Byron Kim: Difference between revisions
adjusted lead to be more standard wording. ethnicity usually shouldn't go up front; we're encouraged to put nationality first |
Changing short description from "American painter (1961–)" to "American painter (born 1961)" |
||
| (One intermediate revision by one other user not shown) | |||
| Line 1: | Line 1: | ||
{{Short description|American painter ( |
{{Short description|American painter (born 1961)}} |
||
'''Byron Kim''' (born in 1961 in [[La Jolla]], [[California]]) is an American [[contemporary art]]ist. He is [[Korean Americans|Korean American]], and lives and works in [[Brooklyn]], [[New York (state)|New York]].<ref>{{Cite web |last=Vogel |first=Maria |date=2021-03-19 |title=Artist Byron Kim’s Deceptively Modest Meditations on Identity Pose Important Questions—Here Are 3 Facts to Know About His Work |url=https://news.artnet.com/art-world/byron-kim-three-1949443 |access-date=2023-07-10 |website=Artnet News |language=en-US}}</ref><ref>{{Cite web |last=Berwick |first=Carly |date=2011-04-23 |title=Stranger in America |url=https://www.artnews.com/art-in-america/features/glenn-ligon-62890/ |access-date=2022-04-29 |website=ARTnews.com |language=en-US}}</ref> In the early 1990s he produced [[minimalist]] paintings exploring racial identity. He graduated from Yale University in 1983 where he was a member of [[Manuscript Society]]. |
'''Byron Kim''' (born in 1961 in [[La Jolla]], [[California]]) is an American [[contemporary art]]ist. He is [[Korean Americans|Korean American]], and lives and works in [[Brooklyn]], [[New York (state)|New York]].<ref>{{Cite web |last=Vogel |first=Maria |date=2021-03-19 |title=Artist Byron Kim’s Deceptively Modest Meditations on Identity Pose Important Questions—Here Are 3 Facts to Know About His Work |url=https://news.artnet.com/art-world/byron-kim-three-1949443 |access-date=2023-07-10 |website=Artnet News |language=en-US}}</ref><ref>{{Cite web |last=Berwick |first=Carly |date=2011-04-23 |title=Stranger in America |url=https://www.artnews.com/art-in-america/features/glenn-ligon-62890/ |access-date=2022-04-29 |website=ARTnews.com |language=en-US}}</ref> In the early 1990s he produced [[minimalist]] paintings exploring racial identity. He graduated from Yale University in 1983 where he was a member of [[Manuscript Society]]. |
||
| Line 8: | Line 8: | ||
Kim also paints landscapes<ref name=Lovelace/> and makes photographic assemblages.<ref>Grace Glueck, [https://www.nytimes.com/2005/12/09/arts/art-in-review-byron-kim.html ''Art in Review'', ''The New York Times'', Dec 9, 2005.]</ref> |
Kim also paints landscapes<ref name=Lovelace/> and makes photographic assemblages.<ref>Grace Glueck, [https://www.nytimes.com/2005/12/09/arts/art-in-review-byron-kim.html ''Art in Review'', ''The New York Times'', Dec 9, 2005.]</ref> |
||
His work may be found in the permanent collection of the [[National Gallery of Art]] in Washington, DC.<ref>{{Cite web |title=Byron Kim |url=https://www.nga.gov/collection/artist-info.33095.html}}</ref> |
|||
==See also== |
==See also== |
||
Latest revision as of 22:34, 11 May 2024
Byron Kim (born in 1961 in La Jolla, California) is an American contemporary artist. He is Korean American, and lives and works in Brooklyn, New York.[1][2] In the early 1990s he produced minimalist paintings exploring racial identity. He graduated from Yale University in 1983 where he was a member of Manuscript Society.
Works
[edit]Kim's work in the early 1990s consisted of monochrome canvases depicting the skin tones of friends and family.[3] He gained early recognition for Synecdoche, his contribution to the 1993 Whitney Biennial, which embodied the aesthetic and political aspirations of the art in that year's exhibition.[4] Synecdoche (1991–1992) is a grid of 400 small, monochromatic paintings. Each panel recreates the skin color of an individual who sat for Kim while he painted their portrait.[4] Although the works, at first glance, resemble minimalist paintings of the 1960s the racial and political dimensions became apparent after reading in the exhibition catalogue how the works came about.[5]
These monochrome canvases were followed by two or three-zoned canvases that color-sampled objects, sites or people.[3] Kim collaborated with artist Glenn Ligon on Black & White (1993), part of a series critiquing the 'prejudices' of art materials, specifically the hues of 'Flesh'-colored tubes of paint.[6] 46 Halsey Drive Wallingford CT (1995) records his family members' various recollections of the color of a home Kim lived in as a child. Other works employ a more naturalistic approach to represent details such as the palms of the artist's hands, or the whorls in his children's hair.
Kim also paints landscapes[3] and makes photographic assemblages.[7]
His work may be found in the permanent collection of the National Gallery of Art in Washington, DC.[8]
See also
[edit]- Inside the Artist's Studio, Princeton Architectural Press, 2015. (ISBN 978-1616893040)
References
[edit]- ^ Vogel, Maria (2021-03-19). "Artist Byron Kim's Deceptively Modest Meditations on Identity Pose Important Questions—Here Are 3 Facts to Know About His Work". Artnet News. Retrieved 2023-07-10.
- ^ Berwick, Carly (2011-04-23). "Stranger in America". ARTnews.com. Retrieved 2022-04-29.
- ^ a b c Carey Lovelace, Byron Kim at Max Protetch - Brief Article, Art in America, October 2001.
- ^ a b Michael Kelly in Salim Kemal, Ivan Gaskell, Politics and Aesthetics in the Arts, Cambridge University Press, 2000, p249. ISBN 0-521-45418-2
- ^ Michael Kelly in Salim Kemal, Ivan Gaskell, Politics and Aesthetics in the Arts, Cambridge University Press, 2000, pp249-250. ISBN 0-521-45418-2
- ^ Erika Doss, Twentieth-Century American Art, Oxford University Press, 2002, p237. ISBN 0-19-284239-0
- ^ Grace Glueck, Art in Review, The New York Times, Dec 9, 2005.
- ^ "Byron Kim".
| International | |
|---|---|
| National | |
| Artists | |
| Other | |
