Kelly Oxford

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Shazam! | ShotOnWhat?

Supervising ADR Editor

Shazam! (2019)

Directed by: David F. Sandberg

Cinematography by: Maxime Alexandre

Edited by: Michel Aller

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Zeiss Master Prime Lenses

The Nun | ShotOnWhat?

Supervising Adr Editor

The Nun (2018)

Directed by: Corin Hardy

Cinematography by: Maxime Alexandre

Edited by: Michel Aller, Ken Blackwell

Cameras: ARRI ALEXA Camera

Lenses: Leitz Summilux-C Series Lenses

Green Book | ShotOnWhat?

Dialogue Editor

Green Book (2018)

Directed by: Peter Farrelly

Cinematography by: Sean Porter

Edited by: Patrick J. Don Vito

Cameras: ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses

Fifty Shades of Grey | ShotOnWhat?

Supervising Sound Editor

Fifty Shades of Grey (2015)

Directed by: Sam Taylor-Johnson

Cinematography by: Seamus McGarvey

Edited by: Anne V. Coates, Lisa Gunning, Debra Neil-Fisher

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Dumb and Dumber To | ShotOnWhat?

Supervising Sound Editor

Dumb and Dumber To (2014)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Steven Rasch

Cameras: ARRI ALEXA Camera

Lenses: Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Iron Man Three | ShotOnWhat?

Chronicle | ShotOnWhat?

Supervising Sound Editor

Chronicle (2012)

Directed by: Josh Trank

Cinematography by: Matthew Jensen

Edited by: Elliot Greenberg

Cameras: ARRI ALEXA Camera, Canon Vixia HF M30 Camera, Canon XL1 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Jack Reacher | ShotOnWhat?

Adr Supervisor / Dialogue Supervisor

Jack Reacher (2012)

Directed by: Christopher McQuarrie

Cinematography by: Caleb Deschanel

Edited by: Kevin Stitt

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Big Mommas: Like Father, Like Son | ShotOnWhat?

Supervising Sound Editor

Big Mommas: Like Father, Like Son (2011)

Directed by: John Whitesell

Cinematography by: Anthony B. Richmond

Edited by: Priscilla Nedd-Friendly

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

A Little Bit of Heaven | ShotOnWhat?

Supervising Sound Editor

A Little Bit of Heaven (2011)

Directed by: Nicole Kassell

Cinematography by: Russell Carpenter

Edited by: Stephen A. Rotter

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Darkest Hour | ShotOnWhat?

Supervising Sound Editor

The Darkest Hour (2011)

Directed by: Chris Gorak

Cinematography by: Scott Kevan

Edited by: Priscilla Nedd-Friendly, Fernando Villena, Doobie White

Cameras: Sony CineAlta F35 Camera, Sony HDC-P1 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Devil | ShotOnWhat?

Sound Designer / Supervising Sound Editor

Devil (2010)

Directed by: John Erick Dowdle

Cinematography by: Tak Fujimoto

Edited by: Elliot Greenberg

Cameras: Panavision Cameras

All Good Things | ShotOnWhat?

Supervising Sound Editor

All Good Things (2010)

Directed by: Andrew Jarecki

Cinematography by: Michael Seresin

Edited by: David Rosenbloom, Shelby Siegel

Friday the 13th | ShotOnWhat?

Supervising Sound Editor

Friday the 13th (2009)

Directed by: Marcus Nispel

Cinematography by: Daniel Pearl

Edited by: Ken Blackwell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses

Sorority Row | ShotOnWhat?

Supervising Sound Editor

Sorority Row (2009)

Directed by: Stewart Hendler

Cinematography by: Ken Seng

Edited by: Elliot Greenberg

The Midnight Meat Train | ShotOnWhat?

Supervising Sound Editor

The Midnight Meat Train (2008)

Directed by: Ryûhei Kitamura

Cinematography by: Jonathan Sela

Edited by: Toby Yates

Are We Done Yet? | ShotOnWhat?

