Books by Marianna Griffini
Bern [etc.], Peter Lang, July 2019, 222 p. : ill. (Global Politics and Security ; 3), ISBN 978-3-0343-3847-9; 978-3-0343-3873-8 (Pdf); 978-3-0343-3874-5 (ePub), 2019
In recent elections across the European Union, parties adopting an anti-immigration stance and ma... more In recent elections across the European Union, parties adopting an anti-immigration stance and making use of populist rhetoric have been gaining electoral breakthrough. Against this backdrop, and in order to contribute to a deeper understanding of the connections binding migration and populism dynamics in Europe, this volume aims to trigger a discussion on the causes and consequences of the rise of populism in Europe, and deconstruct the rhetorical frames it uses to depict migratory flows as an exceptional phenomenon.
Volume published by Jean Monnet Centre of Excellence “Europe in the World” at the Department of European and International Studies of King's College London. Presented in Rome on 16 July 2019.
Special Journal Issues by Marianna Griffini
Journal of Visual Culture, 2019
This Roundtable on Visuality, Race and Nationhood in Italy
brings together scholars from the arts... more This Roundtable on Visuality, Race and Nationhood in Italy
brings together scholars from the arts, humanities and social sciences to discuss historical constructions of Italian whiteness and national identity in relation to the current xenophobic discourse on race and migration, stressing their rootedness in as yet unchallenged modern notions of scientific racism. Building on postcolonial historian and anthropologist Ann Laura Stoler’s definition of the colonial archive as a ‘site of knowledge production’ and a ‘repository of codified beliefs’ in Along the Archival Grain: Epistemic Anxieties and Colonial Common Sense (2009: 97), the discussants conceive the archive as a multi-layered, collective repository of aspiration, dominance, desire, self-aggrandizement and fear through which the development of society’s self-image can be revealed but also – through a systematic and critical approach to the (visual) archive of coloniality –contested. Based on the analysis of visual cultures (photographs, news footage, advertisements, propaganda, fiction film, etc.) the Roundtable addresses and connects wide-ranging issues such as: the gaze from above and below in colonial-era ethnographic film; the depiction of migration in the Far Right’s rhetoric; representations of fears and fetishisms towards Others in Federico Fellini’s work; and the exploitation of the colonial past in the Italy–Libya Bilateral Agreements on migration. The Roundtable was organized in response to the surge in xenophobic violence sparked by the Italian Parliamentary elections of March 2018 and to mark the publication of Gaia Giuliani’s monograph Race, Nation, and Gender in Modern Italy: Intersectional Representations in Visual Culture (2018).
Articles by Marianna Griffini
Journal of Visual Culture, 2019
This Roundtable on Visuality, Race and Nationhood in Italy brings together scholars from the arts... more This Roundtable on Visuality, Race and Nationhood in Italy brings together scholars from the arts, humanities and social sciences to discuss historical constructions of Italian whiteness and national identity in relation to the current xenophobic discourse on race and migration, stressing their rootedness in as yet unchallenged modern notions of scientific racism.
Building on postcolonial historian and anthropologist Ann Laura Stoler’s definition of the colonial archive as a ‘site of knowledge production’ and a ‘repository of codified beliefs’ in Along the Archival Grain: Epistemic Anxieties and Colonial Common Sense (2009: 97), the discussants conceive the archive as a multi-layered, collective repository of aspiration, dominance, desire, self-aggrandizement and fear through which the development of society’s self-image can be revealed but also – through a systematic and critical approach to the (visual) archive of coloniality – contested.
Based on the analysis of visual cultures (photographs, news footage, advertisements, propaganda, fiction film, etc.) the Roundtable addresses and connects wide-ranging issues such as: the gaze from above and below in colonial-era ethnographic film; the depiction of migration in the Far Right’s rhetoric; representations of fears and fetishisms towards Others in Federico Fellini’s work; and the exploitation of the colonial past in the Italy–Libya Bilateral Agreements on migration.
