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Double-stops at divisi #23225
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I'd like to think ultimately this informed the playback engine too - two notes played on the same instrument will always sound quite different to ones played on different instruments. Curiously this already seems to be true for Muse Brass, unexpectedly - chords are played differently from the same notes but using different staves/voices, one per note. |
I forgot to mention one more important thing. 12-30-57.mp4 |
Your idea
I think everyone knows what double-stops are. Currently, it is partially possible to achieve their designation in MuseScore Studio using a bracket meaning "non-arpeggio". I suggest introducing a special option in some palette (or in the toolbar, which in my opinion is more appropriate) that allows you to combine the corresponding notes with a bracket during double-stops.
Problem to be solved
As I noted above, it is possible to achieve the designation of double-stops in terms of engraving, but only partially. Firstly, because the bracket "non-arpeggio", presented in the palette "Arpeggios and glissandos", is not intended to indicate double-stops, and if, for example, I want to separate voices from one staff into two (because of divisi), then the notes of the double-stop, respectively, will also break into two staffs.
![Снимок экрана (384)](https://private-user-images.githubusercontent.com/134041121/339163909-d2373b8e-efb5-4d97-85ed-e4ae90af218b.png?jwt=eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpc3MiOiJnaXRodWIuY29tIiwiYXVkIjoicmF3LmdpdGh1YnVzZXJjb250ZW50LmNvbSIsImtleSI6ImtleTUiLCJleHAiOjE3MjI1NDQwNzksIm5iZiI6MTcyMjU0Mzc3OSwicGF0aCI6Ii8xMzQwNDExMjEvMzM5MTYzOTA5LWQyMzczYjhlLWVmYjUtNGQ5Ny04NWVkLWU0YWU5MGFmMjE4Yi5wbmc_WC1BbXotQWxnb3JpdGhtPUFXUzQtSE1BQy1TSEEyNTYmWC1BbXotQ3JlZGVudGlhbD1BS0lBVkNPRFlMU0E1M1BRSzRaQSUyRjIwMjQwODAxJTJGdXMtZWFzdC0xJTJGczMlMkZhd3M0X3JlcXVlc3QmWC1BbXotRGF0ZT0yMDI0MDgwMVQyMDIyNTlaJlgtQW16LUV4cGlyZXM9MzAwJlgtQW16LVNpZ25hdHVyZT0wNWQyYzJkMTE4OWFjMmU5YmViYjhhMGIyOThmZjhiMTcxYmY4NGMyMjZkNWIzYTI2YmJmYjc1ZWNjMmIxYTJkJlgtQW16LVNpZ25lZEhlYWRlcnM9aG9zdCZhY3Rvcl9pZD0wJmtleV9pZD0wJnJlcG9faWQ9MCJ9.DB-dJcYVeLJ9cfP8stXvTpWDSzaAcHg9uQiXBU0D0v0)
Secondly, there may be several divisi lines on one staff, and these several lines may have simultaneous double-stops. In the event that some notes of simultaneous double-stops coincide on the staff (or are less than half a space apart from each other), the currently existing "non-arpeggio" brackets will intersect.
For such cases, the noteheads should be separated (with stems, respectively), and double-stop brackets should be placed on different sides (maybe, of course, there is a newer and more correct way, but if there is, then I don't know yet):
![Снимок экрана (386)](https://private-user-images.githubusercontent.com/134041121/339167729-c032f38b-fcf0-4cc3-b476-43298779bca2.png?jwt=eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpc3MiOiJnaXRodWIuY29tIiwiYXVkIjoicmF3LmdpdGh1YnVzZXJjb250ZW50LmNvbSIsImtleSI6ImtleTUiLCJleHAiOjE3MjI1NDQwNzksIm5iZiI6MTcyMjU0Mzc3OSwicGF0aCI6Ii8xMzQwNDExMjEvMzM5MTY3NzI5LWMwMzJmMzhiLWZjZjAtNGNjMy1iNDc2LTQzMjk4Nzc5YmNhMi5wbmc_WC1BbXotQWxnb3JpdGhtPUFXUzQtSE1BQy1TSEEyNTYmWC1BbXotQ3JlZGVudGlhbD1BS0lBVkNPRFlMU0E1M1BRSzRaQSUyRjIwMjQwODAxJTJGdXMtZWFzdC0xJTJGczMlMkZhd3M0X3JlcXVlc3QmWC1BbXotRGF0ZT0yMDI0MDgwMVQyMDIyNTlaJlgtQW16LUV4cGlyZXM9MzAwJlgtQW16LVNpZ25hdHVyZT02MTg0ZDFiZTUzM2Y2NWNjZDQ4ODkzOGRmMTE5NmMzM2I2MmM4NWJmMGY0YTc3YzFjMTFmOWQ2ZjY1YmYwMTU1JlgtQW16LVNpZ25lZEhlYWRlcnM9aG9zdCZhY3Rvcl9pZD0wJmtleV9pZD0wJnJlcG9faWQ9MCJ9.AaHS98yGpFr4itMqW_W7YGYRStqHhMp1Ke3fUdzuzf4)
Prior art
No response
Additional context
When I talk about double-stops, I also mean triple-stops, quadruple-stops, etc. In the score, it is also important to separate them from each other in order to distinguish them from divisi.
![Снимок экрана (387)](https://private-user-images.githubusercontent.com/134041121/339168598-28946d14-45c5-4c9b-80f7-83fdeaf0331e.png?jwt=eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpc3MiOiJnaXRodWIuY29tIiwiYXVkIjoicmF3LmdpdGh1YnVzZXJjb250ZW50LmNvbSIsImtleSI6ImtleTUiLCJleHAiOjE3MjI1NDQwNzksIm5iZiI6MTcyMjU0Mzc3OSwicGF0aCI6Ii8xMzQwNDExMjEvMzM5MTY4NTk4LTI4OTQ2ZDE0LTQ1YzUtNGM5Yi04MGY3LTgzZmRlYWYwMzMxZS5wbmc_WC1BbXotQWxnb3JpdGhtPUFXUzQtSE1BQy1TSEEyNTYmWC1BbXotQ3JlZGVudGlhbD1BS0lBVkNPRFlMU0E1M1BRSzRaQSUyRjIwMjQwODAxJTJGdXMtZWFzdC0xJTJGczMlMkZhd3M0X3JlcXVlc3QmWC1BbXotRGF0ZT0yMDI0MDgwMVQyMDIyNTlaJlgtQW16LUV4cGlyZXM9MzAwJlgtQW16LVNpZ25hdHVyZT1jNjI3NzM1NGFmYzRjOGY2ZmJkYzZlNWVjOWM5MTFlNGFjNzM4MDdmNTc5NDg4OWQyM2MyMDgyOGE5ODUyYjVlJlgtQW16LVNpZ25lZEhlYWRlcnM9aG9zdCZhY3Rvcl9pZD0wJmtleV9pZD0wJnJlcG9faWQ9MCJ9.kfZ_REM5EnrBG5gjF2f9KNKbDyj68h2ZTX_-Qk4bxIk)
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