Supervising Sound Editor

Are We Done Yet? (2007)

Directed by: Steve Carr

Cinematography by: Jack N. Green

Edited by: Craig Herring

The Hitcher | ShotOnWhat?

Supervising Sound Editor

The Hitcher (2007)

Directed by: Dave Meyers

Cinematography by: James Hawkinson

Edited by: Jim May

The Bourne Ultimatum | ShotOnWhat?

Supervising Foley Editor

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Nobel Son | ShotOnWhat?

Supervising Sound Editor

Nobel Son (2007)

Directed by: Randall Miller

Cinematography by: Mike Ozier

Edited by: Randall Miller

The Texas Chainsaw Massacre: The Beginning | ShotOnWhat?

Supervising Sound Editor

The Texas Chainsaw Massacre: The Beginning (2006)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Jonathan Chibnall, Jim May, Joel Negron

The Benchwarmers | ShotOnWhat?

Supervising Adr Editor

The Benchwarmers (2006)

Directed by: Dennis Dugan

Cinematography by: Thomas E. Ackerman

Edited by: Peck Prior, Sandy S. Solowitz

Bobby | ShotOnWhat?

Dialogue Editor

Bobby (2006)

Directed by: Emilio Estevez

Cinematography by: Michael Barrett

Edited by: Richard Chew

Hoot | ShotOnWhat?

Supervising Sound Editor

Hoot (2006)

Directed by: Wil Shriner

Cinematography by: Michael Chapman

Edited by: Alan Edward Bell

The Amityville Horror | ShotOnWhat?

Supervising Sound Editor

The Amityville Horror (2005)

Directed by: Andrew Douglas

Cinematography by: Peter Lyons Collister

Edited by: Roger Barton, Christian Wagner

Must Love Dogs | ShotOnWhat?

Dialogue Supervisor

Must Love Dogs (2005)

Directed by: Gary David Goldberg

Cinematography by: John Bailey

Edited by: Roger Bondelli, Eric A. Sears

Cameras: Panavision Cameras

Are We There Yet? | ShotOnWhat?

Adr Editor

Are We There Yet? (2005)

Directed by: Brian Levant

Cinematography by: Thomas E. Ackerman

Edited by: Lawrence Jordan

I Heart Huckabees | ShotOnWhat?

Supervising Sound Editor

I Heart Huckabees (2004)

Directed by: David O. Russell

Cinematography by: Peter Deming

Edited by: Robert K. Lambert

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Music Man | ShotOnWhat?

Supervising Sound Editor

The Music Man (2003)

Television Movie

Directed by: Jeff Bleckner

Cinematography by: James Chressanthis

Edited by: Bryan M. Horne, Geoffrey Rowland

The Last Samurai | ShotOnWhat?

Adr Editor

The Last Samurai (2003)

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Victor Du Bois, Steven Rosenblum

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Willard | ShotOnWhat?

Sound Effects Editor

Willard (2003)

Directed by: Glen Morgan

Cinematography by: Robert McLachlan

Edited by: James Coblentz

A Guy Thing | ShotOnWhat?

Adr Editor

A Guy Thing (2003)

Directed by: Chris Koch

Cinematography by: Robbie Greenberg

Edited by: David Moritz

Dumb and Dumberer: When Harry Met Lloyd | ShotOnWhat?

Supervising Sound Editor

Dumb and Dumberer: When Harry Met Lloyd (2003)

Directed by: Troy Miller

Cinematography by: Anthony B. Richmond

Edited by: Lawrence Jordan

Eye See You | ShotOnWhat?

Adr Editor

Eye See You (2002)

Directed by: Jim Gillespie

Cinematography by: Dean Semler

Edited by: Timothy Alverson, Steve Mirkovich

Scooby-Doo | ShotOnWhat?