Papers by Marianna Griffini
Quaderni dell Osservatorio elettorale QOE - IJES
As the fatal grip of the Covid-19 pandemic started to ease, in summer 2022 Italy underwent seismi... more As the fatal grip of the Covid-19 pandemic started to ease, in summer 2022 Italy underwent seismic political developments, which saw the establishment of the first totally populist radical right government in Italian history. On 25 September 2022, the general elections shook up the Italian political scene, with Fratelli d'Italia (FdI) scoring a resounding victory that earned the party the seat of the Prime Minister. Despite fears of a radicalisation of FdI resulting in a neofascist government, evidence points in a different direction. Therefore, the aim of this article is to investigate whether, in the first 100 days in government, FdI moderated, radicalised, or displayed continuity with its trademark ideology and manifesto pledges. While acknowledging the copious amount of bills, decrees, and laws proposed by the governing coalition, as well as a plethora of speeches they released, in the interest of space, the scope of this article is circumscribed to the analysis of the new e...
The Politics of Memory in the Italian Populist Radical Right
European Politics and Society
Partecipazione e Conflitto, 2020
For Book Reviews Abstract is not required
In recent elections across the European Union, parties adopting an anti-immigration stance and ma... more In recent elections across the European Union, parties adopting an anti-immigration stance and making use of populist rhetoric have been gaining electoral breakthrough. Against this backdrop, and in order to contribute to a deeper understanding of the connections binding migration and populism dynamics in Europe, this volume aims to trigger a discussion on the causes and consequences of the rise of populism in Europe, and deconstruct the rhetorical frames it uses to depict migratory flows as an exceptional phenomenon. Volume published by Jean Monnet Centre of Excellence “Europe in the World” at the Department of European and International Studies of King's College London. Presented in Rome on 16 July 2019.
Journal of Visual Culture
This Roundtable on Visuality, Race and Nationhood in Italy brings together scholars from the arts... more This Roundtable on Visuality, Race and Nationhood in Italy brings together scholars from the arts, humanities and social sciences to discuss historical constructions of Italian whiteness and national identity in relation to the current xenophobic discourse on race and migration, stressing their rootedness in as yet unchallenged modern notions of scientific racism. Building on postcolonial historian and anthropologist Ann Laura Stoler’s definition of the colonial archive as a ‘site of knowledge production’ and a ‘repository of codified beliefs’ in Along the Archival Grain: Epistemic Anxieties and Colonial Common Sense (2009: 97), the discussants conceive the archive as a multi-layered, collective repository of aspiration, dominance, desire, self-aggrandizement and fear through which the development of society’s self-image can be revealed but also – through a systematic and critical approach to the (visual) archive of coloniality – contested. Based on the analysis of visual cultures (...
World Complexity Science Academy Journal
Book Reviews by Marianna Griffini
Partecipazione e Conflitto, 2020
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Books by Marianna Griffini
Volume published by Jean Monnet Centre of Excellence “Europe in the World” at the Department of European and International Studies of King's College London. Presented in Rome on 16 July 2019.
Special Journal Issues by Marianna Griffini
brings together scholars from the arts, humanities and social sciences to discuss historical constructions of Italian whiteness and national identity in relation to the current xenophobic discourse on race and migration, stressing their rootedness in as yet unchallenged modern notions of scientific racism. Building on postcolonial historian and anthropologist Ann Laura Stoler’s definition of the colonial archive as a ‘site of knowledge production’ and a ‘repository of codified beliefs’ in Along the Archival Grain: Epistemic Anxieties and Colonial Common Sense (2009: 97), the discussants conceive the archive as a multi-layered, collective repository of aspiration, dominance, desire, self-aggrandizement and fear through which the development of society’s self-image can be revealed but also – through a systematic and critical approach to the (visual) archive of coloniality –contested. Based on the analysis of visual cultures (photographs, news footage, advertisements, propaganda, fiction film, etc.) the Roundtable addresses and connects wide-ranging issues such as: the gaze from above and below in colonial-era ethnographic film; the depiction of migration in the Far Right’s rhetoric; representations of fears and fetishisms towards Others in Federico Fellini’s work; and the exploitation of the colonial past in the Italy–Libya Bilateral Agreements on migration. The Roundtable was organized in response to the surge in xenophobic violence sparked by the Italian Parliamentary elections of March 2018 and to mark the publication of Gaia Giuliani’s monograph Race, Nation, and Gender in Modern Italy: Intersectional Representations in Visual Culture (2018).
