Duncan Henderson

27 Titles

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Ben-Hur | ShotOnWhat?

Producer

Ben-Hur (2016)

Directed by: Timur Bekmambetov

Cinematography by: Oliver Wood

Edited by: Dody Dorn, Richard Francis-Bruce

Cameras: ARRI ALEXA Series Cameras, GoPro (Woodman Labs) Cameras, Red Digital Cinema Cameras

Editing System: Avid Editing System

Oblivion | ShotOnWhat?

Producer

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

Battleship | ShotOnWhat?

Producer

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Way Back | ShotOnWhat?

Producer, Unit Production Manager

The Way Back (2010)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

G-Force | ShotOnWhat?

Executive Producer

G-Force (2009)

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Poseidon | ShotOnWhat?

Producer

Poseidon (2006)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Master and Commander: The Far Side of the World | ShotOnWhat?

Producer

Master and Commander: The Far Side of the World (2003)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Harry Potter and the Sorcerer's Stone | ShotOnWhat?

Additional First Assistant Director, Executive Producer

Harry Potter and the Sorcerer's Stone (2001)

Directed by: Chris Columbus

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

The Perfect Storm | ShotOnWhat?

Executive Producer, Unit Production Manager

The Perfect Storm (2000)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

Deep Blue Sea | ShotOnWhat?

Executive Producer

Deep Blue Sea (1999)

Directed by: Renny Harlin

Cinematography by: Stephen F. Windon

Edited by: Derek Brechin, Dallas Puett, Frank J. Urioste

Outbreak | ShotOnWhat?

Executive Producer, Second Unit Director

Outbreak (1995)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: William Hoy, Lynzee Klingman, Stephen E. Rivkin, Neil Travis

The Program | ShotOnWhat?

Executive Producer

The Program (1993)

Directed by: David S. Ward

Cinematography by: Victor Hammer

Edited by: Kimberly Ray, Paul Seydor

Home Alone 2: Lost in New York | ShotOnWhat?

Executive Producer, Unit Production Manager

Home Alone 2: Lost in New York (1992)

Directed by: Chris Columbus

Cinematography by: Julio Macat

Edited by: Raja Gosnell

Cameras: Panavision Panaflex Platinum Camera

Dying Young | ShotOnWhat?

Co-producer, Jeopardy Contestant, Unit Production Manager

Dying Young (1991)

Directed by: Joel Schumacher

Cinematography by: Juan Ruiz Anchía

Edited by: Robert Brown, Jim Prior

Taking Care of Business | ShotOnWhat?

Co-producer

Taking Care of Business (1990)

Directed by: Arthur Hiller

Cinematography by: David M. Walsh

Edited by: William Reynolds

Green Card | ShotOnWhat?

Co-producer

Green Card (1990)

Directed by: Peter Weir

Cinematography by: Geoffrey Simpson

Edited by: William M. Anderson

Three Fugitives | ShotOnWhat?

Associate Producer, Unit Production Manager

Three Fugitives (1989)

Directed by: Francis Veber

Cinematography by: Haskell Wexler

Edited by: Bruce Green

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses: Angenieux HP Zoom Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

Dead Poets Society | ShotOnWhat?

Associate Producer, Unit Production Manager

Dead Poets Society (1989)

Directed by: Peter Weir

Cinematography by: John Seale

Edited by: William M. Anderson

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Earth Girls Are Easy | ShotOnWhat?

Line Producer

Earth Girls Are Easy (1988)

Directed by: Julien Temple

Cinematography by: Oliver Stapleton

Edited by: Richard Halsey

Quicksilver | ShotOnWhat?

First Assistant Director

Quicksilver (1986)

Directed by: Thomas Michael Donnelly

Cinematography by: Thomas Del Ruth

Edited by: Tom Rolf

Cobra | ShotOnWhat?

First Assistant Director

Cobra (1986)

Directed by: George P. Cosmatos

Cinematography by: Ric Waite

Edited by: James R. Symons, Don Zimmerman

Cameras: Panavision Cameras

The Man with One Red Shoe | ShotOnWhat?

First Assistant Director: Second Unit

The Man with One Red Shoe (1985)

Directed by: Stan Dragoti

Cinematography by: Richard H. Kline

Edited by: O. Nicholas Brown, Bud Molin

Cameras: Panavision Cameras

Rocky IV | ShotOnWhat?

First Assistant Director

Rocky IV (1985)

Directed by: Sylvester Stallone

Cinematography by: Bill Butler

Edited by: John W. Wheeler, Don Zimmerman

Cameras: Panavision Panaflex Gold Camera

Racing with the Moon | ShotOnWhat?

Second Assistant Director

Racing with the Moon (1984)

Directed by: Richard Benjamin

Cinematography by: John Bailey

Edited by: Jacqueline Cambas, Nicholas James

My Favorite Year | ShotOnWhat?

Second Assistant Director

My Favorite Year (1982)

Directed by: Richard Benjamin

Cinematography by: Gerald Hirschfeld

Edited by: Richard Chew

St. Helens | ShotOnWhat?

Second Assistant Director

St. Helens (1981)

Directed by: Ernest Pintoff

Cinematography by: Jacques Haitkin

Edited by: George Berndt

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Heaven's Gate | ShotOnWhat?

Dga Trainee

Heaven's Gate (1980)

Directed by: Michael Cimino

Cinematography by: Vilmos Zsigmond

Edited by: Lisa Fruchtman, Gerald B. Greenberg, William Reynolds, Tom Rolf

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