Supervising Adr Editor

Scooby-Doo (2002)

Directed by: Raja Gosnell

Cinematography by: David Eggby

Edited by: Kent Beyda

Cameras: Panavision Cameras

We Were Soldiers | ShotOnWhat?

Supervising Adr Editor

We Were Soldiers (2002)

Directed by: Randall Wallace

Cinematography by: Dean Semler

Edited by: William Hoy

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Original Sin | ShotOnWhat?

Adr Supervisor

Original Sin (2001)

Directed by: Michael Cristofer

Cinematography by: Rodrigo Prieto

Edited by: Eric A. Sears

The Affair of the Necklace | ShotOnWhat?

Supervising Sound Editor

The Affair of the Necklace (2001)

Directed by: Charles Shyer

Cinematography by: Ashley Rowe

Edited by: David Moritz

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses: Angenieux HR Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Ultra Prime Lenses

The Gift | ShotOnWhat?

Adr Editor

The Gift (2000)

Directed by: Sam Raimi

Cinematography by: Jamie Anderson

Edited by: Arthur Coburn, Bob Murawski

Almost Famous | ShotOnWhat?

Adr Supervisor

Almost Famous (2000)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Saar Klein

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The 6th Day | ShotOnWhat?

Adr Editor

The 6th Day (2000)

Directed by: Roger Spottiswoode

Cinematography by: Pierre Mignot

Edited by: Michel Arcand, Mark Conte, Dominique Fortin

End of Days | ShotOnWhat?

Co-supervising Sound Editor

End of Days (1999)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Jeff Gullo, Steven Kemper

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

The Corruptor | ShotOnWhat?

Adr Editor

The Corruptor (1999)

Directed by: James Foley

Cinematography by: Juan Ruiz Anchía

Edited by: Howard E. Smith

Cameras: Aaton 35-III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Any Given Sunday | ShotOnWhat?

Adr Editor

Any Given Sunday (1999)

Directed by: Oliver Stone

Cinematography by: Salvatore Totino

Edited by: Stuart Levy, Thomas J. Nordberg, Keith Salmon, Stuart Waks

Never Been Kissed | ShotOnWhat?

Supervising Adr Editor

Never Been Kissed (1999)

Directed by: Raja Gosnell

Cinematography by: Alex Nepomniaschy

Edited by: Debra Chiate, Marcelo Sansevieri

Mighty Joe Young | ShotOnWhat?

Foley Supervisor / Supervising Foley Editor

Mighty Joe Young (1998)

Directed by: Ron Underwood

Cinematography by: Donald Peterman, Oliver Wood

Edited by: Paul Hirsch

A Simple Plan | ShotOnWhat?

Sound Editor

A Simple Plan (1998)

Directed by: Sam Raimi

Cinematography by: Alar Kivilo

Edited by: Eric L. Beason, Arthur Coburn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mulan | ShotOnWhat?

Foley Supervisor

Mulan (1998)

Directed by: Tony Bancroft, Barry Cook

Edited by: Michael Kelly

The Prince of Egypt | ShotOnWhat?

Foley Supervisor

The Prince of Egypt (1998)

Directed by: Brenda Chapman, Steve Hickner, Simon Wells

Edited by: Nick Fletcher

Playing by Heart | ShotOnWhat?

Foley Editor

Playing by Heart (1998)

Directed by: Willard Carroll

Cinematography by: Vilmos Zsigmond

Edited by: Pietro Scalia

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Face/Off | ShotOnWhat?

Sound Effects Editor

Face/Off (1997)

Directed by: John Woo

Cinematography by: Oliver Wood

Edited by: Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Home Alone 3 | ShotOnWhat?

Supervising Adr Editor

Home Alone 3 (1997)

Directed by: Raja Gosnell

Cinematography by: Julio Macat

Edited by: Malcolm Campbell, Bruce Green, David Rennie

Cameras: Panavision Panaflex Gold Camera

The Relic | ShotOnWhat?