Articles by Marianna Griffini
Building on postcolonial historian and anthropologist Ann Laura Stoler’s definition of the colonial archive as a ‘site of knowledge production’ and a ‘repository of codified beliefs’ in Along the Archival Grain: Epistemic Anxieties and Colonial Common Sense (2009: 97), the discussants conceive the archive as a multi-layered, collective repository of aspiration, dominance, desire, self-aggrandizement and fear through which the development of society’s self-image can be revealed but also – through a systematic and critical approach to the (visual) archive of coloniality – contested.
Based on the analysis of visual cultures (photographs, news footage, advertisements, propaganda, fiction film, etc.) the Roundtable addresses and connects wide-ranging issues such as: the gaze from above and below in colonial-era ethnographic film; the depiction of migration in the Far Right’s rhetoric; representations of fears and fetishisms towards Others in Federico Fellini’s work; and the exploitation of the colonial past in the Italy–Libya Bilateral Agreements on migration.
Papers by Marianna Griffini
Book Reviews by Marianna Griffini
Volume published by Jean Monnet Centre of Excellence “Europe in the World” at the Department of European and International Studies of King's College London. Presented in Rome on 16 July 2019.
brings together scholars from the arts, humanities and social sciences to discuss historical constructions of Italian whiteness and national identity in relation to the current xenophobic discourse on race and migration, stressing their rootedness in as yet unchallenged modern notions of scientific racism. Building on postcolonial historian and anthropologist Ann Laura Stoler’s definition of the colonial archive as a ‘site of knowledge production’ and a ‘repository of codified beliefs’ in Along the Archival Grain: Epistemic Anxieties and Colonial Common Sense (2009: 97), the discussants conceive the archive as a multi-layered, collective repository of aspiration, dominance, desire, self-aggrandizement and fear through which the development of society’s self-image can be revealed but also – through a systematic and critical approach to the (visual) archive of coloniality –contested. Based on the analysis of visual cultures (photographs, news footage, advertisements, propaganda, fiction film, etc.) the Roundtable addresses and connects wide-ranging issues such as: the gaze from above and below in colonial-era ethnographic film; the depiction of migration in the Far Right’s rhetoric; representations of fears and fetishisms towards Others in Federico Fellini’s work; and the exploitation of the colonial past in the Italy–Libya Bilateral Agreements on migration. The Roundtable was organized in response to the surge in xenophobic violence sparked by the Italian Parliamentary elections of March 2018 and to mark the publication of Gaia Giuliani’s monograph Race, Nation, and Gender in Modern Italy: Intersectional Representations in Visual Culture (2018).
Building on postcolonial historian and anthropologist Ann Laura Stoler’s definition of the colonial archive as a ‘site of knowledge production’ and a ‘repository of codified beliefs’ in Along the Archival Grain: Epistemic Anxieties and Colonial Common Sense (2009: 97), the discussants conceive the archive as a multi-layered, collective repository of aspiration, dominance, desire, self-aggrandizement and fear through which the development of society’s self-image can be revealed but also – through a systematic and critical approach to the (visual) archive of coloniality – contested.
Based on the analysis of visual cultures (photographs, news footage, advertisements, propaganda, fiction film, etc.) the Roundtable addresses and connects wide-ranging issues such as: the gaze from above and below in colonial-era ethnographic film; the depiction of migration in the Far Right’s rhetoric; representations of fears and fetishisms towards Others in Federico Fellini’s work; and the exploitation of the colonial past in the Italy–Libya Bilateral Agreements on migration.