Yang, 2012 - Google Patents
KutimanYang, 2012
- Document ID
- 5077924914172522374
- Author
- Yang K
- Publication year
- Publication venue
- Art and Social Justice Education
External Links
Snippet
“Let's just pick the mother of all funk chords,” one man suggests from his corner of the screen (see Plate 3). In response, DIY webcast musicians worldwide seem to extemporize: online instructors vamp their guitars, a boy blows an arpeggio through his trumpet, a school band …
- 230000003203 everyday effect 0 abstract description 2
Classifications
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B19/00—Teaching not covered by other main groups of this subclass
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B15/00—Teaching music
- G09B15/02—Boards or like means for providing an indication of notes
- G09B15/04—Boards or like means for providing an indication of notes with sound emitters
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
- G10H2210/031—Musical analysis, i.e. isolation, extraction or identification of musical elements or musical parameters from a raw acoustic signal or from an encoded audio signal
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H1/00—Details of electrophonic musical instruments
- G10H1/0008—Associated control or indicating means
-
- A—HUMAN NECESSITIES
- A63—SPORTS; GAMES; AMUSEMENTS
- A63F—CARD, BOARD, OR ROULETTE GAMES; INDOOR GAMES USING SMALL MOVING PLAYING BODIES; VIDEO GAMES; GAMES NOT OTHERWISE PROVIDED FOR
- A63F2300/00—Features of games using an electronically generated display having two or more dimensions, e.g. on a television screen, showing representations related to the game
- A63F2300/10—Features of games using an electronically generated display having two or more dimensions, e.g. on a television screen, showing representations related to the game characterized by input arrangements for converting player-generated signals into game device control signals
- A63F2300/1062—Features of games using an electronically generated display having two or more dimensions, e.g. on a television screen, showing representations related to the game characterized by input arrangements for converting player-generated signals into game device control signals being specially adapted to a type of game, e.g. steering wheel
Similar Documents
Publication | Publication Date | Title |
---|---|---|
McClary | Desire and pleasure in seventeenth-century music | |
Ratliff | Every song ever: Twenty ways to listen in an age of musical plenty | |
Charnas | Dilla time: The life and afterlife of J Dilla, the hip-hop producer who reinvented rhythm | |
Murray-Browne | Interactive music: Balancing creative freedom with musical development. | |
Rao | Cultural Boundary and National Border: Recent Works of Tan Dun, Chen Yi, and Bright Sheng | |
Yang | Kutiman | |
Greenfield-Casas | Re: Replay: On the Classical Arrangement and Concertization of Video Game Music | |
Goecke | What is at stake in jazz education? Creative black music and the twenty-first-century learning environment | |
Ching | Beyond Rhythm: Exploring Infinite Possibilities in Music, Movement and Choreography-Hands Percussion Malaysia | |
Matei | Luigi Russolo: The Work and Influence of a Visionary-The Birth of Noise-Music | |
Garner | So you want to sing country: A guide for performers | |
Sharp | A performance guide to Glenn Kotche's" Monkey Chant" | |
Barg | Strayhorn’s Queer Arrangements | |
Smith | ‘Conjuring some magic’: paganism and the musical and visual aesthetics of Florence+ the Machine and Bat for Lashes | |
Mailman | INTRODUCTION On Milton Babbitt: Progressive Artistic Research, Decorous Pranks, and Pig-Stand Jazz | |
Barg | Working behind the scenes: gender, sexuality, and collaboration in the vocal arrangements of Billy Strayhorn | |
Asfoura | Orffův Schulwerk a jeho aplikace v hudební výchově na Kypru. | |
Rideout | Creativity and Songwriting | |
Cateforis | The world of Wes Anderson and Mark Mothersbaugh: Between childhood and adulthood in The Royal Tenenbaums | |
Curtis | I’ma Stranger Here Myself: An Analysis of a Selection of Kurt Weill’s Vocal Music | |
Bergmark | The Hell Harp of Hieronymus Bosch. The building of an experimental musical instrument, and a critical account of an experience of a community of musicians. | |
Eaby | Kwaito's Legacy of Aestheticizing Freedom: Amapiano in Langa township and the World | |
Lambert | Alec Wilder | |
Bertinetto | The Arts of Improvisation | |
Manzo et al. | INTERACTIVE MUSIC SYSTEMS |