Digital Sound Effects Editor

The Relic (1997)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Steven Kemper

Cutthroat Island | ShotOnWhat?

Foley Supervisor / Supervising Foley Editor

Cutthroat Island (1995)

Directed by: Renny Harlin

Cinematography by: Peter Levy

Edited by: Derek Brechin, Florent Retz, Frank J. Urioste, Ralph E. Winters, Bert Lovitt

Nixon | ShotOnWhat?

Sound Effects Editor

Nixon (1995)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Congo | ShotOnWhat?

Sound Effects Editor

Congo (1995)

Directed by: Frank Marshall

Cinematography by: Allen Daviau

Edited by: Anne V. Coates

Chasers | ShotOnWhat?

Foley Editor

Chasers (1994)

Directed by: Dennis Hopper

Cinematography by: Ueli Steiger

Edited by: Christian Wagner

Natural Born Killers | ShotOnWhat?

Dubbing Editor

Natural Born Killers (1994)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Terminal Velocity | ShotOnWhat?

Supervising Sound Editor

Terminal Velocity (1994)

Directed by: Deran Sarafian

Cinematography by: Oliver Wood

Edited by: Peck Prior, Frank J. Urioste

A Far Off Place | ShotOnWhat?

Foley Editor

A Far Off Place (1993)

Directed by: Mikael Salomon

Cinematography by: Juan Ruiz Anchía

Edited by: Ray Lovejoy

Cameras: Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

Dennis the Menace | ShotOnWhat?

Sound Effects Editor

Dennis the Menace (1993)

Directed by: Nick Castle

Cinematography by: Thomas E. Ackerman

Edited by: Alan Heim

Night and the City | ShotOnWhat?

Sound Effects Editor

Night and the City (1992)

Directed by: Irwin Winkler

Cinematography by: Tak Fujimoto

Edited by: David Brenner

Cameras: Panavision Cameras

Home Alone 2: Lost in New York | ShotOnWhat?

Foley Editor

Home Alone 2: Lost in New York (1992)

Directed by: Chris Columbus

Cinematography by: Julio Macat

Edited by: Raja Gosnell

Cameras: Panavision Panaflex Platinum Camera

JFK | ShotOnWhat?

Dubbing Editor

JFK (1991)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Joe Hutshing, Pietro Scalia

Cameras: ARRIFLEX 16SR Camera, Panavision Panaflex Gold Camera

Lenses: Panavision E35 35 mm T2.0 Lens

Editing System: K.E.M. Editing System

Only the Lonely | ShotOnWhat?

Foley Editor

Only the Lonely (1991)

Directed by: Chris Columbus

Cinematography by: Julio Macat

Edited by: Raja Gosnell, Peter Teschner

The Doors | ShotOnWhat?

Assistant Sound Editor

The Doors (1991)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: David Brenner, Joe Hutshing

Home Alone | ShotOnWhat?

Sound Editor

Home Alone (1990)

Directed by: Chris Columbus

Cinematography by: Julio Macat

Edited by: Raja Gosnell

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Speed Panchro Lenses, Zeiss Lenses

Solar Crisis | ShotOnWhat?

Assistant Sound Editor

Solar Crisis (1990)

Directed by: Richard C. Sarafian, Alan Smithee

Cinematography by: Russell Carpenter

Edited by: Richard Trevor

Cameras: Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses

Steel Magnolias | ShotOnWhat?

Assistant Sound Editor

Steel Magnolias (1989)

Directed by: Herbert Ross

Cinematography by: John A. Alonzo

Edited by: Paul Hirsch

Glory | ShotOnWhat?

Assistant Sound Editor

Glory (1989)

Directed by: Edward Zwick

Cinematography by: Freddie Francis

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Gold II Camera

No Mercy | ShotOnWhat?

Assistant Sound Editor

No Mercy (1986)

Directed by: Richard Pearce

Cinematography by: Michel Brault

Edited by: Gerald B. Greenberg, Bill Yahraus

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