: Mark Livolsi

TRON | ShotOnWhat?

Best Boy Grip

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Charlie St. Cloud | ShotOnWhat?

Best Boy Grip

Charlie St. Cloud (2010)

Directed by: Burr Steers

Cinematography by: Enrique Chediak

Edited by: Padraic McKinley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Series Lenses

The Uninvited | ShotOnWhat?

Best Boy Grip

The Uninvited (2009)

Directed by: Charles Guard, Thomas Guard

Cinematography by: Daniel Landin

Edited by: Jim Page, Christian Wagner

Cameras: Panavision Cameras

X-Men Origins: Wolverine | ShotOnWhat?

Best Boy Grip

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

2012 | ShotOnWhat?

Best Boy Grip

2012 (2009)

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Day the Earth Stood Still | ShotOnWhat?

Best Boy Grip

The Day the Earth Stood Still (2008)

Directed by: Scott Derrickson

Cinematography by: David Tattersall

Edited by: Wayne Wahrman

Cameras: Panavision Cameras

War | ShotOnWhat?

Best Boy Grip

War (2007)

Directed by: Philip G. Atwell

Cinematography by: Pierre Morel

Edited by: Scott Richter

Fantastic Four: Rise of the Silver Surfer | ShotOnWhat?

Best Boy Grip

Fantastic Four: Rise of the Silver Surfer (2007)

Directed by: Tim Story

Cinematography by: Larry Blanford

Edited by: Peter S. Elliot, William Hoy

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Sony Vegas Editing System

Why Did I Get Married? | ShotOnWhat?

Best Boy Grip

Why Did I Get Married? (2007)

Directed by: Tyler Perry

Cinematography by: Toyomichi Kurita

Edited by: Maysie Hoy

Are We Done Yet? | ShotOnWhat?

Best Boy Grip

Are We Done Yet? (2007)

Directed by: Steve Carr

Cinematography by: Jack N. Green

Edited by: Craig Herring

RV | ShotOnWhat?

Best Boy Grip

RV (2006)

Directed by: Barry Sonnenfeld

Cinematography by: Fred Murphy

Edited by: Kevin Tent

Eragon | ShotOnWhat?

Best Boy Grip

Eragon (2006)

Directed by: Stefen Fangmeier

Cinematography by: Hugh Johnson

Edited by: Roger Barton, Masahiro Hirakubo, Chris Lebenzon

Scary Movie 4 | ShotOnWhat?

Best Boy Grip

Scary Movie 4 (2006)

Directed by: David Zucker

Cinematography by: Thomas E. Ackerman

Edited by: Craig Herring, Tom Lewis

Cameras: Panavision Genesis Camera

Are We There Yet? | ShotOnWhat?

Best Boy Grip

Are We There Yet? (2005)

Directed by: Brian Levant

Cinematography by: Thomas E. Ackerman

Edited by: Lawrence Jordan

Two for the Money | ShotOnWhat?

Best Boy Grip

Two for the Money (2005)

Directed by: D.J. Caruso

Cinematography by: Conrad W. Hall

Edited by: Glen Scantlebury

The Chronicles of Riddick | ShotOnWhat?

Best Boy Grip

The Chronicles of Riddick (2004)

Directed by: David Twohy

Cinematography by: Hugh Johnson

Edited by: Tracy Adams, Martin Hunter, Dennis Virkler

Willard | ShotOnWhat?

Grip: Second Unit

Willard (2003)

Directed by: Glen Morgan

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Scary Movie 3 | ShotOnWhat?

Grip

Scary Movie 3 (2003)

Directed by: David Zucker

Cinematography by: Mark Irwin

Edited by: Malcolm Campbell, Jon Poll

Insomnia | ShotOnWhat?

Best Boy Grip

Insomnia (2002)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Dody Dorn

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Ballistic: Ecks vs. Sever | ShotOnWhat?

Best Boy Grip

Ballistic: Ecks vs. Sever (2002)

Directed by: Wych Kaosayananda

Cinematography by: Julio Macat

Edited by: Jay Cassidy, Caroline Ross

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Cooke S4 Lenses

Ratz | ShotOnWhat?

Assistant Key Grip

Ratz (2000)

Television Movie

Directed by: Thom Eberhardt

Cinematography by: Ric Waite

Edited by: Shannon Mitchell

A Call to Remember | ShotOnWhat?

Best Boy Grip

A Call to Remember (1997)

Television Movie

Directed by: Jack Bender

Cinematography by: David Geddes

Edited by: Mark Melnick

The Desperate Trail | ShotOnWhat?

Grip

The Desperate Trail (1994)

Direct to Video

Directed by: P.J. Pesce

Cinematography by: Michael Bonvillain

Edited by: Bill Johnson

Harmony Cats | ShotOnWhat?

Electrician

Harmony Cats (1992)

Directed by: Sandy Wilson

Cinematography by: Philip Linzey

Edited by: Debra Rurak

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