According to one strongly supported view, fiction is a functional kind that communicates imaginings. Combining this definitional thesis with a plausible principle concerning functional kinds leads to the following evaluative thesis: features that contribute to communicating imaginings constitute good-making features as fiction, and features that impede this constitute bad-making features as fiction. However, this thesis is at odds with the actual practice of fiction. Critics can show their admiration for complicated works of fiction by stating, “That’s beyond my imagination!” I (...) argue that in resolving this paradox of hard-to-imagine fiction, we should not deny the observation, but rethink the definitional thesis. Works of fiction that are puzzling, redundant, contradictory, and collapsed can have a unique value that smooth works cannot. They can have value as fiction in that they challenge our imagination or place us in an exotic state of being lost in the imagination. (shrink)