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Deepa Dhanraj
editDeepa Dhanraj (born 1953 in Hyderabad, South India) is an Indian writer and filmmaker. Since the early 1980s, she has produced documentary films about struggles for social justice in South India. She is particularly committed to political participation, health and education.
| Table of contents
1 Life and work 2 Reception 3 Filmography 4 Awards 5 Publications 6 Web links 7 References |
Life and work
editDhanraj has been active in the women's movement for over four decades. Her extensive filmography includes films on violence and coercion in population control programs, on Muslim women's courts that offer petitioners an alternative to the patriarchal rulings of Sharia courts, and on the rise of Hindu majoritarianism.[1]
She began her career in 1980 as a co-founder of the film collective Yugantar,[2] a feminist film collective that produces groundbreaking films about women's work and their resistance to domestic violence. In an interview with film scholar Nicole Wolf, Deepa Dhanraj explained the political background of the collective and reported on the beginnings of the collaboration with women workers' groups: “Part of our work was also to legitimize these women-led movements as important movements, as they were not only made invisible by the male-led unions of the time, but also devalued in the hierarchy of issues considered important.”[3]
The issue of jurisdiction and justice has accompanied Deepa Dhanraj since the beginning. In her films, she questions the caste system and customary law. She shows successful strategies used by indigenous and Muslim women to counter patriarchal judgments. In her work, Dhanraj examines successful strategies used by indigenous and Muslim women to resist patriarchal prejudices. She critically examines the practices of state bodies, the suppression of dissenting opinions, violence in prisons and the impunity of corruption. She focuses on the need to remind elected governments that they have a responsibility to protect the constitutional right to life and liberty of women.[4]
Deepa Dhanraj deals with the caste issue and the resistance against it in many of her films. She addresses the various forms of discrimination faced by the casteless Dalit and indigenous Adivasi communities. She has worked closely with government schools to develop a pedagogy specifically tailored to the challenges faced by first generation students from Dalit and Adivasi communities.[5]
Deepa Dhanraj is a founding member of the Oral History Association of India.[6] Together with K. Lalita, she published the book Rupture, Loss and Living: Minority women speak about post conflict life with Orient Blackswan in 2016. The book collects the stories of Muslim women who have survived sectarian violence in Hyderabad, Mumbai and Gujarat over the last three decades. The publication of their accounts enables a critical public examination of the power structures in which these women are rooted.
Reception
editDhanraj's films have been shown and awarded at national and international film festivals, including the Mumbai International Film Festival, idfa, the Berlin International Film Festival, Dok Leipzig, the Oberhausen Short Film Festival and Visions du Reel. As part of the Berlinale 2023, in the Forum Expanded section, a special exhibition on the history of the film collective Yugantar and Deepa Dhanraj was held at the Savvy Contemporary gallery.[7]
According to the Indian daily newspaper The Hindu, her work has helped to raise awareness of the challenges and resistance faced by women in India and around the world.[8]
Filmography
edit1981: Molkarin (Maid Servant), 25 min
1982: Tambaku Chaakila Oob Ali (Tobacco Ember), 25 mins.
1983: Idhi Katha Matramena (Is This Just a Story?), 25 min[9]
1983: Sudesha, 30 min
1986: Kya hua is shahar ko? (What Happened to This City?), 90 min[10]
1991: Something Like War, 52 min[11]
1994: The Legacy of Malthus, 50 min
2000: Nari Adalat (Women's Courts), 30 mins
2007: The Advocate, 120 min
2011: Invoking justice, 86 min[12]
2018: We Have Not Come Here to Die, 110 min
Awards
edit1992: Swiss Television Award, Festival International Du Film Documentaire, Nyon
1993: Best Long Documentary, Films De Femmes, Creteil
2023: Lifetime Achievement Award at the International Documentary and Short Film Festival of Kerala
Publications
editwith K. Lalita: Rupture, Loss and Living: Minority women speak about post conflict life. Orient Blackswan, Hyderabad 2016, ISBN 978-81-250-6415-2.
Web links
editReferences
edit- ^ "Deepa Dhanraj: Collectivizing Resistance on Screen". idsffk.in. Retrieved 2024-12-05.
- ^ "Yugantar Film Collective". Yugantar Film Collective. Retrieved 2024-12-05.
- ^ "Deepa Dhanraj". Yugantar Film Collective. Retrieved 2024-12-05.
- ^ "Deepa Dhanraj". Yugantar Film Collective. Retrieved 2024-12-05.
- ^ Kishore, Shweta (2014-08-13). "Transcending testimony: an interview with filmmaker Deepa Dhanraj". The Conversation. Retrieved 2024-12-05.
- ^ "Talking Process with K. Lalita & Deepa Dhanraj – Oral History Association of India". Retrieved 2024-12-05.
- ^ "| Berlinale | Archiv | Programm | Programm". www.berlinale.de (in German). Retrieved 2024-12-05.
- ^ Praveen, S. R. (2023-08-04). "IDSFFK | Deepa Dhanraj interview: A lifetime of raising pertinent questions through documentaries". The Hindu. ISSN 0971-751X. Retrieved 2024-12-05.
- ^ "| Berlinale | Archiv | Programm | Programm". www.berlinale.de (in German). Retrieved 2024-12-05.
- ^ "| Berlinale | Archiv | Programm | Programm". www.berlinale.de (in German). Retrieved 2024-12-05.
- ^ "Something Like a War". www.wmm.com. Retrieved 2024-12-05.
- ^ "Invoking Justice". www.wmm.com. Retrieved 2024-12-05.